Book Description
The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.
This novel is the deeply disturbing story of a monstrous creation which has terrified and chilled readers ever since its first publication in 1818. The novel is the outcome of reflection on Gothic horror, galvanism, the then theories concerning the origin of life and the myth of Prometheus.
Amazon.com
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.
From 500 Great Books by Women; review by Jesse Larsen
After being rescued from an iceberg, Dr. Frankenstein relates his autobiography to the ship's captain, complete with vivid descriptions of his idyllic childhood and passionate cries of regret that not even his love for Elizabeth could control his fanatic ambition. Dr. Frankenstein has been consumed by his desire to create a fully-grown living creature. When he reaches his goal, he perceives his creation as a monster, immediately regrets his work, and promptly abandons it. We also hear the poignant voice of the monster as he describes the spurning and physical attacks he has endured because of his ugliness; his desolate pain and loneliness; how he learns to love; how he finally finds and tries, unsuccessfully, to make peace with his maker; how he learns to hate. A story within a story, Frankenstein is a subtle and ironic prophecy that raises the question of who exactly is the real monster in this story.
From Booklist
Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago.
Hazel Rochman
From School Library Journal
Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations.
Michele Snyder, Chappaqua Public Library, NY
From AudioFile
With so many poor adaptations of Mary Shelley's classic work in all forms of media, it's refreshing to come across a production that retains the quality, premise, and themes of the original book. As the title and principal character, Dr. Frankenstein has an affected voice that suits his tragically ambitious character. The supporting cast works well in a full range of emotions. The script and vocal characterizations de-emphasize Shelley's vision of an intelligent and cunning monster, but this is a quibble. This production is a boon for students new to the book, teachers looking for supplemental classroom materials, and fans of classic literature. A.F.
About Author
Mary Shelley was born Mary Wollstonecraft Godwin on August 30, 1797 in London, the daughter of William Godwin--a radical philosopher and novelist, and Mary Wollstonecraft--a renowned feminist and the author of Vindication of the Rights of Woman. She eloped to France with Shelley in 1814, although they were not married until 1816, after the suicide of his first wife. She began work on Frankenstein in 1816 in Switzerland, while they were staying with Lord Byron, and it was published in 1818 to immediate acclaim. She died in London in 1851.
Book Dimension :
length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor.
Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years.
Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

The stories of
are remarkably simple – a family is drawn together by shared and separate losses, a child’s reality conflicts with his parents’ memories, a young man struggles to come to terms with the loss of his father.
Yet each piece of writing in this critically acclaimed collection is infused with a powerful life of its own, a precision of language and a scrupulous fidelity to the reality of time and place, of sea and Maritime farm.
Focusing on the complexities and abiding mysteries at the heart of human relationships, the seven stories of
map the close bonds and impassable chasms that lie between man and woman, parent and child.

The Epic of Gilgamesh (ca. 2500-1500 B.C.E.) is one of the world's greatest epic narratives and, quite possibly, its oldest epic poem. Our text is based on a new English translation from original sources. An introduction, interpretive headings, explanatory annotations, and illustrations guide readers through the text and help them explore Near Eastern history and culture. Analogues includes two related groups of ancient poetry. The first is a collection of shorter, older Sumerian poems about the hero Gilgamesh, some of which appear in The Epic of Gilgamesh . The second collection includes material about Gilgamesh from the Hittite language, translations or paraphrases of Babylonian versions of the epic that have not been preserved in the same form. Criticism provides introduction and analysis in essays by William Moran, Thorkild Jacobsen, and Rivkah Harris. A Glossary of Proper Names and a Selected Bibliography are included. About the Series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Volume I of The Oxford History of Historical Writing offers essays by leading scholars on the development and history of the major traditions of historical writing, including the ancient Near East, Classical Greece and Rome, and East and South Asia from their origins until ca. AD 600. It aims at once to provide an authoritative survey of the field and to provoke cross-cultural comparisons. This is the first of five volumes in a series that will explore representations of the past from the beginning of writing to the present day, and from all over the world.
Show More
Show Less

Thorough and accessible, this book presents the design principles of biological systems, and highlights the recurring circuit elements that make up biological networks. It provides a simple mathematical framework which can be used to understand and even design biological circuits. The text avoids specialist terms, focusing instead on several well-studied biological systems that concisely demonstrate key principles. "An Introduction to Systems Biology: Design Principles of Biological Circuits" builds a solid foundation for the intuitive understanding of general principles. It encourages the reader to ask why a system is designed in a particular way and then proceeds to answer with simplified models.

