My Head is an Animal is the debut studio album by the Icelandic indie folk band Of Monsters and Men,[1] released in Iceland in September 2011. After their success, topping the Icelandic charts with their debut single, "Little Talks", the band signed with Universal Music Group and the song will be released worldwide in early 2012. The title of the album comes from the second line in "Dirty Paws".

群山在河边生长
城市席卷麻木的动物
幼时的月光照在脊背
时间从此刻剥离
翻越群山和楼宇
向前奔跑
亦是唤醒过去
风在血液里叫嚣
远古的枝丫触动缄默的神经
故土与前路重叠
“我”与我共振
“我”清醒在我的身体里
曾经身赴自由的原野，回归到白的很的那片月光。一段山水，四年光阴，足迹如蝼蚁般不知去向，情绪如万千草木在心内生长。离合千番，虽难预料，也不外乎风尘一场，其余可确定不变的，是脑中来自原乡的讯号，才发现每到一处山高水远，也每到一处尽是故乡。我永远被一份远程的善良、温和、平实包裹，能将头颅枕在故乡温和的土壤。
春华秋实，向死而生，时间是一个永不停歇的万花筒，于歌中的我，它是天地未分的变幻、四季流转的安抚，是人间的琐碎皮毛，是一个时代的急速坠落，也是一个时代的怦然新生。
时间之下，我不过是寻觅归宿的他乡之客，归宿之名，也终不过是心中的一块净土。那里的月光比地球任何一处的都沁入骨髓，那里的呓语比任何一声呐喊都深入我心。
时常想象，下里巴人端坐着像莎士比亚一样，有唱不尽的时间、空间故事。故事里满是时间窗外的各个“我”，粗粝的、浮华的、动荡不安的、心如磐石的，在渺渺人世里质朴地漂浮，以及一同在命途中的我的朋友们，当然也包括你。
你我都彷徨于天地，你我皆命运如流水，但终将蜿蜒出自己的形状，各自奔向归处。
愿你听闻这张专辑，内心柔软，前路有灯；愿你我都能甜蜜、真切、生动，与内心的那个“我”，一起活下去。
2018年4月 北京
莫西子诗
制作人：莫西子诗
录音室：SAG录音室
录音助理：桑健宇、了折里铁
录音师：张俊 伊乐其（彷徨）
混音师：原真人（日本）张俊（南方像莎士比亚一样、回）
母带后期处理：原真人（日本）
协力：喜多直人（日本）
封面插画：绘本国东尔
封面设计：Ronald窦
宣传推广：草台回声
企划／文案：龙飞、党宁、刘莹莹、莫西子诗
经纪公司：北京草台回声文化传播有限公司
艺人经纪：戈非、党宁
艺人助理：了折里铁
莫西子诗：将这张专辑献给我的父亲母亲，谢谢你们给了我生命和灵魂，在过去的年月里，辛苦你们了。在未来，你们还是会一直住在我心里，因为你们，我一直能够看得见我自己。
特别感谢（排名不分先后）：
贾敏恕、梁淑美、熊亮与江渊夫妇、张俊、刘景建、喜多直人、原真人、戈非、杜欢、党宁、龙飞、郭小寒、邱大立、奥杰一黑、王梵瑞、周甜、阿依.伍达、娜娜、里铁、老马、憩园。

Jeff Buckley was many things, but humble wasn't one of them. Grace is an audacious debut album, filled with sweeping choruses, bombastic arrangements, searching lyrics, and above all, the richly textured voice of Buckley himself, which resembled a cross between Robert Plant, Van Morrison, and his father Tim. And that's a fair starting point for his music: Grace sounds like a Led Zeppelin album written by an ambitious folkie with a fondness for lounge jazz. At his best -- the soaring title track, "Last Goodbye," and the mournful "Lover, You Should've Come Over" -- Buckley's grasp met his reach with startling results; at its worst, Grace is merely promising.

Leonard Cohen, the acclaimed composer of "Hallelujah", continues to astonish his audience. At age 82, he presents his uncompromising and urgent new album, You Want It Darker. Described by early listeners as a "masterpiece" and "classic Cohen," You Want It Darker, is the latest chapter in Leonard's significant contribution to contemporary music and thought. These startling songs have been beautifully realized in this his 14th studio album featuring 9 new tracks including the title track, all produced by his son, Adam Cohen.

Mraz is currently working on a fifth studio album, with pop-rock all-girl band Raining Jane, tentatively titled Yes, to be released 15 July 2014.

