2123. Faced with diminishing resources, the human race can only survive through a trade-off: at the age of 50, every citizen is gradually turned into a tree. When Stefan discovers that his beloved wife Nora has voluntarily signed up for donating her own body before her time, he sets out on an adventurous journey to save her at all costs.

2018 film directed by Milorad Krstić

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

1979 film by Béla Tarr

描绘现代布达佩斯的城市生活。主角是个没有任何生活目标但有自己想法的年轻人，他逃避现实的手段是通过音乐，跳舞，以及酒吧买醉。

1982 film by Béla Tarr

1987 film by Béla Tarr

2000 film by Béla Tarr, Ágnes Hranitzky

In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son, seeking to give him a proper jewish burial.

一座被外国军队占领的城市，由于粮食短缺，人民生活艰难困苦，一位年轻妇女只好带着双胞胎儿子们投靠住在乡间的母亲。这位“外婆”不仅不识字、骯脏、吝啬、凶恶，甚至是一名凶手。两兄弟在艰困的环境中成长，为了让自己变得坚强，两人每日以互相打骂对方、绝食等各种方式锻炼生存本领。他们将每天发生的事情仔细记载在一本大笔记本中。随着日记一页页被翻开，一场冷酷的梦魇式寓言也逐步呈现。

在前一本《恶童日记》中，孪生兄弟在一个战乱的国家，利用恶劣、残暴的环境，转换成继续存活下去的资源。之后，这对双胞胎分开了。其中一个人跨越了边界进入另一个国家，另一人则留了下来。本书从两人分开后开始叙述。留下来的那个人叫作路卡斯。自此以后，他便独自一人过活。他似乎想致力于协助周遭不幸的人们。他收留雅丝密娜和他的私生子玛迪阿斯；他每餐必定会带食物前往镇上神父家；他试图安慰因丈夫被判通敌罪吊死的克萝拉；他倾听文具店老板维多长久以来的作家梦想……然而，在战争背景之下，这些事情的背后，却直指人类最初的原始本性。 而孪生兄弟的另一位──克劳斯，为通篇叙述带来急转直下的情节，几乎推翻了原有的架构。在结尾里，文学与欺骗已融入故事中，而人人急欲知晓的最终结果竟然是……真正可怕的噩运正一步步向他们逼近……他们的命运将会如何呢？

分离五十年后，这对双胞胎兄弟终于见面了。期盼多年，他们之间的距离却没有因为时间的消逝而缩短。在“路卡斯”与“克劳斯”的叙述中，那段童年时的真相逐渐被揭开，他们在分离的岁月中各自遭遇了什么事情？从《恶童日记》纠缠至《二人证据》，到了《第三谎言》，终于真相大白。