In 2008, a Gallup poll showed that 44 percent of Americans believed God had created man in his present form within the last 10,000 years. In a Pew Forum poll in the same year, 42 percent believed that all life on earth has existed in its present form since the beginning of time. In 1859 Charles Darwin's masterpiece, On the Origin of Species , shook society to its core. Darwin was only too aware of the storm his theory of evolution would provoke. But he surely would have raised an incredulous eyebrow at the controversy still raging a century and a half later. Evolution is accepted as scientific fact by all reputable scientists and indeed theologians, yet millions of people continue to question its veracity. Now the author of the iconic work The God Delusion takes them to task. The Greatest Show on Earth is a stunning counterattack on advocates of "Intelligent Design," explaining the evidence for evolution while exposing the absurdities of the creationist "argument." Dawkins sifts through rich layers of scientific evidence: from living examples of natural selection to clues in the fossil record; from natural clocks that mark the vast epochs wherein evolution ran its course to the intricacies of developing embryos; from plate tectonics to molecular genetics. Combining these elements and many more, he makes the airtight case that "we find ourselves perched on one tiny twig in the midst of a blossoming and flourishing tree of life and it is no accident, but the direct consequence of evolution by non-random selection." The Greatest Show on Earth comes at a critical time: systematic opposition to the fact of evolution is menacing as never before. In American schools, and in schools around the world, insidious attempts are made to undermine the status of science in the classroom. Dawkins wields a devastating argument against this ignorance, but his unjaded passion for the natural world turns what might have been a negative argument into a positive offering to the reader: nothing less than a master's vision of life, in all its splendor.

New York Times bestselling author Hampton Sides returns with a white-knuckle tale of polar exploration and survival in the Gilded Age
In the late nineteenth century, people were obsessed by one of the last unmapped areas of the globe: the North Pole. No one knew what existed beyond the fortress of ice rimming the northern oceans, although theories abounded. The foremost cartographer in the world, a German named August Petermann, believed that warm currents sustained a verdant island at the top of the world. National glory would fall to whoever could plant his flag upon its shores.
James Gordon Bennett, the eccentric and stupendously wealthy owner of The New York Herald, had recently captured the world's attention by dispatching Stanley to Africa to find Dr. Livingstone. Now he was keen to re-create that sensation on an even more epic scale. So he funded an official U.S. naval expedition to reach the Pole, choosing as its captain a young officer named George Washington De Long, who had gained fame for a rescue operation off the coast of Greenland. De Long led a team of 32 men deep into uncharted Arctic waters, carrying the aspirations of a young country burning to become a world power. On July 8, 1879, the USS Jeannette set sail from San Francisco to cheering crowds in the grip of "Arctic Fever."
The ship sailed into uncharted seas, but soon was trapped in pack ice. Two years into the harrowing voyage, the hull was breached. Amid the rush of water and the shrieks of breaking wooden boards, the crew abandoned the ship. Less than an hour later, the Jeannette sank to the bottom,and the men found themselves marooned a thousand miles north of Siberia with only the barest supplies. Thus began their long march across the endless ice—a frozen hell in the most lonesome corner of the world. Facing everything from snow blindness and polar bears to ferocious storms and frosty labyrinths, the expedition battled madness and starvation as they desperately strove for survival.
With twists and turns worthy of a thriller, In The Kingdom of Ice is a spellbinding tale of heroism and determination in the most unforgiving territory on Earth.

Based on a National Magazine Award-winning article, this masterful biography of Hungarian-born Paul Erdos is both a vivid portrait of an eccentric genius and a layman's guide to some of this century's most startling mathematical discoveries.

这是一本薄薄的小书。首版于1918年由纽约一家出版社出版。作者William Strunk,康耐尔大学英语教授，E.B.怀特对此书加以了修正。此书短小精悍，容量巨大。涵盖了母语英语的人写作和用法上常出的错误，也清晰地解释了一些语法书中很难找到的语言现象。虽然是为说英语的学生所写,但对于任何需要进一步了解英文用法，进而学习书写英文的人，这本书必不可少的。

This unique book closes the gap between psychology textbooks and the research that made them possible by offering a first hand glimpse into 40 of the most famous studies in the history of the field, and subsequent studies that expanded upon each study's influence. Readers are able to grasp the process and excitement of scientific discovery as they experience an insider's look at the studies that continue today to be cited most frequently, stirred up the most controversy when they were first published, sparked the most subsequent related research, opened new fields of psychological exploration, and changed most dramatically our knowledge of human behavior.

