Green Hills of Africa is a work of nonfiction by American writer Ernest Hemingway. Hemingway's second work of nonfiction, Green Hills of Africa is an account of a month on safari he and his wife, Pauline Marie Pfeiffer, took in East Africa during December 1933. Much of the narrative describes Hemingway's adventures hunting in East Africa, interspersed with ruminations about literature and authors. Generally the East African landscape Hemingway describes is in the region of Lake Manyara in Tanzania.

From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity.
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.
As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band–and meeting the man who would become her husband–her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.

In this collection Justice Ginsburg discusses gender equality, the workings of the Supreme Court, being Jewish, law and lawyers in opera, and the value of looking beyond US shores when interpreting the US Constitution. Throughout her life Justice Ginsburg has been (and continues to be) a prolific writer and public speaker. This book’s sampling is selected by Justice Ginsburg and her authorized biographers Mary Hartnett and Wendy W. Williams, who introduce each chapter and provide biographical context and quotes gleaned from hundreds of interviews they have conducted.
The New York Times bestselling book from Supreme Court Justice Ruth Bader Ginsburg—“a comprehensive look inside her brilliantly analytical, entertainingly wry mind, revealing the fascinating life of one of our generation's most influential voices in both law and public opinion” (Harper’s Bazaar).
My Own Words “showcases Ruth Ginsburg’s astonishing intellectual range” (The New Republic).
Witty, engaging, serious, and playful, My Own Words is a fascinating glimpse into the life of one of America’s most influential women and “a tonic to the current national discourse” (The Washington Post).

An esteemed memoirist examines aging with the grace of "Elegy for Iris" and the wry irreverence of "I Feel Bad About My Neck," Diana Athill is one of the great editors in British publishing. For more than five decades she edited the likes of V. S. Naipaul and Jean Rhys, for whom she was a confidante and caretaker. As a writer, Diana Athill has made her reputation for the frankness and precisely expressed wisdom of her memoirs. Now in her ninety-first year, "entirely untamed about both old and new conventions" ("Literary Review") and freed from any of the inhibitions that even she may have once had, Athill reflects candidly, and sometimes with great humor, on the condition of being old--the losses and occasionally the gains that age brings, the wisdom and fortitude required to face death. Distinguished by "remarkable intelligence... and the] easy elegance of her prose" ("Daily Telegraph"), this short, well-crafted book, hailed as "a virtuoso exercise" ("Sunday Telegraph") presents an inspiring work for those hoping to flourish in their later years.

In this long-awaited first volume of a planned trilogy, the most acclaimed and revered living Nobel laureate begins to tell us the story of his life.
Like all his work, Living to Tell the Tale is a magnificent piece of writing. It spans Gabriel García Márquez’s life from his birth in 1927 through the start of his career as a writer to the moment in the 1950s when he proposed to the woman who would become his wife. It has the shape, the quality, and the vividness of a conversation with the reader—a tale of people, places, and events as they occur to him: the colorful stories of his eccentric family members; the great influence of his mother and maternal grandfather; his consuming career in journalism, and the friends and mentors who encouraged him; the myths and mysteries of his beloved Colombia; personal details, undisclosed until now, that would appear later, transmuted and transposed, in his fiction; and, above all, his fervent desire to become a writer. And, as in his fiction, the narrator here is an inspired observer of the physical world, able to make clear the emotions and passions that lie at the heart of a life—in this instance, his own.
Living to Tell the Tale is a radiant, powerful, and beguiling memoir that gives us the formation of Gabriel García Márquez as a writer and as a man.

