ゴンザレス三上 -ag
チチ松村 -ag

After premiering at the Sundance Film Festival earlier this year, Kenneth Lonergan’s acclaimed new film Manchester by the Sea is finally opening in US theaters. Over the course of its 9-month festival circuit run, the film has become an audience & press favorite and a hot contender for awards season. Lee Chandler (Casey Affleck) is a brooding, irritable loner who works as a handyman for a Boston apartment block. One damp winter day he gets a call summoning him to his hometown, north of the city. His brother’s heart has given out suddenly, and he’s been named guardian to his 16-year-old nephew. As if losing his only sibling and doubts about raising a teenager weren’t enough, his return to the past re-opens an unspeakable tragedy. The film also stars Michelle Williams in a breath-taking and award-worthy performance. The soundtrack album elegantly blends original score by Toronto-based composer Lesley Barber and classical music pieces by masters such as Georg Fridric Handel and Charles Massenet. Fresh off her invitation to join the Motion Picture Academy, Ms. Barber delivers, what most will consider, her best work to date. Beautifully harmonized vocal performances, recurring at key intervals, represent only one of the many memorable moments of her achievement. A much-deserved Academy Award Nomination for this sumptuous score would come as a surprise to no one.

Deutsche Grammophon is excited to announce the November release of Arrival (Original Motion Picture Soundtrack) with music composed and produced by Johann Johannsson.
The Paramount Pictures film Arrival, which premiered at the Venice Film Festival, is the composers third cinematic collaboration with French-Canadian director Denis Villeneuve, following on from last years crime thriller Sicario, which garnered Johannsson an Oscar nomination for best original score. As recently announced, their next joint project will be the much anticipated sequel to the legendary science fiction film Blade Runner.
Arrival stars Amy Adams, Jeremy Renner and Forest Whitaker, Adams playing the lead role of a linguist who attempts to communicate with the alien intelligence controlling a fleet of spacecraft that has suddenly and ominously appeared at sites all around the globe. As mankind teeters on the brink of global war, she and her team embark on a race against time to find out why these craft have come to earth. More than a conventional sci-fi thriller, this is a thoughtful, intellectual drama with a genre twist.
Arrival is a very unique science fiction film and I decided early on that the human voice would feature prominently in the score, says Johannsson. It seemed a natural choice, given that the story is very much about language and communication.
Johannsson worked with several singers and vocal ensembles and combined both classical and avant-garde elements in his compositions, augmenting his already unique approach of combining orchestral writing with digital sound processing. Among those appearing are the prestigious Theatre of Voices, conducted by Paul Hillier, and artists such as Robert Aiki Aubrey Lowe and Hildur Guonadottir, known for their unique musicianship. Johannsson also integrated some found sounds from the legendary avant-garde vocalist Joan La Barbara into his score. The soundtrack was recorded in Prague, Copenhagen and his native Reykjavik.

电影音乐大师梅林茂作曲护航
爱欲痴愁 江湖莫测
是回忆还是诉说不尽的眷恋
上海黑帮情欲未尽，是什么在暗波汹涌！
作曲/监制
梅林茂
「《罗曼蒂克消亡史》插曲」Take Me To Shanghai
带我回上海
梅林茂（Shigeru Umebayashi）1951年2月19日出生于日本福冈北九州，亚洲影坛知名配乐家。十多年来，梅林茂负责配乐的港日电影超过三十部，包括森田芳光的《其后》、王家卫的《花样年华》《2046》、黎妙雪的《恋之风景》及张之亮的《慌心假期》，并以《慌》一片获台湾金马奖最佳原创音乐。有人评价他的电影音乐真正达到了音乐与电影合一的境界，有着震撼人心的感染力。在为王家卫完成《花样年华》的电影音乐后，梅林茂在国际上得到更大的肯定，其后陆续为《周渔的火车》、《十面埋伏》、《满城尽带黄金甲》、《霍元甲》、《罪与罚》和《苏乞儿》作曲，为电影世界更添精彩。
梅林茂担任作曲监制 邀你圣诞大开耳界
“我们一直划桨，与波浪抗争，最后却被冲回我们的往昔。”回首百年身，珍惜眼前人，《罗曼蒂克消亡史》的一句话梗概有情怀，更有深意。既愉悦观众，又适度表达自我；在商业诉求与个人风格之间找寻最佳平衡，这是导演程耳一贯的创作理念与艺术追求。他眼中的商业，绝对不是流俗，而是审美追求与价值观的完美展现。从程耳导演对电影歌曲的态度也可见一斑，程耳导演在影片制作初期找到梅林茂先生，聘请他为影片的作曲之一。
梅林茂先生为这部影片创作了一首新的片中曲就是这首《Take Me To Shanghai》，带着对影片的喜爱特意又邀请了Anna Rice 为歌曲填了英文歌词，甚至还特意去伦敦的团队请来两位优秀的歌手来演唱本歌。程耳导演也对这首歌表示了很大的喜爱，并将歌曲放在了影片中极为重要的段落，阐释着女主角的心境。谁是谁的那瓢冷暖，谁又是谁的红尘看客？12月16日，《罗曼蒂克消亡史》邀你大开眼界。
男女歌者极尽诠释隽永之情 揭露《罗曼蒂克消亡史》的番外篇
长风破浪会有时，罗曼蒂克消亡史。《Take Me To Shanghai》是《罗曼蒂克消亡史》展示给观众的第一首歌曲，歌剧般低沉的男声和一开口就让人陷入的深情女声，两位外国歌者极尽地诠释交际花小六（章子怡饰）在经历了上海的所有过后，对这一场光怪陆离、波谲诡秘的上海往事的回忆与眷恋。
《Take Me To Shanghai》旋律似是沉重，但却一下一下敲击着人心，似念经一般地絮絮低语，又似满怀心事地呐喊，讲述心中放不下的上海和上海的人人事事。花痴的小六（章子怡饰）负责影片罗曼蒂克的部分，歌词中每一段往事的回忆不论是“幽影之城被自由笼罩，如同双翼被束缚的飞鸟”还是“斑驳街道，鲜血淋漓，死亡也无法将狂热平息”但歌者始终想要“带我回上海，带我回上海。”

