Like Carl Darling Buck's Comparative Grammar of Greek and Latin (1933), this book is an explanation of the similarities and differences between Greek and Latin morphology and lexicon through an account of their prehistory. It also aims to discuss the principal features of Indo-European linguistics. Greek and Latin are studied as a pair for cultural reasons only; as languages, they have little in common apart from their Indo-European heritage. Thus the only way to treat the historical bases for their development is to begin with Proto-Indo-European. The only way to make a reconstructed language like Proto-Indo-European intelligible and intellectually defensible is to present at least some of the basis for reconstructing its features and, in the process, to discuss reasoning and methodology of reconstruction (including a weighing of alternative reconstructions). The result is a compendious handbook of Indo-European phonology and morphology, and a vade mecum of Indo-European linguistics--the focus always remaining on Greek and Latin. The non-classical sources for historical discussion are mainly Vedic Sanskrit, Hittite, and Germanic, with occasional but crucial contributions from Old Irish, Avestan, Baltic, and Slavic.

A Historical Greek Reader provides an introduction to the history of the ancient Greek language by means of a series of texts with linguistic commentary, cross-referenced to each other and to a reference grammar at the front. It offers a selection of epigraphic and literary texts from the Mycenaean period (roughly the fourteenth century BC) to the koine (the latest text dates to the second century AD), and includes a wide range of Greek dialect texts. The epigraphic section balances a number of well-known inscriptions with recent discoveries that may not be easily available elsewhere; a selection of literary texts traces major developments in the language of Greek poetry and literary prose. The book finishes with an account of the linguistic and sociolinguistic background of koine Greek. The commentary assumes no prior knowledge of Greek historical linguistics, but provides a basic amount of up-to-date bibliography so that advanced students and others can pursue linguistic issues at greater depth where necessary.

Les Grecs ont-ils cru à leurs mythes ? Au premier abord, la question peut paraître surprenante, voire provocante. En réalité, Paul Veyne, grand historien du monde gréco-romain, nous démontre qu'elle n'a pas de sens, la vérité étant elle-même historique.
En effet, à travers l'exemple de la civilisation grecque, cet ouvrage étudie les idées que nous nous faisons de la vérité. On considère généralement qu'elle ne peut être qu'une, la même pour tout le monde. Or, Paul Veyne démontre à partir d'exemples très simples que les mêmes personnes peuvent considérer comme vraies des choses contradictoires ; ou que des personnes de la même époque peuvent avoir des conceptions différentes de la vérité. Au fond, ils ne trouvent pas la vérité, mais ils la créent.
Cet essai, dérangeant parce qu'il ébranle nos plus intimes convictions, est une invitation à réfléchir sur notre propre système de vérité. --Gaëtane Guillo

At once daring and authoritative, this book offers a profusely illustrated history of sexual politics in ancient Athens.
The phallus was pictured everywhere in ancient Athens: painted on vases, sculpted in marble, held aloft in gigantic form in public processions, and shown in stage comedies. This obsession with the phallus dominated almost every aspect of public life, influencing law, myth, and customs, affecting family life, the status of women, even foreign policy.
This is the first book to draw together all the elements that made up the "reign of the phallus"--men's blatant claim to general dominance, the myths of rape and conquest of women, and the reduction of sex to a game of dominance and submission, both of women by men and of men by men.
In her elegant and lucid text Eva Keuls not only examines the ideology and practices that underlay the reign of the phallus, but also uncovers an intense counter-movement--the earliest expressions of feminism and antimilitarism.
Complementing the text are 345 reproductions of Athenian vase paintings. Some have been reproduced in a larger format and gathered in an appendix for easy reference and closer study. These revealing illustrations are a vivid demonstration that classical Athens was more sexually polarized and repressive of women than any other culture in Western history.