六月里一个炎热的傍晚，所有的窗户都敞开着，大学生亚瑟·勃尔顿正在比萨神学院的图书馆里翻查一大叠讲道稿。院长蒙太尼里神甫慈爱地注视着他。亚瑟出生在意大利的一个英国富商勃尔顿家中，名义上他是勃尔顿与后妻所生，但实则是后妻与蒙太尼里的私生子。亚瑟从小在家里受异母兄嫂的歧视，又看到母亲受他们的折磨和侮辱，精神上很不愉快，却始终不知道事情的真相。亚瑟崇敬蒙太尼里神甫的渊博学识，把他当作良师慈父，以一片赤诚之心回报蒙太尼里对自己的关怀。
当时的意大利正遭到奥地利的侵略，青年意大利党争取民族独立的思想吸引着热血青年。亚瑟决定献身于这项事业。蒙太尼里发现了亚瑟的活动后十分不安，想方设法加以劝阻；但亚瑟觉得作一个虔诚的教徒和一个为意大利独立而奋斗的人是不矛盾的。在一次秘密集会上，亚瑟遇见了少年时的女友琼玛，悄悄地爱上了她。
蒙太尼里调到罗马当了主教，警方的密探卡尔狄成了新的神甫。在他的诱骗下，亚瑟在忏悔中透露了他们的行动和战友们的名字，以致他连同战友一起被捕入狱。他们的被捕，连琼玛都以为是亚瑟告的密，在愤怒之下打了他的耳光。亚瑟痛恨自己的幼稚无知，对神甫竟然会出卖自己感到震惊，同时得知蒙太尼里神甫原来是他的生身父亲，他最崇仰尊敬的人居然欺骗了他。这一连串的打击使他陷入极度痛苦之中，几乎要发狂。他一铁锤打碎了心爱的耶稣蒙难像，以示与教会决裂。然后他伪装了自杀的现场，只身流亡到南美洲。
在南美洲，亚瑟度过了人间地狱般的13年。流浪生活磨炼了亚瑟，回到意大利时，他已经是一个坚强、冷酷、老练的“牛虻”了。他受命于玛志尼党揭露教会的骗局。他用辛辣的笔一针见血地指出，以红衣主教蒙太尼里为首的自由派实际上乃是教廷的忠实走狗。牛虻赢得了大家的喜爱。此时，他又遇见了琼玛，但琼玛已认不出他了。
牛虻和他的战友们积极准备着起义。在一次偷运军火的行动中被敌人突然包围，牛虻掩护其他人突围，自己却因为蒙太尼里的突然出现而垂下了手中的枪，不幸被捕。
牛虻的战友们设法营救他，但牛虻身负重伤，晕倒在越狱途中。敌人决定迅速将他处死。前来探望的蒙太尼里企图以父子之情和放弃主教的条件劝他归降；牛虻则动情地诉说了他的悲惨经历，企图打动蒙太尼里，要他在上帝（宗教）与儿子（革命）之间作出抉择。但他们谁都不能放弃自己的信仰。蒙太尼里在牛虻的死刑判决书上签了字，自己也痛苦地发疯致死。
刑场上，牛虻从容不迫，慷慨就义。在狱中给琼玛的一封信里，他写上了他们儿时熟稔的一首小诗：
不管我活着，
还是我死掉，
我都是一只。
快乐的飞虻！
至此，琼玛才豁然领悟：牛虻就是她曾经爱过而又冤屈过的亚瑟。

'Time is a catastrophe, perpetual and irreversible.'
Science and fiction interweave delightfully in these playful Cosmicomic short stories.

