Track listing

1. Minority Report (06:29)

2. "Can You See?" (02:12)

3. Pre-Crime To The Rescue (05:48)

4. Sean And Lara (04:46)

5. Spyders (04:33)

6. The Greenhouse Effect (05:09)

7. Eye-Dentiscan (04:48)

8. Everybody Runs! (03:10)

9. Sean's Theme (01:57)

10. Anderton's Great Escape (06:47)

11. Dr. Eddie And Miss Van Eych (03:08)

12. Visions Of Anne Lively (03:27)

13. Leo Crow... The Confrontation (05:55)

14. "Sean" by Agatha (04:59)

15. Psychic Truth And Finale (07:10)

16. A New Beginning (03:29)


Total Duration: 01:13:47

Vocal Soloist: Deborah Diedrich

Supervising Music Editor: Ken Wannberg
Music Recorded and Mixed by Shawn Murphy at Sony Pictures Scoring Stage, Culver City, CA

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John Williams has done a masterful job in his musical presentation of Minority Report. The plot and story find their roots in the combination of American film noir and the classic "whodunit" mysteries that were so popular in the era of Humphrey Bogart and filmmaker John Huston. John Williams and I have often marveled at the way Bernard Herrmann was able to contribute so much musical suspense to an Alfred Hitchcock picture. So in that tradition of mystery, suspense and film noir, John has fashioned a fast-paced, yet dark portrait of America in the year 2054 when the murder of one human being by another can foretold through the miraculous gifts of three precognitives. Unlike our other collaborations, John's score for Minority Report is not lush with melody; it is nonetheless brilliant in its complexity and forceful in its rhythms. It is the kind of music that will start in your spine and eventually find its way to your heart in the section titled "Sean's Theme." If most of John's scores for my films have been in color, I think of this score as his first one in black and white. But as in most of John's music quite often you don't need the pictures to understand the musical story that John is telling you. After all, John Williams is the greatest musical storyteller the world of movies has ever known.

Steven Spielberg

Miramax Films presents The Brothers Grimm-a classic fantasy fable from master filmmaker Terry Gilliam. Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from village to village from enchanted creatures and performing exorcisms. The Brothers Grimm features a wonderful orchestral score from composer Dario Marianelli. Written in the tradition of a magical/fantasy orchestral symphony, Dario playfully leads the audience through this compelling and spectacular adventure.

John Williams 为 1982 年电影《E.T. 外星人》创作的配乐，此为 1996 年欧洲重发行重制特别版。

1972 年电影《教父》原声，1991 年重新发行

1974 年电影《教父 2》原声，1991 年重新发行

1990 年电影《教父 3》电影原声，此条目为美国版

好莱坞最炙手可热的电影配乐奇才汉斯·季默(Hans Zimmer)，与《角斗士》导演雷德利·斯科特(Ridley Scott)合作，操刀战争巨片《黑鹰计划》的音乐制作，再次运用他擅长的电子合成器和灵动的音符，营造出与影片融为一体的全景式氛围。尤其值得一提的是，电影音乐中时时可威受到的典型阿拉伯风格的旋律和吟唱，于影片惨烈的影像画面之外，另辟一片飘逸、空灵的境界，引人莫名的思绪滑入沉静的天际，一场无根的战争，一群不知为何而流血的士兵，让人顿生无尽威慨。
这是一张充满世界音乐(WorldMusic)的原声唱片。 作曲家汉斯·季默(Hans Zimmer)在这部描写联合国维和部队在索马里执行艰巨任务的电影中，把音乐气氛推到神秘、危险、诡异的极限。这张原声唱片收录了世界各地不同的声音：来自塞内加尔的Baaba Maal那属于非洲部落的原始咏唱和电子节奏配合得出神入化；来自澳洲的二人组合Deadcadance的女主音Lisagerrard继续发扬她在《角斗士》原声唱片中的空灵飘逸风格；阿尔及利亚的歌手Rachidtaha演绎了其作品。 除了歌曲部分外，其余的配乐部分也相当精彩。既有紧张刺激的电子节奏《Barra Barra》，也有气势汹汹的重型摇滚《Chant 》，还有带着索马里摩加迪沙当地特色的布鲁斯《Mogadishu Blues》。辽阔、大气却隐藏危机的战争气氛是这张专辑要表达的情绪。就像在炎炎烈日的沙漠，透过墨镜，你看到了金字塔————既看到了庄严，也看到了邪气，也许还看到了海市蜃楼，那是黑鹰坠落时幻化的光影。

在近代有着最不同寻常转变的人，克林特曼塞尔，一个从八十年代后期/ 90年代初Stourbridge电朋克Pop Will Eat Itself到Darren Arronovsky的原声提供者。
曼塞尔的最新作品是邓肯琼斯的科幻影片月球和蜿蜒一个简单的混响，成为一个有效的困扰和悲哀吓坏了半小时的钢琴组曲主题。原声音乐是为由Duncan Jones执导，Sam Rockwell和Kevin Spacey领衔主演的电影《月亮》是一个有关孤立的月球雇员发觉他可能无法轻易回家地球的科幻惊悚片而制。该片在今年早些时候7月17日于英国圣丹斯影展首映。
7月20日Clint将他的得奖电影原声作品带到英国的第一次联合教会。 在一个真正的独特的音乐会现场，他将会加入现场乐队，与Sonus Quartet共同奏出他音乐生涯的最高篇章。
他的获奖作品包括Darren Arronofsky的电影《梦之安魂曲》原声，近期作品有The Fountain和《摔跤手》原声。

Gone Girl Soundtrack (aka Gone Girl - Soundtrack From The Motion Picture) was scored by Trent Reznor and Atticus Ross for David Fincher's film Gone Girl, which is adapted from the bestselling novel by Gillian Flynn. This is the third soundtrack that Reznor and Ross have worked on together, preceded by The Social Network Soundtrack and The Girl With The Dragon Tattoo Soundtrack, also for David Fincher.

For the soundtrack to writer-director Darren Aronofsky's long-awaited sci-fi epic, The Fountain, Kronos Quartet reunites with composer Clint Mansell. The had previously collaborated on the haunting score for Aronofsky's Requiem For A Dream.