B.R.M.C. is the self-titled debut album by Black Rebel Motorcycle Club, released on Virgin Records on April 3, 2001. This first release made an immediate impact through the music world, making them part of the 'garage revolution' that The Strokes spawned in the early 2000s. Although the album wasn't as popular as The Strokes's debut, it earned the band a stable fanbase.
The first 35 seconds of "Love Burns" incorporates a section of the song "TV Loop (Deep Down)", later released on the "Whatever Happened to My Rock and Roll (Punk Song)" double-7-inch single and on the Screaming Gun EP.

回顾Black Rebel Motorcycle Club（以下简称BRMC）过往的所有录音室专辑，你会发现一个尴尬而又奇怪的现象：他们的专辑得到的评价始终褒贬不一，有人给出高分，就有人贬得一文不值。如今，面对他们的新作《Specter At The Feast》，这种情况依然存在。
但实际上，你能从这张作品中听出他们过往各个时期的特点——节奏平缓的开篇曲《Fire Walker》遥望了首张专辑《B.R.M.C.》；曲风激进的《Teenage Disease》和《Rival》是对《Take Them On, On Your Own》的回溯；《Howl》中的美式根源元素在此次的《Some Kind Of Ghost》、《Lullaby》等民谣作品中得以展现；《Hate The Taste》仅凭节奏就可以将人带回《Baby 81》时期；《Sell It》则是对上张专辑《Beat The Devil’s Tattoo》实验曲风的再扩大。
细心聆听你会发现，新专辑在整体节奏上更趋于平缓，慢歌所占的比重比前作更大，Robert Levon Been担任主唱的曲目也更多，这一切均源于Robert的父亲、同时也是乐队调音师Michael Been在2010年的离世。为了表达对其的敬意，乐队此次特意在专辑中翻唱了Michael原先乐队The Call的代表作《Let The Day Begin》，其意义不言自明。
此外，BRMC这次依然延续了每张专辑必有一首长篇曲目的传统，长达8分多钟的《Lose Yourself》以舒缓的节奏、伤感的气息为专辑收尾，Robert在其中唱道：“Close your eyes, and skip what you dream……Send your touch, but you can’t feel a thing.”这是献给其父的一曲挽歌，也是专辑中最让人动容的时刻。

Companion CD To The Video Game – Contains Exclusive Tracks Available Nowhere Else.

Stubbs The Zombie: The Soundtrack contains specially commissioned covers of ’50s-era songs heard in the game, performed by Cake, The Dandy Warhols, Death Cab For Cutie, The Flaming Lips, Ben Kweller, Phantom Planet, The Raveonettes and others.

於2005年由 Jack Leung (主音及結他）及 Nic Wong (主音及結他）組成的 The Yours 是一隊結他噪音樂隊，
風格界乎於punk rock 與 noise pop 之間。曾經為The Jesus and Mary Chain, The Drums, Yuck 等樂隊的暖場嘉賓。
樂隊於2006年推出EP <Abraham>。成員經過數次轉變，現時的陣容包括 Gwyneth Tang (主音及結他), Tim Ng (結他),
及Nelson Ko（鼓手）。
2012年夏天The Yours即將推出首張大碟 <The Way We Were>。
Hot and humid, bitter and sweet.
The Yours translates the subtropical summer of Hong Kong into a dreamy wall of noise
with raw sprawling punk rock sensibilities. Having supported the likes of The Jesus and Mary Chain,
The Drums and Yuck for an idea of like-minded sound. Long after the release of their well-received debut EP 'Abraham'
in 2005, the band's lineup evolved alongside with its composing structure, but still remains fuzzy and pop.
The layered guitar and structured noise are the result of their shared admiration towards Sonic Youth,
Smashing Pumpkins and My Bloody Valentine. Their debut 13-song album "The Way we Were"” resonates the deviation and
devotion of adolescent angst.

来自洛杉矶四人全女子乐队Warpaint的Debut Album，她们之前已被NME列为2010年最有前途的新乐队之一。专辑由Tom Biller制作和与Bjork, My Bloody Valentine等大牌合作过的Andrew Weatherall混音。主音Emily Kokal在NME的采访中说”我们建议大家在吞云吐雾后再听我们的专辑 这样才是最棒的”。迷幻朦胧的曲调加上侵略性的吉他，谁会错过这么一只乐队?

The collection covers b-side and rare material spanning Whip It On, Chain Gang of Love, Pretty in Black and Lust Lust Lust. The release was limited to 500 CD and 500 double 180 gram LP. Rarities/B-Sides marks the first time the 2003 single The Christmas Song has been available on an album, as the song was absent from the 2008 Christmas EP Wishing You a Rave Christmas. Despite the song never being included on an album singer Sune Rose Wagner stated "it has since become our biggest selling song ever with appearances in countless movies, commercials, etc."
Covers released as b-sides or bonus tracks from the period this compilation spans are not included. Specifically Eddie Cochran's C'mon Everybody, Hank Williams' I'm So Lonesome I Could Cry, and Buddy Holly's Everyday.
The album art contains various photographs and a poster by contemporary artist and photographer Todd Hido.[5] Hido previously worked with The Raveonettes when he directed the video for the Raven in the Grave single Apparitions.

