Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics gave Born to Die mixed reviews; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
After attaining online success after its initial premiere on June 29, 2011, "Video Games" was released as the lead single from Born to Die on October 17, 2011; it peaked at number 91 on the U.S. Billboard Hot 100. Its follow-up singles "Born to Die", "Off to the Races", "Blue Jeans", "Summertime Sadness", "National Anthem", and "Dark Paradise" performed sporadically across Billboard component charts and international record charts. The Cedric Gervais remix of "Summertime Sadness" was released on July 11, 2013, and became Del Rey's highest-charting single in the United States, reaching number six on the Billboard Hot 100. Del Rey additionally promoted Born to Die with several televised performances, including a widely criticized appearance on Saturday Night Live. It was reissued on November 9, 2012 as an expanded version subtitled The Paradise Edition, which was packaged with her third extended play Paradise (2012).

UK three track CD pressing of the debut single from this Jacksonville, Florida five-piece, voted one of the 'Top Ten Bands To Watch' by Rolling Stone magazine. Their blend of Arcade Fire, The Cure and indie Rock makes for fun and exciting listening. Features 'I'm Not Gonna Teach your Boyfriend How To Dance With You' plus 'You Turn Me On' and 'Damn I Wish I Was Your Lover'. Mercury.

Billie Eilish宣布将于7月30日发行个人新单《my future》！

music in the documentary RBG

"Young and Beautiful" is a song by American singer Lana Del Rey for the 2013 film adaptation of The Great Gatsby. It is set to be released on April 23 as the first single for the soundtrack with the video being released a day before. A couple months before the release date, she had sung part of the song for a radio station, which included the lyrics "will you still love me when I'm no longer young and beautiful?". Musically, the song is a piano ballad.

Beginning with the haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was a new kind of pop star—an overtly awkward introvert who favors chilling melodies, moody beats, creepy videos, and a teasing crudeness à la Tyler, The Creator. Now 17, the Los Angeles native—who was homeschooled along with her brother and co-writer, Finneas O’Connell—presents her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds. Sinister dance beats unfold into chattering dialogue from The Office on “my strange addiction,” and whispering vocals are laid over deliberately blown-out bass on “xanny.” “There are a lot of firsts,” says Finneas. “Not firsts like ‘Here’s the first song we made with this kind of beat,’ but firsts like Billie saying, ‘I feel in love for the first time.’ You have a million chances to make an album you're proud of, but to write the song about falling in love for the first time? You only get one shot at that.”
Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Beats 1 host Zane Lowe during an interview in Paris. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, Billie Eilish is really the perfect star for 2019—and here is where her and Finneas' heads are at as they prepare for the next phase of her plan for pop domination. “This is my child,” she says, “and you get to hold it while it throws up on you.”
Figuring out her dreams:
Billie: “Every song on the album is something that happens when you’re asleep—sleep paralysis, night terrors, nightmares, lucid dreams. All things that don't have an explanation. Absolutely nobody knows. I've always had really bad night terrors and sleep paralysis, and all my dreams are lucid, so I can control them—I know that I'm dreaming when I'm dreaming. Sometimes the thing from my dream happens the next day and it's so weird. The album isn’t me saying, 'I dreamed that'—it’s the feeling.”
Getting out of her own head:
Billie: “There's a lot of lying on purpose. And it's not like how rappers lie in their music because they think it sounds dope. It's more like making a character out of yourself. I wrote the song '8' from the perspective of somebody who I hurt. When people hear that song, they're like, 'Oh, poor baby Billie, she's so hurt.' But really I was just a dickhead for a minute and the only way I could deal with it was to stop and put myself in that person's place.”
Being a teen nihilist role model:
Billie: “I love meeting these kids, they just don't give a f**k. And they say they don't give a f**k because of me, which is a feeling I can't even describe. But it's not like they don't give a f**k about people or love or taking care of yourself. It's that you don't have to fit into anything, because we all die, eventually. No one's going to remember you one day—it could be hundreds of years or it could be one year, it doesn't matter—but anything you do, and anything anyone does to you, won't matter one day. So it's like, why the f**k try to be something you're not?”
Embracing sadness:
Billie: “Depression has sort of controlled everything in my life. My whole life I’ve always been a melancholy person. That’s my default.”
Finneas: “There are moments of profound joy, and Billie and I share a lot of them, but when our motor’s off, it’s like we’re rolling downhill. But I’m so proud that we haven’t shied away from songs about self-loathing, insecurity, and frustration. Because we feel that way, for sure. When you’ve supplied empathy for people, I think you’ve achieved something in music.”
Staying present:
Billie: “I have to just sit back and actually look at what's going on. Our show in Stockholm was one of the most peak life experiences we've had. I stood onstage and just looked at the crowd—they were just screaming and they didn’t stop—and told them, 'I used to sit in my living room and cry because I wanted to do this.' I never thought in a thousand years this s**t would happen. We’ve really been choking up at every show.”
Finneas: “Every show feels like the final show. They feel like a farewell tour. And in a weird way it kind of is, because, although it's the birth of the album, it’s the end of the episode.”

