1961 Spanish-Mexican film by Luis Buñuel

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

1983 film by Carlos Saura

根据西班牙作曲家法里亚的同名作品改编，也被翻译为《魔法师之恋》。场景转移至某现代贫民窟，Candela的丈夫Jose在一场群殴中死亡，Candela伤心欲绝，每晚到丈夫命绝之地，与丈夫亡灵共舞。暗恋Candela的Carmelo借用魔法师的魔力驱赶亡灵，最终与Carmelo携手而归，Jose的亡灵则带着生前情妇Lucía遁去。

1967 film by Carlos Saura

绍拉60年代的“超现实主义三部曲”的第二部，《薄荷刨冰》（1967）、《圣力三重奏》（1968）和《蜂巢》（1969）。三部影片都是由杰拉丁·卓别林主演的，是他们俩合作的黄金时期。
一对青年夫妇费尔南多（费尔南多·赛布里安饰演）和特丽莎（杰拉丁·卓别林饰演）以及好友安东尼奥（胡安·加利亚多饰演）周末出行。汽车行进中，三人闲谈着环境污染、人口剧增等社会问题，特丽莎与安东尼奥下车独处时，费尔南多会拿出望远镜偷窥妻子的举动。帮助路人汽车灭火之后，三人抵达费尔南多的姑姑家，特丽莎的情绪非常低落，而费尔南多对妻子的不信任还在加剧。
三人来到出行的终点-海边，费尔南多对于特丽莎的猜忌达到顶峰，在他看来，好友安东尼奥和妻子特丽莎举止暧昧，毫不顾忌他的感受。混沌之中，他隐约看到安东尼奥和特丽莎偷情，最终自己用鱼枪将安东尼奥刺死。然而，这些都是费尔南多臆想的产物，三人在天黑前平安返回。

This film is not just one of the great results of Saura and Geraldine Chaplin creative and marital union, but one of the rare movies where the environment, the house here, takes the main role.
The huge, abstract, pre-minimalist concrete house (by Spanish architect Carvajal) transforms itself during the whole film running, setting the path to the main characters paranoia. The images that Saura produces are enigmatic, surrealist, funny, and in a strange way therapeutic, and they are deeply rooted in Spanish cubism and surrealism. It is probably one of the most contemporary and interesting film by the director, not recognized, yes, but a great unexpected value anyway.

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

2010 Spanish-Mexican film by Guillem Morales

Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.

After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.

A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.