Description
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time." Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.
Contents
List of Illustrations
Introduction
PRELUDE. L'Orfeo, or the Anxiety of the Moderns
PART I. BACH'S CYCLE
1. The Arrested Procession
Appendix: St. Matthew Passion, opening chorus, full score
2. A Crystal Flying Like a Bullet
3. There Is No Time Like God's Time
INTERLUDE. Jean-Jacques contra Augustinum: A Little Treatise on Moral-Political Theology
Augustine
The Birth of Autonomy
Rousseau
The Christian and Modern Outlooks Compared
The Emancipation of Time
From Cosmos to History
PART II. MOZART'S ARROW
4. Mozart at Play
5. The Hidden Center
6. Between Incoherence and Inauthenticity: Don Giovanni and Faust
7. Die Zauberflöte, or the Self-Assertion of the Moderns
POSTLUDE. Between Utopia and Melancholy: Beethoven and the Aesthetic State
Acknowledgments
Notes
Works Cited
Index
About The Author
Awards
Marjorie Weston Emerson Award, The Mozart Society of America

一部堪称经典的社会学入门书。作者一反教科书面面俱到的写法，择要描绘了社会学的主要议题，充满人文关怀和反思性，深入浅出而不乏洞见，使初学者在轻松阅读中看到社会学事业的宏观图景。
——刘欣（复旦大学社会学系教授）
本书描绘的社会学是一种能够把个人情趣与追求真相的科学精神、专业智慧与常人关怀结合成一体的学科。社会学其实比一般人心中的形象更加精彩。作者所描述的社会学是那种能够发现人类行为的无比丰富性、能够在个中不以为奇的现象中展现专业洞见的学问——这种学问会多一些人文情愫，少一些枯燥沉闷。
——高丙中（北京大学社会学系教授）