——施鑫文月签约第四音乐首张个人专辑《巴蜀文艺复兴》——
二十出头的年纪，一半记忆在成都，一半记忆在美国。
在成都，他第一次认识了世界，在美国，他通过Hip-Hop音乐打开了另一个世界。
2020年，施鑫文月从波士顿回到成都，尝试着用他的“丝滑Hip-Hop”解封对老成都街头巷尾、人情风貌的记忆，掀起一场中西合并、推陈出新的“巴蜀文艺复兴”。在这场复兴运动里，情感通过音乐继续生根，无限延伸……
力拔山兮，无畏险阻，由东向西，《开天辟地》；
然而，毫无防备的差异像极了一场推拒的爱情，从轻松甜蜜的《竹林摇》到充满期待的《锦江爱情故事》，最后逃不开说一句《素芬儿，别走》的结局；
恍然收神，安静下来，再次想象我们一起《Surfin’ on the Moonlight》；
呐喊一声，收集回音，同志者同行，让潮水感受《锦江New Wave》；
《“嗯”》，是时候收拾行装，奔向未来的路了；
这条路上有什么比童年的《丁丁猫儿》更好的坐骑呢；
当然，不能忘了《Grab》婆婆的叮嘱，那景象历历在目，却只能在《婆-语录》再次听到她的声音；
就现在吧，无须犹豫等待，带上我的一切往《前头跑》！
巴蜀文艺复兴，开始了……

是什么把我们变得冷漠、孤绝、习得性无助与失落
被忽略、不被尊重、无视和非难
物欲，名声，还是有些竭尽全力拼死也达不到的梦想？
麻木是关闭了敏感，
互联网时代的算法与数据推送，
虚拟网络的快慰和愉悦，
让人们放弃了思考钝化了感官；
独居比例越来越高，
几平米的空间 容不下太多的悲凉；
令人焦虑的事情每天时有发生，
时刻提醒自己不要透支同情、克制愤怒；
我们变成了谁？
没有变成最讨厌的样子，
却失去了原本的生机。
在智能时代变成了人类AI，
甚至连自己的口令都听不到的机器。
没有人在乎你变成怎样，
因为连你自己都不在乎是否快乐，
会不会悲伤；
现实中的无奈让人们随波逐流；
激烈、冲动、莽撞、委屈、自卑自怜被强迫收敛
在荒谬的期望中，
变成了不动声色的我们。
其实在这个世界里，
没有局外人。
也没有人，
真的不在乎。
《没有人在乎》是汪峰2021年度发布的首支说唱单曲，作品由汪峰与新加坡知名制作人Kenn Wu 联合编曲制作完成，并邀请全能唱跳音乐制作人张艺兴、中文说唱领军人物GAI周延完成“跨界”音乐创作。
汪峰的《没有人在乎》表达了每一位活在当下的个体最真切的状态，科技理性与社交文明的隐喻，引发大众对数字时代的生活方式与情感日常之间隔阂的反思。
现实生活的麻木与无力感在自嘲中显得荒诞至极，直抒胸臆的嘶吼与呐喊，加上律动感强烈的原始气息，似乎听到歌者呼唤人们回归那个原本鲜活无所顾忌的“我”。

Run the Jewels have finally announced the details of their new album Run the Jewels 4. It’s out June 5 via Jewel Runners/BMG. The new album features the previously shared songs “ooh la la” and “yankee and the brave (ep. 4).” Plus, there are guest appearances from Rage Against the Machine’s Zack de La Rocha, Pharrell, 2 Chainz, Queens of the Stone Age’s Josh Homme, and Mavis Staples.

Camp Lo is an American hip hop duo, formed in 1995, which hails from The Bronx, New York

First they went platinum...Now they're going green. Your best loved music in its simplest form. 20 best-selling "Greatest Hits" & "Best of" collections now available in a new eco-friendly package. 1CD in card wallet packaging - no plastic, no booklet - just great music! Booklets are available online through a unique URL on the package.

People's Instinctive Travels and the Paths of Rhythm is the debut album by the alternative hip hop group A Tribe Called Quest, released on April 17, 1990[11] on Jive Records. Though the album was well-received critically, it had little mainstream appeal. The album did earn the band a devoted following, however, within the alternative hip hop community. People's Instinctive Travels was praised for its inventive lyricism and bizarre sense of humor, mixed with socially aware and literate message tracks. It is one of three albums included in The Source's 100 Best Rap Albums. It also was certified gold by the RIAA on January 19, 1996. The record was given the perfect rating of 5 mics in The Source in 1990 — according to Pitchfork, it was the first album ever to receive this honor.

On their final album, Q-Tip, Phife Dawg, Ali Shaheed Muhammad, and Jarobi rekindle a chemistry that endeared them to hip-hop fans worldwide. Filled with exploratory instrumental beds, creative samples, supple rhyming, and serious knock, it passes the headphone and car stereo test. “Kids…” is like a rap nerd’s fever dream, Andre 3000 and Q-Tip slaying bars. Phife—who passed away in March 2016—is the album’s scion, his roughneck style and biting humor shining through on “Black Spasmodic” and “Whateva Will Be.” “We the People,” “The Donald,” and “The Killing Season” (featuring an uncredited Kanye West) show ATCQ’s ability to move minds as well as butts. We got it from Here—Thank You 4 your service is not a wake or a comeback—it’s an extended visit with a long-missed friend, and a mic-dropping reminder of Tribe’s importance and influence.