<春天的十七个瞬间》系前苏联独具风格的著名作家尤·谢苗诺夫写的惊险系列小说中的非常精彩的一部。该书为谢苗诺夫的代表作，是最受广大读者欢迎的小说之一。根据该小说拍摄的同名电影连续剧在1976年获俄罗斯联邦共和国国家奖。
小说以第二次世界大战为背景，描写了德国法西斯覆灭前夕－－1945年的春天，希特勒为了挽救失败的命运，企图同美国讲和，进而共同抵御红军对柏林的攻击。潜伏在德国帝国保安局第6处20年之久的苏军侦察员施季里茨（化名什际尔列茨）突然接到总部指示，要他设法查清德国党卫军高级军官与美、英单独媾和的情况，并查清与西方谈判的神秘人物是谁。在联络电台遭破坏、报务员被炸身亡、无法与上级再次联系的情况下，施季里茨冒着被敌人怀疑、监视的危险，经过17天惊心动魄的斗智斗勇，终于得到了德国党卫队参谋长沃尔夫与美、英司令部代表在瑞士伯尔尼秘密谈和的情报，使苏联政府及时揭露了敌人的阴谋。
作品把悬念丛生、迭宕起伏、惊险曲折的情节与对人物细腻的心理刻画和对历史人物的真实再现以及对社会历史深入的分析结合起来，使故事十分引人入胜，具有巨大的艺术感染力。

本片主人公的原型，是前苏联著名情报专家，号称“千面谍王”的鲁道夫·阿贝尔，他凭借着对祖国的无限忠诚、惊人的智慧和无与伦比的勇气，在第二次世界大战和冷战时期，为苏联建立了卓越的功勋。他的一生充满了传奇色彩，我当年看这部电视剧时最不解的就是，纳粹盖世太保都是天生的怀疑狂，施季尔里茨是如何获得他们的信任成为他们其中的一员的？后来才知道，在一次德国人阻拦一辆载有苏联情报人员的坦克的战斗中，还是一名小兵的施季尔里茨为了赢得敌人的信任进入纳粹核心机构，同时也为了防止情报落入德国人手中，装作狂热的法西斯分子要炸掉坦克的样子，竟然冒着被自己人的炮火击中的危险接近并进入了坦克，销毁了已经牺牲了的苏联情报人员身上带的情报，而自己也负了重伤奄奄一息。从此德国人对他另眼相看，把他调入了情报部门。在二战结束前，他因为对祖国的杰出贡献和在敌人面前的出色“表现”，居然同时获得苏联政府颁发的最高勋章和第三帝国颁发的最高奖章—铁十字勋章。此事在间谍史上空前绝后！冷战时期，他任苏联克格勃驻北美情报站站长，不幸被叛徒出卖遭中央情报局逮捕，但在美国人的诱降面前表现出了对祖国的无限忠贞，最后作为被苏联击落的美国U2飞机驾驶员的交换者回到了苏联，成为苏联青少年学习的楷模。

This volume develops a comprehensive framework for applying the theory of hauntology to everyday life from ethnographic and clinical points of view. The central argument of the book is that all human experience is fundamentally haunted, and that a shift from ontological theory of subjective experience to a hauntological one is necessary and has urgent implications. Building on the notion of hauntology outlined by Derrida, the discussions are developed within the frameworks of psychoanalytic theory, specifically Jacques Lacan’s object relational theory of ego development and his structural reading of Freud’s theory of the psychic apparatus and its dynamics; along with the Hegelian ontology of the negative and its later modifications by 20th century philosophers such as Heidegger and Derrida; and the semiotics of difference introduced by Saussure and worked by Jakobson and others. This book argues and demonstrates the immediate relevance of hauntological analysis in everyday life by providing a microanalysis of the roles played by power, meaning and desire; and by using vignettes and data from ethnographic research and clinical settings, as well as references to literature, movies and other cultural products.

Sport, Spectacle, and NASCAR Nation critically interrogates stockcar racing's ascendance into the upper-echelon of the North American sporting popular. While most contributions to the public discourse gloss over NASCAR's exclusively white racial identity politics, its underlying patriarchal gender politics, its overtly conservative political commitment, its hyper-Christian orthodoxy, and its omnipresent commercialism, this book connects the dots and critically analyzes the problematic nature of this non-natural, strategically-orchestrated sporting spectacle.

NASCAR Winston Cup stock car racing is America’s fastest growing and most popular spectator sport. This book is a cultural and social reading of Winston Cup racing, the people who made the sport what it is today, and the corporations who sponsor the participants during their thirty-two race, ten-month quest for the national championship.