2020年格莱美五项大奖得主Billie Eilish与哥哥FINNEAS联手为第25部James Bond电影《No Time To Die》打造同名主题曲，由Billie Eilish献唱！18岁的Billie是James Bond主题曲史上最年轻的创作者。

Original soundtrack to the second season of the hit HBO series with music composed by Ramin Djawadi.

The album was conceived during the COVID-19 pandemic. Aaron Dessner of The National was isolating and quarantining with his family, when Swift had approached him in late April to write some songs remotely together. 11 songs were written with Dessner over the next few months, while the others were written with Jack Antonoff, William Bowery and Bon Iver. "I thought it would take a while for song ideas to come and I had no expectations as far as what we could accomplish remotely," Dessner wrote in his tweet, "But a few hours after sharing music, my phone lit up with a voice memo from Taylor of a fully written song -- the momentum never really stopped."
The album's release was announced by Swift on her social media accounts hours before its midnight, July 24, 2020, launch. It follows her seventh studio albumLover, released almost a year prior. The album has eight deluxe CDs and vinyls that are only available for a week for the physical copies, all of which have different covers and photos.
An accompanying music videofor the lead single "Cardigan" will be released along with the album.

Composed and orchestrated by Justin Hurwitz, the soundtrack to the critically acclaimed film La La Land is available here on vinyl. Features vocal performances from the film's stars Emma Stone and Ryan Gosling, with lyrics written by Pasek and Paul.

◎葛莱美「终身成就奖」的乡村音乐界传奇天后名曲全收录
◎歌坛重量级人物齐聚一堂，向电影《矿工的女儿》致敬，登上美国告示牌乡村榜Top14
◎Gretchen Wilson、Lee Ann Womack、The White Stripes、Carrie Underwood、Alan Jackson、Martina McBride、Kid Rock、Faith Hill、Sheryl Crow等乡村／摇滚巨擘，齐声庆贺Loretta Lynn出道50年致敬特辑
2003年接受「甘迺迪中心终身成就」奖表扬、VH1频道「摇滚乐史上百名伟大女性」第65位、2010年葛莱美「终身成就奖」、「乡村名人殿堂」和「乡村福音名人殿堂」终身会员，首位拿下CMA乡村音乐「年度艺人」的女歌手，首位获得金唱片的乡村女歌手，这麽多精彩头衔加冕，她就是乡村音乐界不朽传奇女歌手Loretta Lynn。
享誉乡村歌坛半个世纪的传奇天后Loretta，一生已写下超过160首歌曲、发行70馀张专辑，缔造全美乡村榜10张冠军专辑、16首乡村冠军单曲，一生传奇故事更被改编为80年代精典电影《矿工的女儿 Coal Miner’s Daughter》。Loretta首开先例的在乡村歌曲中，大胆探讨禁忌话题，不仅替市井小民与弱势族群发声，更反映女性自觉意识、树立起坚强独立的形象，受到后辈和媒体一致推崇。
这张群星向Loretta Lynn的致敬特辑，横跨乡村／摇滚领域将歌坛重量级人物齐聚一堂，齐声高唱Loretta Lynn出道50年来的经典歌曲，并一举登上美国告示牌乡村榜Top14。演唱歌手邀请获得葛莱美「最佳乡村女歌手」与CMA「新人奖」得主 Gretchen Wilson，用招牌豪爽性格、中气十足的嗓音诠释〈Don’t Come Home A Drinkin’ （With Lovin’ On Your Mind）〉；获得2座葛莱美加冕的Lee Ann Womack，则以高雅气质诠释〈I’m A Honky Tonk Girl〉；曾获葛莱美奖及全英音乐奖最佳流行乐团的The White Stripes，利用空心吉他摇曳〈Rated X〉的快意曲调；「美国偶像」冠军，5座葛莱美肯定的美国甜心Carrie Underwood，挥洒〈You’re Lookin’ At Country〉率真个性；缔造25首乡村单曲榜冠军纪录的天王Alan Jackson偕相村天后Martina McBride，携手演唱〈Louisiana Woman, Mississippi Man〉；美国青少年票选最爱乐团Paramore，则献声于〈You Ain’t Woman Enough （To Take My Man）〉；国民天后Faith Hill则柔情献上〈Love Is The Foundation〉；判逆顽童Kid Rock，酷劲十足的演唱〈I Know How〉；最后由获得9座葛莱美奖的摇滚女英雌Sheryl Crow与第一届乡村音乐之星Miranda Lambert，齐力和Loretta Lynn一同演绎动人主题曲〈Coal Miner’s Daughter〉，为此特辑留下深刻的纪录意义。