Kraut ripulito e aggiornato, scomparso l'odore marcio dell'afghano si sente giusto quello di synth un po' ammuffiti, ma fa solo piacere. Ha uno spirito d'annata ma suona odierno, non è strettamente vintage. Buona costruzione melodica, bei suoni, ritmi variegati, l'album (coinciso quanto basta) si lascia ascoltare tutto con vero piacere, in particolare dalla traccia 4 in cui prende il volo. Forse manca il pezzo forte di per sé (qualche picco: Saturn at 85, The Blood), ma accetto l'album gradevole nel complesso.

Code 666 Records will release the album in Europe in late March. Profound Lore
will handle releasing the album in North America, which is currently slated for
sometime in April.

Available as normal version in jewel case and as
special edition in digipack, ltd to 333 handnumbered copies. The special
edition was only available from Northern Silence.
10" vinyl version to be released in March 2007 by Northern Silence. Limited to
1000 copies (first 220 on white vinyl with a logo patch)

Nowhere seems to hold consensus as the second-best record of the shoegaze era, and with very good reason. All of the common words, phrases, and adjectives commonly used with the short-lived subgenre fit properly here, and they're all positive, every one of them. Whir, whoosh, haze, swirl, ad nauseum -- this record holds all of these elements at their most exciting and mastered. But in the end, great pop records necessitate quality songs, which Nowhere delivers throughout. Undeniably, it's Ride's zenith -- dense, tight, hypnotic. "Seagull" serves as a dynamic opener; after a couple seconds of light feedback, bassist Steve Queralt kicks in with a rubbery, elliptical line (reminiscent of a certain Beatles song), which is soon followed by Andy Bell and Mark Gardener's guitar twists and Loz Colbert's alternately gentle and punishing drumming. After the upbeat "Kaleidoscope," the record falls into a tempo lull that initially seems impenetrable and meandering. However, patience reveals a five-song suite of sorts, full of lovely instrumental passages that are punctuated with violent jabs of manic guitars. The endlessly escalating "Polar Bear" is a high point, featuring expertly placed tom rolls from Colbert. The tempo picks up for the closing "Vapour Trail," a wistful pop song with chiming background guitars galore and mournful strings to close it out. The U.S. version was bolstered significantly with the remainder of the Fall EP ("Dreams Burn Down" having reappeared earlier in the record). "Taste" is one of their finest pure pop numbers; the moody/driving "Here and Now" rates well, and the five-minute "Nowhere" is a nasty distorto-freakout. [Nowhere was remastered and reissued by Ignition U.K. in 2001. Added to the 11 tracks featured on Sire's U.S. edition are the four selections from the equally wondrous Today Forever.]

It's been over six years since Schnauss introduced the world to his wonderful blend of electronic textures and shoe-gazer aesthetics featured on his debut, "Far Away Trains Passing By". It's also been four years since "A Strangely Isolated Place" hit shelves in his native Germany and cemented his place among the elite electronic artists. That album combined the early 90's Creation Records' sound of pioneering acts like Slowdive and My Bloody Valentine with modern electronic tapestries. "Quicksand Memory" brings Ulrich's musical drought to an end, featuring two new tracks and Robin Guthrie's re-workings of two of Ulrich's most celebrated songs, "Gone Forever" and "On My Own". Look for the upcoming full-length, "Goodbye", in June.

Souvlaki is the second studio album by the English rock band Slowdive. Recorded in 1992, it was released in the UK on 17 May 1993 by record label Creation, then on 8 February 1994 in the US.

Kill your T.V. meets 残響record ep『Zankyo Tracks Of Shoegazing』
Crated by Kono(te' / 残響record)
残響record konoが提案する「洋邦楽混合シューゲーザー」がテーマのコンピ盤が初回出荷限定盤としてリリース決定。
「今、ライブハウスで鳴っているカッコいい音楽」をリアルにリスナーへ伝え、その「今」を体験できるような作品を目指しコンピレーション盤をリリースします。
これはよく在りがちな、ネクストブレークアーティストをまとめたコンピとは違い、あくまでも「Kill your T.V.」という理念、ツアーコンセプトに沿って、「今、ライブハウス/CLUBという密室で鳴っているカッコいい音楽」をリアルにリスナーへ伝え、その「今」を体験できるような作品を目指します。
◆全8組アーティストの楽曲を収録予定
Luminous Orange / COALTAR OF THE DEEPERS/ te' / texas pandaa /
antelope / bitcrush / lights out asia / guitar
kill your T.V. meets 残響record ep『Zankyo Tracks Of Shoegazing』
2010年7月28日発売
ZNR-095（初回出荷限定盤）
2,100円（税込）