One of the leading examples of Victorian-gothic horror, <i>The King in Yellow</i> is a collection of ten inter-related stories that explore the despair and madness that affect characters that come into contact with the forbidden play, The King in Yellow. Since its publication in 1895, <i>The King in Yellow</i> has inspired other horror-genre writers including <a href="https://www.goodreads.com/author/show/9494.H_P__Lovecraft" title="H.P. Lovecraft">H.P. Lovecraft</a>, and the text is referenced by many works of fiction, in music, and by the hit television series <i>True Detective</i>, starring Matthew McConaughey and Woody Harrelson.

Back in print for the first time in more than a decade, Gene Wolfe's The Fifth Head of Cerberus is a universally acknowledged masterpiece of science fiction by one of the field's most brilliant writers.

Far out from Earth, two sister planets, Saint Anne and Saint Croix, circle each other in an eternal dance. It is said a race of shapeshifters once lived here, only to perish when men came. But one man believes they can still be found, somewhere in the back of the beyond.

In The Fifth Head of Cerberus, Wolfe skillfully interweaves three bizarre tales to create a mesmerizing pattern: the harrowing account of the son of a mad genius who discovers his hideous heritage; a young man's mythic dreamquest for his darker half; the bizarre chronicle of a scientists' nightmarish imprisonment. Like an intricate, braided knot, the pattern at last unfolds to reveal astonishing truths about this strange and savage alien landscape.

The Shadow of the Torturer is the first volume in the four-volume series, The Book of the New Sun. It is the tale of young Severian, an apprentice in the Guild of Torturers on the world called Urth, exiled for committing the ultimate sin of his profession - showing mercy toward his victim - and follows his subsequent journey out of his home city of Nessus.

Written in the aftermath of the fall of the Berlin Wall and within the context of a critique of a "new world order" that proclaims the death of Marx and Marxism, Jacques Derrida undertakes a reading of Marx's "spectropoetics" -- his obsession with ghosts, specters and spirits. Derrida argues that there is more than one spirit of Marx and that it is the responsibility of his heirs -- we are all heirs of Marx -- to sift through the possible legacies, the possible spirits, reaffirming one and not the other. He leads beyond the deafening disavowal of Marx today, a disavowal he sees as an attempt to exorcise Marx's ghost.
Specters of Marx represents renowned philosopher Jacques Derrida's first major work on Marx and his definitive entry into social and political philosophy.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

A wondrous nonfiction debut from the cofounder of NPR’s Invisibilia, Why Fish Don’t Exist tells the story of a 19th-century scientist possessed with bringing order to the natural world—a dark and astonishing tale that becomes an investigation into some of the biggest questions of our lives.
When Lulu Miller was starting out as a science reporter, she encountered a story that would stick with her for a decade. It was the strange tale of a scientist named David Starr Jordan, who set out to discover as many of the world’s fish as he could. Decade by decade, he built one of the most important specimen collections ever seen. Until the 1906 San Francisco earthquake hit—sending over a thousand of his fish, housed in fragile glass jars, plummeting to the floor. In an instant, his life’s work was shattered.
Miller knew what she would do if she were in Jordan’s shoes. She would give up, give in to despair. But Jordan? He surveyed the wreckage at his feet, found the first fish he recognized, and painstakingly began to rebuild his collection. And this time, he introduced one clever innovation that, he believed, would protect it against the chaos of the world.
In Why Fish Don’t Exist, Miller digs into the passing anecdote she once heard about David Starr Jordan to tell his whole story. What was it that kept him going that day in 1906? What became of him? And who does he prove to be, in the end: a role model for how to thrive in a chaotic world, or a cautionary tale? Filled with suspense, surprise, and even a questionable death, this enchanting book interweaves science, biography, and a dash of memoir to investigate the age-old question of how to go on when everything seems lost.

In this definitive reference volume, almost fifty leading thinkers and practitioners of autoethnographic research―from four continents and a dozen disciplines―comprehensively cover its vision, opportunities and challenges. Chapters address the theory, history, and ethics of autoethnographic practice, representational and writing issues, the personal and relational concerns of the autoethnographer, and the link between researcher and social justice. A set of 13 exemplars show the use of these principles in action. Autoethnography is one of the most popularly practiced forms of qualitative research over the past 20 years, and this volume captures all its essential elements for graduate students and practicing researchers.

