Gone Girl Soundtrack (aka Gone Girl - Soundtrack From The Motion Picture) was scored by Trent Reznor and Atticus Ross for David Fincher's film Gone Girl, which is adapted from the bestselling novel by Gillian Flynn. This is the third soundtrack that Reznor and Ross have worked on together, preceded by The Social Network Soundtrack and The Girl With The Dragon Tattoo Soundtrack, also for David Fincher.

Sam, a 12-year-old orphan, falls in love with Suzy and the two run away to a secluded cove on an island, prompting the entire town to begin a search.

Her Soundtrack (FYC Promo)

本片讲述一个男孩从6岁到18岁的成长历程，导演理查德·林克莱特花了12年时间来完成这部作品。它仔细描画了孩子的成长过程，及其父母亲各个方面的变化，可以让观众细致入微地体会岁月流逝的痕迹。为了不打扰主演艾拉·萨尔蒙的正常生活，拍摄均在他暑假期间的简短时间内完成。
Today marks the release of the soundtrack to Boyhood—a film written, directed, and co-produced by Richard Linklater—on Nonesuch Records; the movie, which is being distributed by IFC Films, opens this Friday, July 11, in the UK, New York, and Los Angeles before going wider across the US beginning next week. Shot over 12 years with the same cast, Boyhood is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before the viewers’ eyes.
The New York Times film critic A.O. Scott calls Boyhood "one of the most extraordinary movies of 2014, or for that matter the 21st century so far." Film critic David Edelstein, in a review for CBS Sunday Morning, says: "Boyhood makes each moment momentous."
The film’s soundtrack spans the story’s 12 years, with songs ranging from the year 2000 (Coldplay’s “Yellow” and The Hives’ “Hate to Say I Told You So”) to 2013 (Yo La Tengo’s “I’ll Be Around”). The album also includes the classic “Band on the Run,” by Paul McCartney and Wings (from the 2010 re-mastered album of the same name) and the debut of a new song written by Jeff Tweedy and performed by the father/son duo Tweedy—“Summer Noon.” The Boyhood soundtrack album was produced by Richard Linklater and Randall Poster.
To pick up a copy of the Boyhood soundtrack, head to iTunes or the Nonesuch Store, where CD orders include a free download of the complete album at checkout; MP3 and FLAC lossless files are also available to purchase there.
Starring Ethan Hawke and Patricia Arquette as Mason’s parents and newcomer Lorelei Linklater as his sister Samantha, Boyhood charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent. Boyhood is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. Cathleen Sutherland produced the film with Linklater.
Before Slacker, an experimental narrative revolving around 24 hours in the lives of 100 characters, garnered acclaim in 1991, Richard Linklater had made many shorts and completed a Super 8 feature, It’s Impossible to Learn to Plow by Reading Books (1988).
Linklater’s additional credits include the 1970s cult hit Dazed and Confused (1993); Before Sunrise (1995), for which Linklater won the Berlin Film Festival Silver Bear Award for Best Director; Suburbia (1997); The Newton Boys (1998), a western/gangster film set in the 1920s; the animated feature Waking Life (2001); the real-time drama Tape (2001); the hit comedy School of Rock (2003); $5.15 an Hour (2003, HBO), Before Sunset (2004) which earned him an Academy Award nomination; Bad News Bears (2005); A Scanner Darkly (2006); Fast Food Nation (2006); Inning by Inning: A Portrait of a Coach (2008); Me and Orson Welles (2009); Bernie (2012); Up to Speed (2012, Hulu); Before Midnight (2013); and Boyhood (2014).
Linklater also serves as the Artistic Director for the Austin Film Society, which he founded in 1985 to showcase films from around the world that were not typically shown in Austin. Now one of the nation’s top film organizations, The Austin Film Society shows more than 200 films a year, has educational programs, and has given out more than $1,500,000 in grants to Texas filmmakers since 1996.

The Whiplash soundtrack consists of 24 tracks sequenced in 3 distinct parts: Original jazz songs written for the film, original underscore written for the film, and classic jazz standards by Stan Getz, Duke Ellington and more. There are also choice snippets of dialog included on the soundtrack that sum up the narrative of the film and help to put the music in context (à la Pulp Fiction). The Original Score & Big Band Songs were created by Justin Hurwitz. The original jazz songs were created by Grammy nominated composer, Tim Simonec.

An exclusive video featuring an original song performed by Junior Brown, with lyrics by show creators Vince Gilligan and Peter Gould.