Songs of Innocence
Luminous Orange
2010/06/02(Wed) RELEASE
ZNR-089 　¥2,520（tax in）
日本が誇るオルタナティヴ・ロック・バンド、ルミナス・オレンジの、残響レコードから2009年にリリースされたベスト・アルバムに続く約2年ぶりとなる新作オリジナル・アルバム『Songs of Innocence』。結成から約18年目にして、本作に満ちている覇気と躍動感は何だろう？いわゆる「シューゲイザー」と形容されるバンドの多くが、立ち止まりながら「音の壁を塗り込む」ことに腐心している一方で、この「動き続けている」感は明らかに異質だ。
「Song of Innocence」はルミナスの曲のユニークさが顕著に表れている好例だろう。穏やかでポップな曲調だが、サビでの幻想的なソプラノ・パート、そして中盤の意表をつく軽やかな口笛の出現に思わずはっと心奪われる。「Untold」ではソリッドに突進していくドラムとギターが空間を鮮やかに切り裂き、「Sea of Lights」ではギターリフがねじれあうことで「光の海」というタイトルにふさわしい覚醒感に溢れた「光景」が広がっていく。「Autumn Song」ははねるような変則的なリズムと優雅なギターの音色が絡み合う軽やかな楽曲だ。間奏に挿入されるキラめくような電子音が効果的で、前作でのアプローチが巧みに消化されているのがわかる。「Yuekin Spring Moon」は不思議な展開をみせる曲で、見知らぬ場所に一人でつれていかれるかのような先の読めないメロディが面白い。
意表をつくような曲展開や、不思議なコード進行、変拍子など、アイデアの閃きも随所に感じられる。硬軟、緩急のついた展開を見せながらあっという間に過ぎていく濃密な1時間弱ルミナス・オレンジはこれからも動き続けていくはずだ。その最新の軌跡がここには鮮やかに刻み込まれている。

2009/11/04(Wed) RELEASE
ZNR-077 　¥2,520（tax in）
【日本を代表するポストオルタナティブシューゲイザーバンド『Luminous Orange』 の竹内氏が自らセレクトした過去6枚の作品の中から厳選されたベスト盤をリリース！】
国内のみならず、海外でも評価の高いLuminous Orangeがなんと残響レコードとタッグを組みリリース決定。
過去に国内外の信頼すべきレーベルから次々と良質な作品をリリースしているLuminous Orangeが残響レコードとタッグを組み、ベスト盤の発売が決定。収録曲は、Luminous Orange唯一のメンバーである竹内里恵が、過去にリリースした全音源から厳選。収録される15曲の中には、2000年にトラットリアから発売され、近年入手困難であったマキシシングル「LUMINOUSORANGESUGARPLASTIC」、1998年に英国で発売された超レア限定7インチ「Puppy Dog Mail EP」からのセレクトもあり、ファンはもとよりLuminous Orange初心者でもマストなアイテムになることは間違いない。さらに名曲『Honey Eyes』や『Walkblind』を現在のサポートメンバーである河野岳人(b/マヒルノ他)、西浦謙助（d/相対性理論、進行方向別通行区分、他）、柳川勝哉（g/Caucus）と共に新規録音。もちろん全曲リマスタリング！
1996年の1stアルバムリリース以来、5枚のアルバム、1枚のミニアルバム、2枚のシングル他、コンピレーションにも多数参加。過去にはコーネリアス小山田圭吾の耳に止まり、氏が2002年まで主催していた伝説のレーベル、トラットリアにも参加した。 マイ・ブラッディ・ヴァレンタイン、ソニック・ユース、ダイナソーJr. といった由緒正しきギター・ロック・バンドの申し子である。だが美しいメロディーを支える、色彩豊かなコード感と、思いがけないリズム変化によって惹き起こされる、目眩のような感覚はルミナスオレンジ独特のものであり、時にポップに、時にアグレッシブに、その音楽を耳にした者を惹きつける力を持っている。
歴代のサポートには、アヒト・イナザワ(d / 現Vola & the Oriental Machine, ex. Zazen Boys, number girl)、平井直樹(d / Boom Boom Satellites, Original Loveサポート他)、中尾憲太郎(現Loves. ex. number girl他)といった凄腕ミュージシャンもおり、難易度の高い楽曲に遺憾なく発揮される彼らの才能も聴き所である。 NEW YORKで行われるCMJ Music Marathonや世界三大音楽カンファレンスの１つであるSXSW2006、2007に選出され、台湾の大型音楽フェスティバル「Formoz」などにも参加。海外のアーティストやレーベルからも支持されている素晴らしいアーティストである。 来年には、NEW ALBUMのリリースも控えている。

Indulging more than a little curiosity in synths, Silver Screen is a one-man project by Cris Miller, who creates gorgeous, airy pop songs in the style of Sarah Records' famous tradition of pastoral beauty. For fans of Blueboy, Field Mice, Shoestrings, and Sarah Records.

Built on the powerful songwriting of Christopher Owens and the ethereal production of Chet "JR" White, Girls recorded Album in a variety of bedrooms and rehearsal studios in their adopted hometown, San Francisco. The resulting 12 tracks are the perfect San Fran summer record, evoking a narcotic, sunny afternoon in Dolores Park, yet promising the eventual hangover of summer's departure. Album is self-described as "honest, loose, ethereal, obnoxious and perfect," it is a sincere tribute to the majesty of great pop music and the healing power of rock and roll.