Review
"An intellectual tour of the discipline of comparative politics with some of its most creative pioneers and contemporary practitioners. The carefully organized interviews offer surprising perspectives about our eclectic and evolving field, and remind us of why we became scholars of comparative politics in the first place." -- Edward Gibson, Northwestern University
"This fascinating history of comparative politics offers a panoramic view of major debates and of trends in theoretical and methodological approaches over the second half of the 20th century. It brings the field to life by letting scholars who shaped it sketch their own intellectual biographies. Reading it is a truly enriching and enjoyable experience for any comparativist." -- Evelyne Huber, University of North Carolina
"This book fills a huge void in the profession of political science. Through a series of fifteen carefully prepared and referenced, wide-ranging, and often captivating interviews with many of the most influential scholars of comparative politics, we gain a priceless perspective on the growth of the discipline and the craft of research and theory building. In their intelligent and probing interviews (and very valuable introductory chapters), Munck and Snyder go a long way toward correcting our crippling deficit in professional memory, while revealing the life histories, moral convictions, intellectual passions, and divergent theoretical and methodological approaches that have shaped and advanced comparative politics in the last half-century. This book should be read by everyone who is preparing for, or thinking about, a career in political science, no matter the field." -- Larry Diamond, coeditor, Journal of Democracy
"Reading autobiographical reflections of notable scholars is a pleasurable way of learning about a field of study. These interviews cover a good slice of modern comparative government. They are wide ranging, focused, and informative. And fun to read." -- Nelson W. Polsby, University of California, Berkeley
"To show how great works that have shaped our understanding of politics and society are rooted in individual lives is a wonderful project. Munck and Snyder are the best of guides. Thoroughly informed about the scholarship, they explore the personal side with deftness, tact, and imagination. The result is a series of lively and revealing intellectual portraits." -- Dietrich Rueschemeyer, Watson Institute for International Studies
"A fascinating oral history of comparative politics in the United States. You could read the collected books and articles of all the fifteen leading lights represented here and never grasp the insights that these interviews offer: how wars, immigration, and the economy shaped the research agenda; how the backgrounds, personalities, and life experiences of these scholars guided their work; and how these scholars evaluate one another and those beyond this elite circle. Munck and Snyder have performed an invaluable service to the discipline." -- Michael Coppedge, University of Notre Dame
"This distinctive book frequently illuminates the dynamics of major scholars' research agendas (and of their career paths more generally), thus making it highly recommended reading for researchers in this subfield." -- Choice
"I told my qualitative research class to read at least three of the interviews in the book and summarize what they took from each. The response was amazing. Most of them had read most of the book. They were moved, inspired, and reassured by it. Each of them felt validated by something one of these scholars said. We ended up discussing the interviews through much of the class... the discussion of how real scholars relate their world and their scholarship was so exciting to them that I didn't want to stop it. So thanks... for helping them to bridge the often daunting distance between themselves and the names on the texts they read in class -- it was truly rewarding." -- Margaret Keck, Johns Hopkins University
Product Description
In the first collection of interviews with the most prominent scholars in comparative politics since World War II, Gerardo L. Munck and Richard Snyder trace key developments in the field during the twentieth century.
Organized around a broad set of themes -- intellectual formation and training; major works and ideas; the craft and tools of research; colleagues, collaborators, and students; and the past and future of comparative politics -- these in-depth interviews offer unique and candid reflections that bring the research process to life and shed light on the human dimension of scholarship.
Giving voice to scholars who practice their craft in different ways yet share a passion for knowledge about global politics, Passion, Craft, and Method in Comparative Politics offers a wealth of insights into contemporary debates about the state of knowledge in comparative politics and the future of the field.

There is no better way to own and appreciate the world's greatest written works. Great Books of the Western World is one of the most acclaimed publishing feats of our time. Authoritative, accurate, and complete, this collection represents the essential core of the Western literary canon, compiling 517 of the most significant achievements in literature, history, philosophy, and science into a color-coded set as handsome as it is affordable. From the ancient classics to the newest masterpieces of the 20th century, Great Books traces the ideas, stories, and discoveries that have shaped modern civilization. Volumes 1 and 2 of this collection is the Syntopicon, a unique two-volume guide (not sold separately) that enables you to investigate a particular idea and compare what different authors have to say about it. The Syntopicon comprises a new kind of reference work -- accomplishing for ideas what the dictionary accomplishes for words and the encyclopaedia accomplishes for facts. Also included is the Great Conversation, featuring fascinating background information, extensive timelines, photos, and quotes from the classic works and their authors. 60 volumes Individual Volume Size: 9 1/2" H x 1"-2" W (Across Spine) x 6 1/2" D Overall Width of Set: 65"(5'5") Special colors on the Great Books' spines guide you quickly to the four subject areas -

Let your vocabulary speak for itself.
Knowing which words to use and how to use them is key to communicating accurately and effectively. That’s why more than one million people have used Word Smart to improve their vocabularies! This updated 5th edition defines and explains more than 1,400 need-to-know vocabulary words.
To create this book, thePrinceton Review analyzed newspapers from the New York Times to the Wall Street Journal , magazines from Time to Scientific American , and books from current bestsellers to classics. We also combed through the SAT and other standardized tests to determine which words are tested most frequently. We sifted out the words that most people know, and focused on words that most people misunderstand or misuse.
This updated edition of Word Smart gives you the most important words you need to know toget better grades, score higher on tests, and communicate more confidently at work.