*金奖名导马丁史柯西斯在台湾取景拍摄，2017年奥斯卡「最佳摄影」提名史诗电影
*华盛顿邮报盛讚为杰出作曲家、指挥家，具与有时代视野的音乐家Kim Allen Kluge与他的作曲家老婆Kathryn Kluge採撷大自然声音，同时融合了神道音乐、梦幻曲、电子氛围音乐、新世纪音乐、日本音乐、葡萄牙音乐等类型音乐元素，创造一篇永恆且独特的音乐作品。
以「神鬼无间」荣获奥斯卡最佳导演奖的马丁史柯西斯在台湾取景拍摄，改编自日本文学作家远藤周作1969年同名争议小说的电影【沉默】，电影以十七世纪日本江户幕府的禁教时代为背景，剧情描述两位天主教教士洛特里哥与卡尔倍听闻在日本定居三十多年的费雷拉神父在长崎遭受严刑逼迫，宣告弃教，两人不相信自己敬重的教长会背叛教会，决定前往日本调查费雷拉神父的弃教之谜，洛特里哥与卡尔倍在流放海外的日本人吉次郎的协助下，潜入长崎一处仍信奉天主教的村庄，亲眼目睹当地官员对信徒的凌迟与迫害，就在两人被捕之时，失踪许久的费雷拉神父竟然出现了。
耗时二十八年完成的【沉默】，由「钢铁英雄」男主角安德鲁加菲尔，「STAR WARS：原力觉醒」男主角亚当崔佛，「即刻救援」性格巨星连恩尼逊，「寄生兽」男主角浅野忠信，「GO！大暴走」日本电影金像奖最佳男主角洼塚洋介，「咸猪手事件簿」日本电影金像奖最佳男主角提名的加濑亮，「渴望」日本电影金像奖新人奖得主小松菜奈，「野火」导演塚本晋也领衔主演。电影在台湾的中影片厂、阳明山、平溪大华壶穴、金瓜石灿光寮古道、北投秀山国小、贡寮桃源谷、万里焿子坪、金山、三芝、台中造浪池、花莲牛山和石梯坪等地取景拍摄。
无论是在洛杉矶的居家录音室裡头进行作曲，或是在音乐厅上进行现场演出，
古典音乐与电影音乐作曲夫妻档Kim Allen Kluge与Kathryn Kluge，两人十分讲究在音乐乐声裡注入史诗般的戏剧感受，他们充满热情与说服力的音乐作品让不同背景的乐迷可以经由艺术的表达感受到人性的本质，夫妻俩的音乐作品的共通点就是希望透过迴然不同的音乐风格或音乐类型的相互并置，以一种发自内心深处且引人深思的方式将音乐带给听众。夫妻俩曾经为爵士乐界的萨克斯风乐手、作曲家与乐团领导者Branford Marsalis，以及日本小提琴家美岛绿Midori作曲。Kim Allen Kluge也曾经与小提琴巨星Joshua Bell合作，指挥演出《普罗高菲夫：第一号小提琴协奏曲》，Kim是一位杰出的指挥家，曾经客座担任The Boston Pops Orchestra的指挥，在过去二十七年来，他担任维吉尼亚州的Alexandra Symphony Orchestra的音乐总监。
马丁史柯西斯邀请Kim Allen Kluge与Kathryn Kluge担任【沉默】的原创音乐创作，史柯西斯特别跟两人强调，他不要日本音乐或是葛利果圣歌(Gregorian Chant)，他要的是自然的声音，Kim在读了原著小说之后，瞭解导演的用意，夫妻两人在这样的指示下，打破了电影音乐的传统惯例，在这部电影的原创音乐裡放入了彼此之间存在著矛盾的各类型音乐，还有令人难以捉摸，饶富禅意的音乐。
Kim Allen Kluge与Kathryn Kluge以小说作为创作的起点，夫妻俩觉得音乐应该逐渐化身成为电影中的雾、石头、海、风、雨，他们认为作家远藤周作在书中以这五种大自然的天候、意象、物质做为主导动机，两人把这些主导动机解读为那可能是上帝透过大自然对天主教教士洛特里哥说话的声音，但洛特里哥却听不到的声音。此外，他们认为在洛特里哥与卡尔倍置身迷雾中，水裡浮现神秘脸孔这些情节段落时，音乐则是为电影提供了一种幻想，幻象的作用。
综合上述的理论，Kim决定为电影创作一篇全新的「神道」(Shinto *视自然界各种动植物为神祇的日本原始宗教)音乐，他与老婆谱写了许多梦幻曲，然后，也用音乐来描述电影裡的印象或声音，他们在有著日本琵琶、十七世纪室内乐常见的古大提琴(viola da gamba *一种能呈现巴洛克音乐风貌的乐器)，象徵日本与葡萄牙的音乐为核心的乐曲中，融入了由日本音效团队所录製的蝉的声音与海的声音，两人经常用听起来像是蝉在哭泣的声音来表达片中殉道者的恸哭。
【沉默】的原创音乐就像是大自然的声音与人类情感之间的和谐共鸣，是一篇永恆的音乐作品，也是一篇独特的音乐作品。

Christopher Young is an American composer and orchestrator of film and television scores

Marco Beltrami is an American composer and conductor of film and television scores. A prolific musician, he has worked in a number of genres, including horror, action, science-fiction, Western, and superhero.