「她很簡單，是我們太複雜了。」panai的朋友小湯曾經這麼說。
當一種純度百分百的誠實質素，在眼前乍然展現時，會讓久經塵俗薰染的人無法逼視。簡單、坦率、像把利刃，俐落地切進複雜糾結的情緒肌理。
panai的人和音樂，給我這樣的感覺。同樣是來自台東的原住民歌手。如果說；陳建年、紀曉君的音樂貼近自然，歌詠風、海洋、山林、色彩晴朗；panai的歌則顯得色調濃重而沈鬱，勾勒著她流浪各地的足跡。
聆聽panai，首先引人注意的是；嗓音中的飽滿情緒，溢出了原本歌詞與旋律的意境，超越了語言、族群、身分，她展露了一種人類共通情感中的寂寞與悲情，一個不小心，聽者就會在她傾瀉而出的情緒中，慘遭滅頂。
「唱歌對我而言，先是具有平衡情緒的療效，其次才是為了表演。喜歡掌聲、喜歡被注視，這些都是後來才產生的需求；從小時候第一次彈吉他開始，唱歌只是為了我自己。」她說。才十幾歲的年紀，她就學會以離開的形式終結對現狀的不滿，離開台東的家，走過高雄、岡山、台中、鹿港、台東、台北，邊走邊唱，構築了一幅音樂流浪地圖。
現在的她，落腳宜蘭，在一間有著豪華歐式裝潢的民歌西餐廳駐唱。曾經，我坐在餐廳的一個角落，耳邊聽見的，除了panai的歌聲，還有牛排上桌時，熱騰騰鐵板發出的滋滋聲；她依著服務生遞上來的點歌單，唱著一首又一首的流行歌曲，不痛不癢，沒有情緒，維持一種平和的用餐氣氛。偶爾，向台下我們這桌熟識的朋友使幾個調皮的眼神，我們靈機一動，在點歌單上寫下幾首她自己的創作，她看了一眼，露出一個捉狹的微笑，隨即開始用力的刷著吉他，大聲坦率地唱著我們所熟悉的panai式悲調，穿透了原本紛紛嚷嚷的餐廳氣氛，這時，有幾個別桌的客人抬起頭來，向舞台望去，露出詫異的神色，也許是為這樣的聲音驚艷吧！我這麼想。從我這個角度的視野望過去，舞台上下一分為二，呈現出兩個截然不同的世界，台下是闔家用餐的愉悅與嘈雜，而台上的panai則在她自己的狀態裡，揮灑悲情。這是一種被錯置的處境，然而，panai 對此完全自覺，她清楚的知道，這不過是對生活現實的一種妥協，與尊嚴無關。 panai的中性特質，不僅在於嗓音，還有她的思考模式與說話方式，難得看見她表現女人嬌態，偶爾，會流露一種「母獅的溫柔」，威嚴但慵懶，搔搔一頭濃密的黑髮，抬抬眉毛，對你的話不表同意時會撇撇嘴，與人交談時，經常聽見她朗聲大笑、或者皺著眉，顯現一種孩子似的好奇或狐疑；唱歌時，那一張線條分明的面孔幾乎是她的歌聲之外，最引人注意的一道風景，她一雙濃眉的糾結與舒張，反映著曲子裡的情緒起伏，在一收一放之間，讓人窺見她平時不輕易釋出的情緒。聽過她唱「你快樂所以我快樂」的人就會知道，「快樂」二字原來能被詮釋得很悲涼。
無根漂流的心理狀態，促使她階段性地尋求生活定點，也許是一份工作、一場學習、或是一段愛情；然而，當關係結束、當心境變遷，又再度離開，是終點，也是下一段航程的起點。故鄉，永遠只存於想像之中，找不到自己的部落。
揹著吉他，遊走在天地之間，這樣的背影或許看來蒼涼而傳奇，是的，我們想要你從專輯內頁的照片上，產生這樣的想像；但是，去聽她的歌、去讀她的詞，你會遇見一種熟悉的感覺，疏離與寂寞，久藏心底，被她的歌聲召喚而出，輕觸即四處漫溢，無法收拾。
自覺，疏離，從山林到都市，流浪已久的panai自有一套心理防衛機制，抵抗著虛假向性格裡滲透。她展現一種純粹，力量撼人。在界限模糊、是非渾沌的這個世代，這樣一種斬釘截鐵的聲音，已經很難聽見了。

10 years ago, today, Damien embarked on a ’10 Days To Barcelona’ project. The idea was to drive from Dublin to Barcelona in his old Mini, with some friends, and write a new song each day on the journey.
The songs, recordings & film footage of the project have lived on the shelf for the past 10 years. It has only recently been dusted off and prepared for a slow release, over the coming months. Here are two versions of ‘100 Miles Across The Room’. An acoustic version and a more produced version. Both are rough mixes and unmastered. More songs coming later.

