This work, which has become a classic in music theory since its publication in 1983, models music understanding from the perspective of cognitive science. The point of departure is a search for a grammar of music with the aid of generative linguistics. The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.

《概率与测度(第3版)》是《概率与测度》第3版，新版保留了原先的风格，将测度论和概率论有机结合在一起，把相关内容混合排列。概率问题会引起学生学习测度论的兴趣，而测度论知识又反过来应用到概率论中。《概率与测度(第3版)》主要内容包括概率、测度、积分、随机变量及数学期望、分布的收敛的问题、导数与条件期望，随机过程等。
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Probability and Measure, 3E