The Whiplash soundtrack consists of 24 tracks sequenced in 3 distinct parts: Original jazz songs written for the film, original underscore written for the film, and classic jazz standards by Stan Getz, Duke Ellington and more. There are also choice snippets of dialog included on the soundtrack that sum up the narrative of the film and help to put the music in context (à la Pulp Fiction). The Original Score & Big Band Songs were created by Justin Hurwitz. The original jazz songs were created by Grammy nominated composer, Tim Simonec.

《重新开始》（Begin Again）是一部2013年爱尔兰导演约翰·卡尼编剧并执导的美国音乐浪漫剧情片，Keira Knightley、Mark Ruffalo和Adam Levine主演。影片讲述了女主角格雷塔跟男友来到美国纽约市，以帮助他寻找更好的事业机会。然而男友很快与别的女子有染，导致格雷塔愤然与其分手。失意的她在迷茫时偶遇了同样彷徨的音乐制作人穆里根，两人于是决定一起合作并重新开始一段感情。Gregg Alexander联合Danielle Brisebois, Nick Lashley, Rick Nowels 和 Nick Southwood为影片谱写歌曲，导演卡尼与爱尔兰音乐人Glen Hansard也创作了一些歌曲。

PS3/PS Vita「英雄伝説 閃の軌跡II」劇中で使用された新曲全50曲・2枚組！ゲーム本編で使用された最新曲に加え、Falcom jdk BANDボーカル・小寺可南子が歌う主題歌『閃光の行方』、佐坂めぐみによるエンディングテーマ『I'll remember you』も収録！

STAR WHEEL CONSTELLATION CHART DIGIPAK

经典是什么？调侃经典的《大话西游》慢慢烧热，现在也成了一部经典：网络上热烈讨论的爱情经典电影，那些电影对白也成了经典对白。网络的聊天室里，你可以看到紫霞、晶晶、至尊宝、孙悟空、用手走路的人……的名字，热爱《大话西游》的人兴奋了，这些无疑是同道。你喜欢的是至尊宝？是紫霞？白晶晶？紫霞可以随意地说：这座山就是我的，包括你。白晶晶可以豪气逼人地说：来生再见。紫霞说：只要他能拔出我的紫青宝剑，他就是我的如意郎君。晶晶说：我发现你经过这么长的时间，回来要找的不是我。她们爱的都是大圣孙悟空。
神勇孙悟空在人间是一个凡夫俗子至尊宝，老老实实做一份很有前途的职业：山贼。
身为斧头帮帮主，有诸多凡人弱点，但是很快乐。至尊宝第一次看到白晶晶就动了心，忙着转变形象以讨白晶晶欢心，后来和白晶晶感情发展，不愿意接受白晶晶心里想着别人，以至于追到五百年前去找晶晶，虽然玩笑处理剧情，在感情处理上却毫无玩笑之意，一路认真到底。
但是，他又碰上紫霞，此时他已经知道自己的大圣身份了，但却苦苦拒绝，不愿意接受和承认；对晶晶的感情和对紫霞的感情冲突起来，他在理智上欺骗所有的人，包括他自己，一心想要回去实现对晶晶的感情，却只是莫名其妙地找到了五百年前的白晶晶，并且实现了他的承诺。但是爱情被证明无法欺骗，他欺骗了所有人，却欺骗不了爱情。
当至尊宝终于恢复大圣身份归来，显示出他的所有我们熟悉的神奇本领，和我们分享痛揍牛魔王的快感，让人痛惜的是他所放弃的人的一切，紫霞的身体在空中退去，而大圣头上的金刚箍在收紧的时候，最痛的不是头，是心。
“曾几何时，有一份真挚的感情摆在我面前，但是我没有珍惜，等到失去的时候……”，至尊宝说了两遍。当他毫无诚意地对紫霞说出来的时候，感情是十分地投入和专注的，让人感动又空虚；最后大圣附体于夕阳武士身上去亲吻城头的姑娘尽情倾泻，这时候这一句“我爱你”听来痛彻心肺。　　　　虽然时间太短，大圣也算是真正爱了一次了。
就在这时，卢冠廷的音乐响起，歌声伴着风掠过沙漠……
面对世事沧桑时空交错的时候，孙悟空和我们一样的没有力量。
有人说这部电影就是纯情电影，是给那些年轻人看的，而他早就过了这样的年纪。我反倒觉得越上年纪的人才越知道青春与回忆的珍贵，虽然生命里没有这么多的刻骨铭心。

MY FIRST STORY テレビアニメ「信長協奏曲」主題歌リリース！
先日発売された2nd SINGLE「Black Rail」がオリコンインディーズ週間シングルランキングで1位を獲得、勢いを増すばかりのMY FIRST STORYのNEW SINGLEは、 フジテレビ開局55周年記念テレビアニメ「信長協奏曲」主題歌となっている「不可逆リプレイス」。 カップリング曲には、世界的にメガヒットしたテイラー・スウィフトの「We Are Never Ever Getting Back Together」のカバー曲を収録！