WORD SMART, 5th EDITION include more than 1,400 words covering:
• Common usage errors
• The most frequently tested words on standardized tests
• Foreign phrases and abbreviations
• Terms you need to know to understand finance, science, and the arts

From Galileo to today’s amateur astronomers, scientists have been rebels, writes Freeman J. Dyson. Like artists and poets, they are free spirits who resist the restrictions their cultures impose on them. In their pursuit of nature’s truths, they are guided as much by imagination as by reason, and their greatest theories have the uniqueness and beauty of great works of art.Dyson argues that the best way to understand science is by understanding those who practice it. He tells stories of scientists at work, ranging from Isaac Newton’s absorption in physics, alchemy, theology, and politics, to Ernest Rutherford’s discovery of the structure of the atom, to Albert Einstein’s stubborn hostility to the idea of black holes. His descriptions of brilliant physicists like Edward Teller and Richard Feynman are enlivened by his own reminiscences of them. He looks with a skeptical eye at fashionable scientific fads and fantasies, and speculates on the future of climate prediction, genetic engineering, the colonization of space, and the possibility that paranormal phenomena may exist yet not be scientifically verifiable.Dyson also looks beyond particular scientific questions to reflect on broader philosophical issues, such as the limits of reductionism, the morality of strategic bombing and nuclear weapons, the preservation of the environment, and the relationship between science and religion. These essays, by a distinguished physicist who is also a prolific writer, offer informed insights into the history of science and fresh perspectives on contentious current debates about science, ethics, and faith.

Best-selling author Michael Lewis examines how a Nobel Prize–winning theory of the mind altered our perception of reality.
Forty years ago, Israeli psychologists Daniel Kahneman and Amos Tversky wrote a series of breathtakingly original studies undoing our assumptions about the decision-making process. Their papers showed the ways in which the human mind erred, systematically, when forced to make judgments about uncertain situations. Their work created the field of behavioral economics, revolutionized Big Data studies, advanced evidence-based medicine, led to a new approach to government regulation, and made much of Michael Lewis’s own work possible. Kahneman and Tversky are more responsible than anybody for the powerful trend to mistrust human intuition and defer to algorithms.
The Undoing Project is about the fascinating collaboration between two men who have the dimensions of great literary figures. They became heroes in the university and on the battlefield―both had important careers in the Israeli military―and their research was deeply linked to their extraordinary life experiences. In the process they may well have changed, for good, mankind’s view of its own mind.

"It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured."
So begins this epic, mesmerizing first novel set in the underworld of contemporary Bombay. Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.
Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.
As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.
Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas – this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

"On the Road" chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make "On the Road" an inspirational work of lasting importance.
Chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West."
On the Road, Jack Kerouac's whirling, swirling celebration of the generation we call Beat, was first published in 1957, by The Viking Press in the States, and André Deutsch in the UK. To celebrate its fiftieth birthday, we're publishing the unexpurgated scroll for the first time, in a beautiful hardback edition that is absolutely exquisite. Legend has it that Kerouac wrote the novel in a fury of movement: fuelled by caffeine and cigarettes, he typed this magisterial work on a series of pieces of paper, taped together to make a rudimentary `scroll', flowing down the page, unstoppable, rather like the energetic road trip he and his friend, Neal Cassady, took across America, and that he documents in the novel.
For the first time, you can finally read exactly what Kerouac wrote - the edition we all know and love was strongly edited, to excise the more racy bits that were deemed to be too strong meat for the `50s crowd. References to sex and drugs - though not entirely expunged - were toned down and tempered. The text was chopped up into neat paragraphs, to be easy on the eye. But now you can read the full, out-of-breath paean to the heady joys of living with the wind in your hair and only a dollar in your pocket.
In the New York Times, Luc Sante writes that `The novel that "On the Road" became was inarguably the book that young people needed in 1957, but the sparse and unassuming scroll is the living version for our time.' Too right. If you haven't read the scroll yet, I envy you hugely.

《李特:布朗英文写作手册》(中文简释本)(第9版)从展开思路、形成观点到规范引文和参考文献格式，从搜索网络信息、各学科论文写作指导到撰写商务信函和演讲稿，它能够解答几乎所有关于写作的问题。这本手册不仅能提高你的英文写作能力，更能帮助你正确地使用英文写作研究性论文及其他实用性应用文。