Planet Mu are very excited to announce Jlin's long awaited second album “Black Origami”. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music.
“Black Origami” is driven by a deep creative thirst which she describes as “this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.”
Spirituality and movement are both at the core of “Black Origami”, inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival – ”There is a fine line between me entertaining a person... more
credits
released May 19, 2017
I would like to thank William Basinski (Holy Child), Holly Herndon (1%), Fawkes (Calcination) and Dope Saint Jude (Never Created, Never Destroyed) for collaborating with me on this album. I would also like to give a special thanks to Native Instruments & Planet Mu for their continued support and trust.
William has been a support system that came out of nowhere, and I'm so appreciative of having him in my life. Holly my constant homie, thank you always, you've been down with me from the beginning. Thank you to my parents especially Mum for always having my back and not being biased when I'm creating, I love you. Special thanks to the children of Nyakinyua. I am because we are.
I owe every ancestor who came before me everything, I have no excuses.
All tracks composed by Jerrilynn Patton. Published by Copyright control. Holy Child published by Copyright control/Musex International (BMI). 1% published by Copyright control/Holly Herndon Music (SESAC). Vocals on Calcination performed by Fawkes. Vocals on Never Created, Never Destroyed performed by Dope Saint Jude. Mastered by Beau Thomas at Teneightseven mastering. Artwork 'Siam' by Robert J. Lang and Kevin Box. Photo by Bill Stengel. Sleeve by Joe Shakespeare and Fabian Harb. ℗2017 Planet Mu Records Ltd. ©2017 Planet Mu Records Ltd.

After a 10 year hiatus, Western New York space rockers The Daysleepers have returned to envelope you in a wave of cosmic oblivion with their new album "Creation". With songs ranging from massive wall-of-sound epics (Sundiver/Flood in Heaven/Creation), Chill, ambient drifters (This Dark Universe/The Memorymaker/The Monolith), and spacey, upbeat new wave cuts (Arclights/Tropics), The Daysleepers show more variety than ever before, proving they can bring different hues and shades to the shoegaze/dream pop genre all under the umbrella of one momentous album. As Creation effortlessly cascades through ambient textures, thick layers of jetstream guitars, and a thundering rhythm section, one thing is for sure...you've never heard The Daysleepers this big before.

"蒂娜雪"·喬根森·卡欽韋。美國歌手、歌曲作者、唱片製作人、舞者，女演員和前模特。三歲開始娛樂生涯，進行模特活動。2012年蒂娜雪發行兩張備受讚譽的混音帶，《In Case We Die》和《Reverie》，這兩張混音帶是在她家中的錄音室創作的。發行混音帶之後，蒂娜雪與RCA 唱片簽署唱片合約。

Their 6th album from 1975, digitally remastered with original artwork and photos plus 3 bonus B-sides 'Profile', 'I Wanna Hold Your Hand' & 'England.' Island.

Dead Man is the soundtrack to the 1995 Jim Jarmusch western-themed film of the same name starring Gary Farmer, and Johnny Depp as William Blake. Neil Young recorded the soundtrack by improvising (mostly on his electric guitar, with some acoustic guitar, piano and organ) as he watched the newly edited film alone in a recording studio.

13 track 1986 retrospective of his finest output for the Asylum label, including 'The Heart Of Saturday Night', 'Small Change', 'I Never Talk To Strangers', 'Blue Valentines', the 'Westside Story' classic 'Somewhere' and more! A WEA release.

The Eagles might have covered his song "Ol' 55," but Tom Waits was cut from a different cloth than California's other singer-songwriters--he suggested a scruffy beat poet who'd walked out of a forgotten scene of Jack Kerouac's On the Road. Waits's beatnik schtick could get old, and he developed into a much more musically adventurous songwriter in later years, but his second album contains some of his best early work, including the sweet romantic blues of "New Coat of Paint" ("You wear a dress baby, I'll wear a tie"), and his best hipster recitation, "Diamonds on My Windshield." Two songs are enduring classics: the doleful, dirge-like "San Diego Serenade" ("Never saw the morning till I stayed up all night") and the touchingly sweet "(Looking for) The Heart of Saturday Night" ("Stoppin' on the red, goin' on the green, `cause tonight'll be like nothin' that you've ever seen"). --John Milward

Dexter Gordon的蓝调别具一格。本专辑携手Freddie Hubbard 和Horace Parlan推出这一精品。特别推荐“Society Red”和“It´s You Or No One”。

Theodore Shaw Wilson was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style.

A collection of eleven solo recordings, originally released by Atlantic in the mid-1970s. Recorded on a standard studio piano rather than a concert grand, "Solo Piano" is an unbelievably intimate experience with this wonderfully talented pianist.