A heartbreaking and hilarious memoir by iCarly and Sam & Cat star Jennette McCurdy about her struggles as a former child actor—including eating disorders, addiction, and a complicated relationship with her overbearing mother—and how she retook control of her life.
Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income.
In I’m Glad My Mom Died, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (“Hi Gale!”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants.
Told with refreshing candor and dark humor, I’m Glad My Mom Died is an inspiring story of resilience, independence, and the joy of shampooing your own hair.
Review
“A stunning memoir…[McCurdy] reveals herself to be a stingingly funny and insightful writer, capable of great empathy and a brutal punchline. It’s a document not just of all she’s endured, but also of the wisdom she accrued along the way.”—Sam Lansky, TIME
“A coming-of-age story that is alternately harrowing and mordantly funny.”—Dave Itzkoff, The New York Times
“Jennette McCurdy is the queen of lemonade from lemons, using her trauma to weave a painfully funny story that also illuminates the commodification of teenage girls in America. An important cultural document just as much as a searingly personal one.”—Lena Dunham
“Jennette’s road to finding herself—removed from the expectations of her mother—is impressively funny. She fuses nuanced relationships, complex grief, religious whiplash and Hollywood trauma into a bold story with a specific comedic voice.”—Jerrod Carmichael
“How can a book be so sad and also so funny? It's an art, and Jennette McCurdy has mastered it here. I’m Glad My Mom Died is hysterical and heartbreaking and fascinating all at the same time.”—Jenny Lawson, New York Times bestselling author of Furiously Happy: A Funny Book About Horrible Things and Broken (in the Best Possible Way)
“I'm Glad My Mom Died is furious, sad, brave, knowing, honest, heart-wrenching, and utterly compelling. McCurdy writes with a keen insight and startling compassion. Whether showing how dysfunction can seem normal to those most affected, the torture of eating disorders, or the mindfuck that is child stardom, McCurdy brings readers deep into the milieu so often hidden from outsiders. This is a beautifully crafted coming-of-age story as fearless as its author.” —Lauren Hough, New York Times bestselling author of Leaving Isn’t the Hardest Thing
“Jennette McCurdy’s book is a coruscating picture of her life as a child actor, devastatingly honest and with great understanding of the psychology and emotions operating at a deep level. It’s a riveting read, entertaining and very touching.”—Hayley Mills, New York Times bestselling author of Forever Young
“Jennette’s career as an actor was simply a character in a much more important story. She is a natural writer with a wonderful sense of humor. Her story is heartbreaking with a nice balance of hopeful. I could not put this book down.”—Laraine Newman, original cast member of Saturday Night Live and author of May You Live in Interesting Times
“[An] explosive debut…insightful and incisive, heartbreaking and raw, McCurdy’s narrative reveals a strong woman who triumphs over unimaginable pressure to emerge whole on the other side. Fans will be rapt.”—Publishers Weekly (starred review)
“McCurdy asks readers a question: When and how does one rid oneself of the cage created by others and walk freely? Her stunning debut offers fierce honesty, empathy for those that contributed to her grief, and insights into the hard-fought attachments and detachments of growing older.”—Booklist (starred review)
“Delivered with captivating candor and grace.”—Kirkus (starred review)

Smith's beautifully crafted love letter to her friend Robert Mapplethorpe functions as a memento mori of a relationship fueled by a passion for art and writing. Her elegant eulogy lays bare the chaos and the creativity so embedded in that earlier time and in Mapplethorpe's life and work.

☆ 从军情五处的间谍，到英国国宝级小说家。《柏林谍影》作者约翰·勒卡雷的唯一回忆录。
☆ 他是约翰·勒卡雷，也是大卫·康威尔，近四十个人生片段，狙击一个伟大小说家充满矛盾与挣扎的自我。
☆ 间谍生涯与小说写作其实是天造地设的一对。两者都要随时准备好去窥视人类的罪过，以及通往背叛的种种途径。
☆ 有一种鸽子天生就被培养成狩猎游戏的靶子，它们飞越专门修建的漫长隧道，而出口就是猎人们的枪口。
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服务过军情五处和军情六处，初试写作，就震惊文坛。
这是英国国宝级小说大师勒卡雷的唯一回忆录，记下了他人生中近四十个刻骨铭心的片段，再现一个伟大作家的双重身份和多重自我。他目睹残酷战争与冷血杀伐；他跟着战地记者藏身壕沟，子弹擦着他的耳边飞过；他采访狱中的恐怖分子，却被对方堵得哑口无言；他目睹苏联巨变前后的社会，感慨万千；他见证了布罗茨基获得诺奖的瞬间，也亲历了电影大师弗里茨·朗的失意；他写下骗子父亲与自己既疏离又难舍的亲情，并苦苦思索间谍与作家的异同。
“逃避与欺骗是我童年非有不可的武器。青少年时期，我们都是某种间谍，而我却早已是退役的老兵。情报世界拥我入怀的时候，感觉就像回到家一样。”
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在这本书里，有两个勒卡雷，一个是作为间谍小说作家的他，他写军情五处、军情六处，就像是托尔金写中洲世界；另一个是才华横溢的当代小说家，搜寻着出逃的自我。
——《卫报》