A unique look at Native American ghosts and US literature.

Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations.

The human Imperium stands at its height of glory - thousands of worlds have been brought to heel by the conquering armies of mankind. At the peak of his powers, Warmaster Horus wields absolute control - but can even he resist the corrupting whispers of Chaos?

A focused exploration of Baudrillard's understanding and use of alterity and “otherness,” a crucial theme that appears and reappears throughout his work as a whole. Alterity is in danger. It is a masterpiece in peril, an object lost or missing from our system, from the system of artificial intelligence and the system of communication in general.—from Radical Alterity Where is the Other today? Can Otherness challenge our arrogant, insular cultural narcissism? From artificial intelligence to the streets of Venice, from early explorers to contemporary photographers, Jean Baudrillard and Marc Guillaume discuss the traces of radical alterity in our world. These provocative seminars, held in 1990 and 1991, follow the multiple, intertwined trajectories first projected in Baudrillard's work and his reading of the “radical exoticism” posited by Victor Segalen—ideas Baudrillard extends into the realms of mass media, pseudonyms, technology, and that illusorily close yet radically foreign “primitive society of the future,” America. In a world where no corner is unexplored, the Other remains a challenge to thought, a crack in the shell of universal understanding, impossible to communicate but potentially the linchpin of communication itself. Together, Baudrillard and Guillaume explore the threatened and fatal figures of radical alterity. This collection is no longer available in French, and this English edition includes an additional essay by Baudrillard, “Because Illusion and Reality Are Not Opposed.”

“Essential reading for all who have a vested interest in the rise of AI.” —Daryl Li, AI & Society

“Thought-provoking...Explores how we can best try to ensure that robots work for us, rather than against us, and proposes a new set of laws to provide a conceptual framework for our thinking on the subject.” —Financial Times

“Pasquale calls for a society-wide reengineering of policy, politics, economics, and labor relations to set technology on a more regulated and egalitarian path...Makes a good case for injecting more bureaucracy into our techno-dreams, if we really want to make the world a better place.” —Wired

“Pasquale is one of the leading voices on the uneven and often unfair consequences of AI in our society...Every policymaker should read this book and seek his counsel.” —Safiya Noble, author of Algorithms of Oppression

Too many CEOs tell a simple story about the future of work: if a machine can do what you do, your job will be automated, and you will be replaced. They envision everyone from doctors to soldiers rendered superfluous by ever-more-powerful AI.

Another story is possible. In virtually every walk of life, robotic systems can make labor more valuable, not less. Frank Pasquale tells the story of nurses, teachers, designers, and others who partner with technologists, rather than meekly serving as data sources for their computerized replacements. This cooperation reveals the kind of technological advance that could bring us all better health care, education, and more, while maintaining meaningful work. These partnerships also show how law and regulation can promote prosperity for all, rather than a zero-sum race of humans against machines.

Policymakers must not allow corporations or engineers alone to answer questions about how far AI should be entrusted to assume tasks once performed by humans, or about the optimal mix of robotic and human interaction. The kind of automation we get—and who benefits from it—will depend on myriad small decisions about how to develop AI. Pasquale proposes ways to democratize that decision-making, rather than centralize it in unaccountable firms. Sober yet optimistic, New Laws of Robotics offers an inspiring vision of technological progress, in which human capacities and expertise are the irreplaceable center of an inclusive economy.

How is labour changing in the age of computers, the Internet, and "social media" such as Facebook, Google, YouTube and Twitter? In Digital Labour and Karl Marx, Christian Fuchs attempts to answer that question, crafting a systematic critical theorisation of labour as performed in the capitalist ICT industry. Relying on a range of global case studies--from Chinese workers at Foxconn Shenzhen to miners in the Democratic Republic of Congo--Fuchs sheds light on the labour costs of digital media, examining the way ICT corporations exploit human labour and the impact of this exploitation on the lives, bodies, and minds of workers.