CHINA
Making It Count 豆瓣
作者: Arunabh Ghosh 出版社: Princeton University Press 2020 - 3
In 1949, at the end of a long period of wars, one of the biggest challenges facing leaders of the new People’s Republic of China was how much they did not know. The government of one of the world’s largest nations was committed to fundamentally reengineering its society and economy via socialist planning while having almost no reliable statistical data about their own country. Making It Count is the history of efforts to resolve this “crisis in counting.” Drawing on a wealth of sources culled from China, India, and the United States, Arunabh Ghosh explores the choices made by political leaders, statisticians, academics, statistical workers, and even literary figures in attempts to know the nation through numbers.
Ghosh shows that early reliance on Soviet-inspired methods of exhaustive enumeration became increasingly untenable in China by the mid-1950s. Unprecedented and unexpected exchanges with Indian statisticians followed, as the Chinese sought to learn about the then-exciting new technology of random sampling. These developments were overtaken by the tumult of the Great Leap Forward (1958–61), when probabilistic and exhaustive methods were rejected and statistics was refashioned into an ethnographic enterprise. By acknowledging Soviet and Indian influences, Ghosh not only revises existing models of Cold War science but also globalizes wider developments in the history of statistics and data.
Anchored in debates about statistics and its relationship to state building, Making It Count offers fresh perspectives on China’s transition to socialism.
明清北堂天主教晚祷 / Vespers to the Virgin in China 豆瓣 豆瓣 Discogs
7.8 (13 个评分) Jean-Christophe Frisch 类型: 古典
发布日期 2004年5月5日 出版发行: K617
十七世纪的北京,在明朝皇帝允许之下,成立了四所天主教堂。其中最重要者称为北堂,由意大利传教士利玛窦所创设。利氏出身罗马神学院,曾在印度传教五年,1582年到达澳门,1598年到达北京,1610年去世,乃是中世纪之后到过北京的第一个欧洲人。随利氏前去的西班牙教士潘托亚曾研习音乐,他为北堂打下圣母晚祷仪式音乐的基础。
经过代代相传,目前北京北堂合唱团仍旧在演唱这些音乐。曲目包括利氏亲自谱写的作品,以及皈依天主教的中国诗人李悟之作(以《天乐正音》为总标题)等等。
本辑收录其中十五曲。尚-克里斯多福.弗利许曾师事古乐权威指挥家克里斯提,他原本以巴洛克长笛独奏著称,所灌录韦瓦第长笛奏鸣曲专辑评价极高,后来则成立18-21光明音乐合奏团,以演奏罕见古曲,并赋予二十一世纪的敏锐度为己任