妮姬米娜／女皇
饶舌女皇霸气登场
★乐坛唯一饶舌女皇、葛莱美提名认证，睽违四年全新大碟霸气登场
★话题收录白金认证曲《Chun-Li》、与流行天后亚莉安娜再度携手主打《Bed》等
从粉红芭比《Super Bass》、丛林摇辣臀《Anaconda》到最新单曲《Chun-Li》化身春丽⋯出道至今话题不断，听觉与视觉双重呛辣造型，总是惊艳全球娱乐圈，妮姬米娜Nicki Minaj成功塑造出自己的独特风格，并且透过剽悍的女力饶舌调调，彻底改变了嘻哈界的样貌，成为新世代最具影响力的歌手之一。
本名Onika Tanya Maraj的Nicki Minaj，从2004年踏入乐坛后，靠着《Pink Friday》、《Pink Friday: Roman Reloaded》写下告示牌三冠王（流行／R&B／饶舌榜）的惊人纪录，而她的销售成绩更是亮眼，生涯共三张个人专辑，就突破2,500万张销量，同时还以「助阵歌手As featured artist」身份，创下超过6,000万张的单曲销售；除此之外，座拥6座全美音乐大奖、6座MTV系列大奖、10座BET大奖等百座大奖肯定，累积了10次葛莱美奖提名认证，无疑是本世纪最杰出的女性嘻哈/饶舌歌手，这些不凡成就让许多新生代歌手都望尘莫及！继上一张专辑《The Pinkprint》宣传期结束后，Nicki Minaj陆续加入了Ariana Grande《Side To Side》、Katy Perry《Swish Swish》、Migos & Cardi B《MotorSport》等人的排行神曲中，并透过合作吸取丰富的音乐养分，接着在17年底重回到录音室，Nicki Minaj兴奋表示，「我必须说，这张新专辑是我有史以来最棒、最棒、最棒的作品，我的音乐生涯中还没有写出这么屌的作品过！」终结了四年的等待，如Nicki Minaj般霸气的全新大碟《Queen》终于问世。
《Queen》囊括了今年嘻哈界最强黄金阵容，包含雷鬼大师Supa Dups（Drake、Eminem）、嘻哈王牌操盘手Billions（The Weeknd、Beyoncé）等，联手打造完美的饶舌女皇大作；由师兄Lil Wayne入阵献饶、火辣喷张的《Rich Sex》，展现出了自家厂牌的完美实力，向世人证明Young Money依然是乐界的嘻哈火药库；继《Side To Side》后，再度搭上流行天后Ariana Grande加入献声的《Bed》，全球串流快速冲破1亿次点播；繁中入镜、充满亚洲风味的首支主打《Chun-Li》，以经典的电玩传奇角色「春丽」为创作灵感，成为生涯第16首告示牌热门榜TOP10金曲，更加稳固「史上最多TOP10主打女饶舌歌手」纪录！
Nicki Minaj依然稳坐乐坛饶舌女皇宝座，最新大碟《Queen》将以女皇之姿，将嘻哈界推向全新高点。

Genre: Rap | Hip-Hop
Year: 2018
Label: Def Jam Recordings & UMG Recordings, Inc.
Featuring: Kid Cudi, Nicki Minaj, T.I., Ty Dolla $ign, Valee, Willow Smith, Young Thug, 070 Shake, Charlie Wilson, DeJ Loaf, Jeremih, John Legend
Producers: Kanye West, Charlie Wilson

In the two years since To Pimp a Butterfly, we’ve hung on Kendrick Lamar's every word—whether he’s destroying rivals on a cameo, performing the #blacklivesmatter anthem on top of a police car at the BET Awards, or hanging out with Obama. So when DAMN. opens with a seemingly innocuous line—"So I was taking a walk the other day…”—we're all ears. The gunshot that abruptly ends the track is a signal: DAMN. is a grab-you-by-the-throat declaration that’s as blunt, complex, and unflinching as the name suggests. If Butterfly was jazz-inflected, soul-funk vibrance, DAMN. is visceral, spare, and straight to the point, whether he’s boasting about "royalty inside my DNA” on the trunk-rattling "DNA." or lamenting an anonymous, violent death on the soul-infused “FEAR.” No topic is too big to tackle, and the songs are as bold as their all-caps names: “PRIDE.” “LOYALTY.” “LOVE.” "LUST.” “GOD.” When he repeats the opening line to close the album, that simple walk has become a profound journey—further proof that no one commands the conversation like Kendrick Lamar.

A gradual crescendo of spirit-lifting gospel introduces "Yesterday's Gone", perfectly fitting for the debut longplayer from the young master of 'confessional hip hop'. Indeed as Ben Coyle-Larner spits sombre bars over "The Isle Of Arran"s soulful grooves, the South Londoner touches on family, bereavement and religion, all with the same intricate flow and honest delivery. It's a sound that's at odds with the current slew of mumbling, stumbling, gangtas who dominate the charts and mixtapes, celebrating gold, diamonds and designer footwear as they breeze through meme-references and barely decipherable hooks. Rather, Loyle Carner takes his cues from Mos Def, Talib Kweli and London's own Roots Manuva, delivering conscious rhymes over gentle, jazzy grooves. Intimate, intricate and tough to imitate, Loyle Carner is entirely relatable as he treats us to everyday tales of family, food, romance and regret, laying his growing pains bare across a dozen tracks and a couple of well placed skits. If the recent ATCQ LP's put you in the mood for some proper hip hop, then this is your new jam.