A riveting new collection of short stories from the beloved, internationally acclaimed Haruki Murakami.
The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator, a lonely man. Some of them (like "With the Beatles," "Cream" and "On a Stone Pillow") are nostalgic looks back at youth. Others are set in adulthood--"Charlie Parker Plays Bossa Nova," "Carnaval," "Confessions of a Shinagawa Monkey" and the title story, "First Person Singular." Occasionally, a narrator who may or may not be Haruki himself is present, as in "The Yakult Swallows Poetry Collection." Is it memoir or fiction? The reader decides. The stories touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.

"Anne Boyer’s radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is an outraged, beautiful, and brilliant work of embodied critique." ―Ben Lerner, author of The Topeka School
"The pink ribbon, that ubiquitous emblem of breast cancer awareness, has long been an object of controversy and derision, but the poet and essayist Anne Boyer doesn’t just pull it loose, unfastening its dainty loop; she feeds it through a shredder and lights it on fire, incinerating its remains . . . [in her] extraordinary and furious new book." ―Jennifer Szalai, The New York Times
"[A] rousing hybrid of memoir and manifesto . . . [The Undying] is memoir as anti-capitalist indictment, as biting cultural criticism, as vengeance. It suggests a new era in the politics of breast cancer, one that might look less like corporate sponsored marathons every October and more like the radical, confrontational AIDS activism of the 1980s. Arriving the year before an election that could set healthcare and disability policy for decades, The Undying warns us of the human costs of any system that prioritizes profit over lives." ―Sascha Cohen, NPR
"Boyer returns with a beautiful memoir about her battle with breast cancer . . . [The Undying] puts into sharp focus the economic toll cancer takes on women of limited means . . . and is stacked with revelatory observations . . . Boyer’s gorgeous language elevates this artful, piercing narrative well above the average medical memoir." ―Publishers Weekly (starred review)

Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times)
In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.

The second book, following 2012’s acclaimed My Brilliant Friend, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.

William Stoner is born at the end of the nineteenth century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a "proper" family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude. John Williams's luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

In South of the Border, West of the Sun , the simple arc of a man's life--with its attendant rhythms of success and disappointment--becomes the exquisite literary terrain of Haruki Murakami's most haunting work.
Born in 1951 in an affluent Tokyo suburb, Hajime-- beginning in Japanese--has arrived at middle age wanting for almost nothing. The postwar years have brought him a fine marriage, two daughters, and an enviable career as the proprietor of two jazz clubs. Yet a nagging sense of inauthenticity about his success threatens Hajime's happiness. And a boyhood memory of a wise, lonely girl named Shimamoto clouds his heart.
When Shimamoto shows up one rainy night, now a breathtaking beauty with a secret from which she is unable to escape, the fault lines of doubt in Hajime's quotidian existence begin to give way. And the details of stolen moments past and present--a Nat King Cole melody, a face pressed against a window, a handful of ashes drifting downriver to the sea--threaten to undo him completely. Rich, mysterious, quietly dazzling, South of the Border, West of the Sun is Haruki Murakami's wisest and most compelling fiction.