Sano and Miyata, two childhood friends, are on a trip together in a resort hotel facing the Pacific Ocean. Miyata is devoted to conspiracy theories and he tries to get Sano to believe this idea. But Sano doesn't believe it, and they fight. As Miyata's phone keeps ringing all day, Sano loses patience and takes the call. It was a phone call from Miyata's father, who was saying unintelligible things, probably from dementia. Sano hangs up the phone in confusion and tries to go home with Miyata.

厨艺班一男生自称听见门钟似的怪声，甚至说自己半边脑袋已被换成机械。导师 松冈不以为然，但不安已悄然入侵，他的世界即将反转，彻底陷入荒诞失序中。

一个再寻常不过的夜晚，越南街角的路边摊，三个男人进行着关于人类命运的谈话，酒促小姐正逐桌推销，路过的孩子当街表演起喷火秀；于此同时，画面外传来恐怖的煞车及碰撞声，一场车祸发生了。全片仅有一个长镜头，事件与人物在镜头内外反覆穿梭，展现导演令人惊异的场面调度能力，被誉为今年坎城导演双周最令人惊艳的短片。在繁忙的街头拍出没有斧凿痕迹的一镜到底，而没有变成纪录片，不论在技术与戏剧张力的经营，难度皆高。

神枪手席尔瓦（佩德罗·帕斯卡 Pedro Pascal 饰），拜访了他25年前的警长朋友兼恋人杰克（伊桑·霍克 Ethan Hawke 饰），俩人再见后爱火重燃。然而第二天早上，席尔瓦告诉杰克他不是来叙旧的……

深夜的酒店房间，一个男人拨通了小卡片上的电话，一个女人应约而来。本想进入对方的身体，但却不小心闯入了彼此的内心……

在一座有着悠久历史且破破烂烂的工厂内，文气十足的工人马力傲（孙昊 饰）默然身处其中。他不会说话，本身志趣也与那些粗鲁的工人不同，大家根本没有共同语言。颇有些文采的他经常被领导指派撰写各种演讲稿，而他在工作之余则热心创作，自顾自遨游在文学的海洋之中。夜幕降临，马力傲独自置身值班室内，台灯点缀暖黄的光芒，他放松心情，铺展开稿纸，而就在那一刻，他所创造的女孩（鲁佳妮 饰）便走了出来，与马力傲畅所欲言。他喜欢着这个女孩，享受着美好而虚幻的不期而遇。怎奈现实残酷，世事无常，梦想总在不经意间被击得粉碎……
本片根据小说《夜班》改编。

改编自《李献计历险记》，讲述一位叫马力傲的少年，整日沉浸在游戏中，有一天他发现游戏中有一条密道，可以回到过去，于是他不顾一切地打通这密道，好回到他和他女朋友分手之前的时光，重新来过……

孔老师是山东省曲阜市实验小学的一位老师，他在这所学校已经教了三十年的书。因为儿子在北京结婚生子，作为单亲父亲的他不得不提前退休前去北京照看孙子。当他最后一天来到学校，告别了这所学校的一切。然而最后的方式，却和他想象的不一样。

Bargain tells the story about a high school girl and a middle-aged businessman who meet in a hotel room where she’s about to sell her virginity to him. As they engage in small talk, he starts to bargain her price down… until it’s fraction of what it was. All the while though, she’s plotting something different.

《我的朋友》邀请FIRST FRAME年度推荐人周迅、王一博共同演绎，由青年导演张大磊执导，描摹寻常处的体面之美，捕捉人情的隽永时刻，复现电影所带来的的生活向往。《我的朋友》亦如穿越时空的影票，诚邀观众走进FIRST FRAME的影像世界，以电影传统传承启发，鼓励青年影人的创造精神，以经典重现过去，以时光雕刻未来。
当耳畔响起女主角小周温柔平实的喃喃絮语，我们与当下暂别，一起回到90年代的日常。小周以检票员的身份打开观众前往影像世界的入口，电影院如同永驻的庇护所，银幕悄然召唤人群，人与人因电影而久别重逢，相互安慰，荡漾情谊的波澜。《我的朋友》因复归影院精神而熠熠生辉，银幕之光照应万「帧」流转，而独一无二的电影样本与人情聚离，蕴藉隽永。交错光影映照出小周与一博的面容，成为朋友的契机悄然而至，而电影亦是每一个人的朋友。

1956年导演阿伦•雷乃用摄影机带领观众重回奥斯维辛。当年纳粹集中营的旧址上已是一片祥和美丽的野外风光。然而时间倒回到1933年纳粹党掌权之时，整个城市被阴霾笼罩——大片修建起来的集中营房排列整齐，大量犹太人被抓进集中营开始接受非人的折磨和侮辱。这里对人种进行分级，在皮肤上纹上编号，在衣服上缝制等级的徽章。疾病，饥饿，劳役使集中营尸体遍地。1942年希莱姆到访，奉行“破坏”政策，集中营难民进入更加悲惨的境遇，被药品公司买下用作实验。1945年，集中营人数倍增后已不堪负荷，成堆的尸体被推土机推入大坑掩埋......

An intimate evening between a film director and an escort is disrupted when a familiar face arrives.

阿忠一觉醒来，发现自己死了。他看着太太和子女处理他的身后事，一家人围着尸体一边吃早餐、一边七嘴八舌，阿忠也在旁边喋喋不休，但不论生前或是死后，他讲的话都没人听！他只能委托一个人，完成他最后心愿。

回到哺乳动物大都会，深入探索有趣的居民生活故事。

不久後的島嶼未來，樹仔是新政府走路工，他牽著失語的孫子，從遙遠的南方而來，探視獄中的兒子。「兒子，你不能忘記我。」政治犯的最後苦求，是在這新政權統治下，最反動的宣言。

IN SHANGHAI
In Shanghai Lou Ye, 2001
short Film
In Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...
Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film .
"You can guess who they are, but we can never really know "
Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .
The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .
Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .
Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "
By these words Mr. Lou Ye, I bear you my esteem .

兩個高中生閔何和三寶(sanbeom)是一對同性戀人。為慶祝他們的交往一百天紀念日，兩人前往海邊旅行。閔何即使在公眾場合也對三寶大方表示愛意，並不如何在意旁人怎麼看；相對地三寶卻總是為此感到不自在。那晚，三寶向閔何坦白了一個秘密⋯⋯

毕赣与pidan合作的品牌短片。这是一只黑猫的奇幻旅程，一个关于爱的童话故事，探讨何为爱，以及如何获得爱。

Inspired by real events, "Bestia" enters the life of a secret police agent in the military dictatorship in Chile. The relationship with her dog, her body, her fears and frustrations, reveal a macabre fracture in her mind and a country.

九〇年代的美国，和家人初移民的小姊姊梁芬，渴望融入新环境，而迷恋着当时女孩间流行的彩色蝴蝶发夹。梁芬对蝴蝶发夹的执着，混杂着对俗气妹妹的厌恶，使得母女三人新生活下隐含的张力一触即发。