Renaissance and Revolution is a collection of fifteen essays which opens up alternative perspectives on some of the problems seen to be associated with the Scientific Revolution of the sixteenth and seventeenth centuries. The topics treated include the dissemination of Greek science, medical empiricism, natural history, the relations of scholars and craftsmen in various walks of life from the fifteenth to the sixteenth centuries, the so-called 'mechanical philosophy' in France and England, the work of Isaac Newton, and the difficulties encountered by proponents of Newtonianism in Italy in the early eighteenth century. Figures discussed include Leonardo Fioravanti, Jan Swammerdam, Piero Della Francesca, Johannes Hevelius, Jonas Moore, Robert Boyle, Isaac Newton, Christiaan Huygens, Francesco Algarotti, and Luigi Ferdinando Marsigli. There is an introduction by the editors and an afterword by A. Rupert Hall.

Although the importance of the advent of printing for the Western world has long been recognized, it was Elizabeth Eisenstein, in her monumental, two-volume work, The Printing Revolution in Early Modern Europe, who provided the first full-scale treatment of the subject. This illustrated and abridged edition gives a stimulating survey of the communications revolution of the fifteenth century. After summarizing the initial changes introduced by the establishment of printing shops, it goes on to discuss how printing affected three major cultural movements: the Renaissance, the Reformation, and the rise of modern science. This new edition includes a new essay discussing recent controversies provoked by the first edition and reaffirms the thesis that the advent of printing entailed a communications revolution. Fully-illustrated and annotated, the book argues that the cumulative processes set in motion with the advent of printing are likely to persist despite the recent development of new communications technologies.

Based on archival material from the cities of Genoa, Milan, Venice, Florence, Rome, and Naples, as well as on published sources, such as travel journals, and artistic representations, this volume presents an original view of the culture of early modern Italy. The book addresses particular themes - specifically those of perception and communication - as well as serving to exemplify modes of analysis in the currently developing field of historical anthropology. In the first part of the book, Peter Burke examines the stereotyped ways in which contemporaries perceived social groups such as saints, beggars, and working women, and shows how these stereotypes were used, consciously and unconsciously, both by the authorities and by ordinary people.