收录了Chris Garneau从未正式发行的曲目和live。其中选择了7首是专辑《Music For Tourists》和EP《C-sides》中没有收录的歌曲，不知道在未来的专辑是否会采用，不过能感受他们现场的风采，实数让我欣慰。新的歌中有很多让我感触深刻，Try Me，一首未发行的歌曲，非常典型的伤感，简单，朴实，让我难忘。简单的说，当这首歌一开唱时，我就窒息了…Untitled，是一首不知名的歌，是Chris在2008年3月28日在Williamsburg现场表演的一首新歌，应该是一个网友自己录制的，感觉很真切……还有3首是已经发行过，但在live中被重新诠释的曲目，有很强的可听性。如：Not Nice中运用了电吉他的效果，就像Chris曾经说过的一样，会尝试更多的乐器和感觉，很喜欢这一小小的变化，原本忧伤的Not Nice又有了新的活力，增色不少；The Runt，一开始的调子就被改变了，给了我一个小小的惊喜，而中间融入了原声吉他的点缀，Folk味道被进一步的提炼，是改变后最大的亮点。我不知道为什么，就想把这首歌放在辑的最后一首，感觉是一个非常好的结束，并告诉我们，这一切仅仅是个开始；再说说Baby's Romance，同样也如Not Nice一样用上了电吉他来的点缀，感觉很棒，但到了后半部分，Chris出奇地运用假声来表现，给了我一个大大惊喜，因为我本人非常喜欢假声的感觉，Chris特别的声线本来就有雌雄难辨之感，而假声部分更是锦上添花...总的来说，每一首歌都是一个短暂的故事，展现着Chris被很多人忽视的忧郁世界，让人难以琢磨。
喜欢Chris Garneau的朋友一定不要错过，能把你带到一个个不知名的酒吧，聆听他们，体会Chris的live魅力。

After the Gold Rush is the third album by Neil Young, and one of four high-profile albums released by each partner of Crosby, Stills, Nash & Young in the wake of their chart-topping Déjà Vu album of 1970. It peaked at #8 on the Billboard Top Pop Albums chart; two singles taken from the album, "Only Love Can Break Your Heart" and "When You Dance I Can Really Love," made it to # 33 and # 93 respectively on the Billboard Hot 100.
After the Gold Rush was remastered and released on HDCD-encoded CD and digital download on July 14, 2009 as part of the Neil Young Archives Original Release Series. The remaster has been released on audiophile vinyl and a high resolution digital version on Blu-ray disc is also planned although a release date for this format has not yet been announced.

Ásgeir Trausti Einarsson is an Icelandic singer-songwriter and musician. In his Icelandic releases, he was credited as Ásgeir Trausti. But more recently in 2013 with his launching as an international artist, he has started using the mononym Ásgeir as a recording name.

Ásgeir performs with his own band, Ásgeir Trausti Band. He also plays guitar in the Icelandic band The Lovely Lion.Ásgeir’s debut album Dýrð í dauðaþögn was released in 2012. The lead single, “Sumargestur”, made it to number two on the Tónlist, an unofficial but widely quoted Icelandic Singles Chart, followed by the single “Leyndarmál” (six weeks at number 1 on Tónlist) and the title track “Dýrð í dauðaþögn” from the album (three weeks at #1 on Tónlist).

He has had a Christmas hit with his song “Hvítir skór” in collaboration with Blaz Roca. The single stayed at the top of the Icelandic Singles Chart for 9 consecutive weeks from December 2012 to the end of January 2013. An English language version of Dýrð í dauðaþögn under the title In the Silence had been scheduled for international release on 27 January 2014, but was made available online on iTunes on 28 October 2013.

The American singer John Grant helped with the translation of the lyrics and re-production of the English language album. Based on online sales, the album has already charted in Belgium and Netherlands.On 13 August 2013, Ásgeir released the video for “King and Cross”, the debut single from the prospective album with John Grant appearing in the single release. The follow-up single “Going Home” charted in France. The main release to coincide with the release of the album was “Torrent”, an English-language version of “Nýfallið regn”.