1980 film by Claude Pinoteau

A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.

Three orphans grow up to become art thieves under the tutelage of a crime boss. Romance complicates matters when the trio are double-crossed.

1996 Hong Kong film directed by Peter Chan

1994 film by Gordon Chan

1990 film by Ann Hui

Three childhood friends from the slums of Hong Kong flee to war-time Saigon after accidentally murdering a gang leader, but their troubles only escalate.

Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim's sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.

Kenichi is a half-Japanese, half-Chinese man of the underworld. You can sell him anything except children's organs. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. His former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two of gangland boss, Yuan. Yuan wants to get even and attempts to do so by using Kenichi.

莱斯利（张国荣 饰）是戏剧系学生，他离开了女友玛姬（张曼玉 饰）远赴艺术之都巴黎，希望能够在此学习深造，磨练技艺。在这里，莱斯利邂逅了名为谢丽（钟楚红 饰）的女子，谢丽是一名画家，趣味相投的两人相见恨晚，聊得十分投机。然而，两人都知道，彼此之间的感情不会有结果，于是双双选择发乎情止于礼，然而某日，莱斯利在无意之中发现了玛姬所画的许多自己的肖像，深受感动。
终于，莱斯利和玛姬还是越过了友谊的界限，与此同时，玛姬来到了巴黎探望男友，在玛姬的面前，谢丽隐瞒了自己和莱斯利之间的关系。可是，莱斯利和玛姬的感情早已经变质了，没过多久，他们便走到了分手的边缘。而莱斯利和谢丽之间的爱火，却愈演愈烈。

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

2003 film directed by Peter Webber

In a remote village in Karelia, Sergeant Vaskov commands an anti-aircraft unit that protects a rail depot. While his men are transferred to the front line, he is reprimanded for their unruly behavior. He retorts that he wants replacements that aren't drunks or womanizers. In response, he is assigned a unit made up entirely of young women, fresh from training.

泽木龙一（堤真一饰）是一名邮政投递员，每天重复着索然无味的机械工作。一日，他在工作中遇到了高中时代的同学野口。野口是黑社会的一员，他告诉龙一，这样的生活为自己带来心跳的感觉。龙一回到家中，野口的话让他难以释怀，他趁着醉意拆阅了他人的信件。其中有一封信是寄给因患癌症而住院的女孩小夜子（远山景织子饰）。次日，龙一前往医院探察，对小夜子一见钟情，并在医院里结识了正在等待全国杀手大赛选拔通知的杀手（大杉涟饰）。不久于人世的小夜子与龙一相约外出散心，幸福开心。但是警察们早已盯上了龙一，并认为他是个罪犯。阴差阳错的故事会如何收尾呢？

电影《十日编剧手册》讲述了两个男演员/亲密的朋友想提升自己的职业生涯。他们最终的大人物生产商认为他们每个人都想把自己的手放在一个炎热的脚本。然后2人开车到纽约州北部的孔在一个家庭成员国家与专用10天写说脚本。多米尼克和拉斐尔得到了一个美丽的园丁出轨，AVA和多米尼克的妹妹，吉吉。两个女人出现在房子里，这应该是足以安详专注于手头的任务。但添加到问题，吉吉的男朋友韦恩来了，还患有创伤后应激障碍，和他的兄弟德文为好，造成更大的破坏。一个迫在眉睫的期限和复杂的个人的历史场景，幽默和感情。

最近，城里发生了数十起案情十分恶劣的连环强奸案，一个名为洛瑞斯（罗伯托·贝尼尼 Roberto Benigni 饰）的怪异男子成为了警方重点怀疑的对象，因为洛瑞斯不仅是一个公认的好色之徒，更是被抓到了许多虽不能定罪但依旧对他十分不利的把柄。
身为城中警长，派瑞德（米歇尔·布朗 Michel Blanc 饰）对只会伤害柔弱女性的罪犯深恶痛绝，他发誓无论用怎样的手段，都要找到证据将罪犯捉拿归案，当然，这其中的罪犯，指的就是洛瑞斯。为了收集证据，派瑞德甚至派出了性感美丽的女警杰西卡（尼可莱塔·布拉斯基 Nicoletta Braschi 饰）潜伏在洛瑞斯的身边，甚至不惜牺牲她的色相企图“钓鱼执法”。可是，令派瑞德没有想到的是，这一次洛瑞斯竟然节操十足，不为所动。

1964 Japanese film by Masaki Kobayashi

故事围绕金鱼池胡同大杂院和筒子楼的拆迁，以及居民安置工作展开。
何老太太一家人挤住在金鱼池大杂院里，虽然家长里短的事情时有发生，但一家人的相处还很融洽。何家老大原来在工艺品厂当顾问，由于和新来的领导闹矛毒，一气之下辞职在家。他的妻子很早去世，女儿何月在一家公司当职员。何家老二从木器厂下岗以后，业余爱好就是淘些便宜的古旧家具。何老二的妻子刘玉兰在百货公司卖鞋，已经怀有身孕，仍然为了前途努力攻读夜大。两口子为了各自的事经常闹得很不愉快。何家老三和媳锰张萌挤住在筒子楼里。何老三是老师，博学，但又古板，喜欢关心国际问题，经常发表各种演讲，平时说话也总是很不着调。张萌在报社当记者。两个人的生活也过昏的不算富裕。
筒子楼时不时就停电，大家经常抱怨居住环境得不到拓善。田政艳天天心急如焚，奔波于政府和居民中间。政府和开发商谈判，提出了一系列的优惠条件，但开发商依然认为无利可图，谁都不肯接手金鱼池的拆迁改造工作。
抱怨归抱怨，金鱼池的居民们还是天天按部就班地过着自己的小日子……

Xiaoma, a young woman who has recently moved to Beijing, finds an apartment in an old courtyard apartment complex owned by Grandma, an elderly woman. Xiaoma and Grandma’s relationship almost immediately becomes strained. After trying to tidy up the courtyard, Grandma insists that Xiaoma turn over her share of the profits. Tightfisted, the elderly landlady resists even allowing Xiaoma to install a telephone. At the same time the older woman becomes increasingly interested in Xiaoma’s personal (and romantic) life. Grandma, for example, tries to pass off her grandson to the younger woman. Annoyed, Xiaoma nevertheless is flattered at the older woman’s concern. Over the course of four seasons, Xiaoma begins to learn from her landlady of the old world that the modern city of Beijing has left behind, while Grandma begins to enjoy the youth and vitality of her tenant. The two women become closer and eventually develop a deep friendship.

After she ends up in prison and loses custody of her son, a woman struggles to assimilate outside her former life and remain clean long enough to regain custody of her son.