Prologue
Don Quixote's Study
Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.
Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.
Act I
A market-place in Barcelona
Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.
Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.
Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.
Act II
Scene 1 – A camp of gypsies among the windmills outside the village
Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.
Scene 2 - The Puppet Theatre
A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.
Scene 3 - The Windmills
Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.
Scene 4 – A forest
Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.
Scene 5 – The enchanted Garden of Dulcinea
Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.
Act III
The Square
Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.
Act IV
The Tavern
A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

传统生化在一段浓稠的历史中，渐渐消失其原神，舞者踏在舞台上，重新召唤那失落的声音，外面太嘈杂，重心溃散地散落在不确定的方圆，那里虽然黑暗，但不平静，一幕幕的人间闹剧暴露其间，显示了一种恶的根源，在那里人心呢喃，在不确定的风暴中争取着安全的位置，趋吉避空，了断自己的恩仇，建立自己的霸业，乾坤颠倒，幻象重生。
　　重回传统的脚步，聆听那种节奏与声音在空间中流荡，熟悉又陌生，却步步为营，虽一片广阔的天地，却埋藏在幽暗的丛林间，忽然豁然开朗。但在那景象到达之前，还有一条黑暗的走道。他们要求我们的身体全神贯注，聆听那些潜流的声音，重新在自己的身体找其形状，流淌着疏密聚散的节奏，回归传统的路上已不再传统，它已流进生命延续的血脉里。
　　踏入了二十一世纪，《十面埋伏》在现代意义上丰富了传统表达的语言，杨丽萍的阵营加入了优秀的生力军，进入这个巨大的工程中，各施其技，到达这个回归的漩涡里，试验创造，对未来找寻传统交汇出新的启发。

上海街头，雨夜。
李侠与兰芳假扮夫妻，开启12年的潜伏生涯......
每一天，行走在刀锋，每一晚，秘密情报传送千里。
一重重伪装，藏起疲惫，眺望曙光。
解放前夕，黎明降至，夜色更加阴冷。
李侠的身边，无数的敌人步步逼近，无数战友消失在疾风骤雨。
报社秘书、摄影记者、裁缝掌柜、小学徒、黄包车夫、社长、卖花女，他们的身份究竟是真是假？
无声的枪口，紧张的追逐，闪电撕裂的伤口，吞声饮泪......
一路患难走来的李侠夫妇，面临生死抉择。
李侠坦然发送最后一份情报，笑对牺牲。
李侠，以李白等地下工作者烈士为原型，他们，隐姓埋名，以生命丈量光明的历程。
他们相信，苟利国家生死以，岂因祸福避趋之？
长河无声，滔滔东去。电波不绝，信念永存。
（演出场刊内介绍）
舞剧《永不消逝的电波》以改编自抗日战争和解放时期的共产党上海地下电台的发报员李白的真实故事为素材，在真实史料的基础之上进行再创作。以李白潜伏在沦陷区冒着生命危险向延安根据地发电报的传奇故事，来激励当代人向革命先烈致敬，演绎白色恐怖下共产党的坚定毅力，宣扬人性光辉，蕴藏海派韵味，力求打造一部红色精品，宣扬爱国主义，引导人们向以李白为代表的千千万万的牺牲者致以崇高的敬意。

一部关于记忆与时间交错的舞蹈作品：仿佛过了一半的人生，才知记忆的牵绊。在内心的深处，在记忆最尽头，在生命的过往里，总有一个欠你一句“对不起”的人。那些以为已经自洽的过往，依旧藏于内心，你所有的深刻记忆都会闪回，犹如静地回升。
作品的英文名 T.I.M.E ，恰如其分地建构了这部作品里的情感内核： T 代表着温度( Temperature )、心灵传输（ Teleportation ); I 是自我、重要的时刻（ Important )、还有想象( Imagination ); M 是记忆（ Memory ）和心智( Mind ); E 是能量（ Energy ）和感性（ Emotional )。