Japanese edition of 1999 album by the avant-garde/ experimental guitarist from San Francisco with 'Remote Viewer #13' added as an unmarked bonus track. 13 selections in all. Primus' bassist/ vocalist/ leader Les Claypool guests on six of the cuts & funk legend Bootsy Collins sings on three others. Bill Laswell produced the album. 1999 release.

Bucketheadland Blueprints is a demo tape by Buckethead, containing supposed material for his debut album Bucketheadland (1992). It was later re-released, due to popular demand, as both a limited edition and non-limited edition CD.

Many early versions of the riffs featured on Bucketheadland, as well as some riffs which were not used at all, can be heard on this tape. Notably, the "Park Theme" is different from the one used in the album version, although that version can be heard on this demo tape as well.

In August 2007, the demo was re-issued on CD through Travis Dickerson's TDRS Music label. A limited edition version of 500 copies, personalized by Buckethead, was available as well as a regular edition. The regular version is not personalized, but features complete artwork, which the limited edition version lacks.

The limited edition is split up into 23 tracks.

Pike 18 is the forty-eighth studio album by guitarist Buckethead, and the eighteenth installment of the Buckethead Pikes Series.[1] The album was part of a series of twelve pike albums that were released in close succession from one another during the first half of 2013.
The album was announced on July 2 as a limited edition, untitled album with hand drawn covers and signed by Buckethead himself, and expected to be released on July 24. However, there was a slight delay and the album was finally released on July 29. A standard edition was announced but has not yet been released.

简介做为Paul Gilbert学生的他，从90年代初期就开始了个人吉他音乐的探索，录制了大量的个人专集。并担任过Praxis和Primus乐队的吉他手。但Buckethead始终保持低调，他没有更多的追随者。
Buckethead的音乐风格中，有许多让人不可思议，让人费解的感觉。他将电子乐，吉他噪音，独特的创意，融合到一起。时而演奏起风一般的速度，时而又变化成如水般的RIFF。一切安排都非常巧妙，非常的艺术化

这家伙是不是一天到晚都想着他是被鸡抚养大的或者带个肯德基的桶是否能祭奠死去的鸡的灵魂？这我们不得而知。但是他在Shred圈内的名声绝对不是因为形象上的怪异而得来的。他是著名吉他手--Paul Gilbert的高徒，他做的音乐有令人费解的电子乐加吉他噪音他的速弹, 和Paul Gilbert有异曲同工之妙--高速的手指运动中仍能听出律动，而并非是一味混沌型的傻快。快--在他的音乐中只是为音乐整体做服务，并没有抢眼的成分。许多听过他音乐的吉他手都对他写的Riff感慨不已-- 一种全新的感受，原来Riff也可以写成这样。你要是非常感兴趣却又苦于没有见过他的高速演奏的话，建议你去看一下Primus乐队的现场VCD，在这场演唱会的后半段，Buckethead客串了一段独奏，风一般的速度，怪异的现场表现无不让所有看过这盘VCD的人留下深刻的印象。
但是如果你认为他只能速弹的话，那么Buckethead将回给你一桶，他的专辑《colma》中充满了感性的旋律和细腻的情感。在前卫音乐圈内（他曾所在的乐队Praxis在前卫因乐圈中绝对是重磅炸弹）能有如此心静如水的人的确少见。最难能可贵的就是他在加入了著名重金属乐队“枪炮玫瑰”后他仍能保持低调的风格，继续他的个人音乐创作。
永远用音乐来表现自己的想法，隐藏在面具和桶下的Buckethead将在你对吉他音乐黔驴技穷的时候给你上重要的一课，让你重新认识吉他音乐的另一面