Death of a Salesman is a 1949 play written by American playwright Arthur Miller. It was the recipient of the 1949 Pulitzer Prize for Drama and Tony Award for Best Play. The play premiered on Broadway in February 1949, running for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival. It is widely considered to be one of the greatest plays of the 20th century.
The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. The l atest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on Death of a Salesman shares an intimate glimpse into the dreams and disappointments of an American family. Following the story of Willy Loman, an aging salesman who can′t accept change within himself and society, this study guide provides a character list, character map, and character analyses to explore the personalities within Arthur Miller′s masterful play. Other features that help you figure out this important work include Personal and career background of the author Introduction to and brief synopsis of the play Summaries and expert commentaries for each act and scene Essays that explore the play′s major themes and the author′s manipulation of time and space A review section that tests your knowledge and suggests essay topics and practice projects A Resource Center full of books, publications, films, and Internet resources Classic literature or modern–day treasure — you′ll understand it all with expert information and insight from CliffsNotes study guides.

Fifty essential classical monologues by the great world dramatists These great dramatic monologues - from all periods and styles, all varied in tone and genre - make an indispensable actor's companion for auditioning, rehearsing and performing. Contains extracts from Aeschylus, Sophocles, Euripides, Kyd, Marlowe, Shakespeare, Jonson, Middleton, Webster, Ford, Behn, Congreve, Wycherley, Sheridan, Vanburgh, Racine, Moliere, Calderon, Buchner, Ibsen, Strindberg, Checkhov, Synge, Wilde and Shaw plus many more. Each monologue is accompanied by editors' commentaries and textual notes that point the beginner and the experienced actor towards the riches and challenges that lie waiting to be released on stage.

In Collected Stories, playwright Donald Margulies explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life -- particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Debra Messing, a student of Steiner's who, after publishing a much-praised first short-story collection under Steiner's direction, follows up with a novel that draws upon her mentor's affair.

'Nothing happens, nobody comes, nobody goes, it's awful.' This line from the play was adopted by Jean Anouilh to characterize the first production of Waiting for Godot at the Theatre de Babylone in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett's masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature.