“离东京奥运会召开只差一步了”“奥运会上有很多外国人”“所以我们应该变得更美丽”“你的所作所为代表了日本”。这个故事发生在日本的首都东京，2020奥运会的举办地。导演扮演的是都市中的某个角色，满脸胡子，胸前挂着奥运会的标志，嘴里说着英语，并慢慢地开始提出不合理的要求。他在影片中运用了六种不同的表演，并拍摄下赶早班的路人们的反映。居住在这里的人每日都坚持着某种规则，他们是真的美丽，值得夸耀吗？这就是导演提出的疑问。本片获得2019 Image Forum Festival 观众大奖。

Depicts a cast of fine artists and eccentric scientists (from MIT and NASA) who have devoted their lives to the unlikely medium of modern origami. Through their determination to reinterpret the world in paper, they arouse a fascinating mix of sensibilities towards art, form, expressiveness, creativity and meaning. Written by anonymous

Beginning in 1881 this short yet comprehensive documentary tracks the downfall of the Romanov dynasty and the evolution of Lenin's Ulyanov family, from the terroristic acts and subsequent hanging of his brother to his own hunger for a revolution.

Trans-Dniester - aka Transniestria, Transdniestria, Transnistria Moldova, sandwiched between Romania and Ukraine...

法国最著名哥特式建筑、法兰西最重要的文化遗产之一巴黎圣母院于2019年4月遭遇了百年难得一遇之大火，整个教堂顶几乎被大火摧毁，随后法国政府承诺将在五年内完成巴黎圣母院在此次大火后的的修复工作。 大火后的一年，由BBC拍摄制作了此纪录片，与参与巴黎圣母院修复的建筑师、玻璃修复师、文物保护专家、木匠以及诸多科学家一起，探寻巴黎圣母院修复这一庞大艰难而耗时的工程，及其背后的科学。

在智利的阿塔卡马沙漠，天文学家探寻宇宙以寻找生命的起源，不远处，当地的妇女正在沙丘中搜寻亲人的尸骸，他们是被皮诺切特独裁政权随意处置和杀害的。导演帕特里克·古兹曼将这两种关于生命的找寻并置在一起，引人深思。
这是一部在海拔3000米的Atacama沙漠拍摄的纪录片。天文学家聚集在那里观测群星。这个地方还因一个原因吸引了众多来访者：地表的干旱能使人类尸体完好无损。除了那些干尸和迷路的探险者的尸体，还有许多政治被关押在这片沙漠中而死去。影片强调了这样的两面性，将天文学家观测繁星寻找外星生命和那些支离破碎的家庭寻找亲人对比。所以影片的政治层面很清晰。
幕后制作
导演帕特里克·古兹曼的每一部影片都和20世纪智利国家的回忆有关：从他在1975年戛纳影展平行竞赛单元放映的《智利之战》三部曲开始，一直到在2004年非竞赛单元放映的《萨尔瓦多·阿兰德》。《故乡之光》也延续了这一主题，影片面向未来（群星），同时不忘为了赢得独立的代价和那段充满鲜血的痛苦的过去。

从害人不浅的发薪日贷款到尾气排放测试作假的汽车，这部调查类剧集揭露了企业厚颜无耻的贪腐行径。

米歇尔·福柯（Michel Foucault，1926.10.15－1984.6.25），法国哲学家，他也是二十世纪最伟大的思想家之一。福柯的效应遍及人文科学，他在哲学、历史、社会理论、文学、艺术、政治学、法学等方面都产生了巨大的影响。
“在某种意义上，福柯写出的是完美之书：每一本书都是一个全新的世界，无论是领域还是材料；无论是对象还是构造本身。他参阅了大量的文献――但是这些文献如此地陌生，似乎从来没有进入过学院的视野中。他将这些陌生的文献点燃，使之光彩夺目，从而成为思考的重锤。有一些书是如此地抽象，没有引文，犹如一个空中楼阁在无穷无尽地盘旋和缠绕（如《知识考古学》）；有一些书如此地具体，全是真实的布满尘土的档案，但是，从这些垂死的档案的字里行间，一种充满激情的思想腾空而起（《规训与惩罚》）；有些书是如此地奇诡和迥异，仿佛在一个无人经过的荒漠中发出狄奥尼索斯式的被压抑的浪漫呐喊（《疯癫史》）；有一些书如此地条分缕析，但又是如此艰深晦涩，这两种对峙的决不妥协的风格引诱出一种甜蜜的折磨（《词与物》）；有一些书如此地平静和庄重，但又如此地充满着内在紧张，犹如波澜在平静的大海底下涌动（《快感的运用》）。”
汪民安导演纪录片《米歇尔·福柯》收集了福柯生前的大量访谈视频，并采访了诸多有影响的福柯研究学者，系统地展示了福柯的总体思想。这是一部实验性的哲学纪录片，也可以称为“论文纪录片”。它旨在让哲学开口说话，让思想获得一种可见性形象。人们能在福柯布道式的宣讲，诚恳的坦白，角斗般的讨论中，也能在众多学者对福柯的精彩阐释中，感受到福柯的哲学和人格魅力。

本片探讨二战期间欧洲的犹太人大灭绝，这部主题、形式、范围均博大宽广的电影巨著，是我们每个人应当看的作品。
从记忆和历史的角度看，《浩劫》与其它反映犹太人大灭绝的作品相比，在证词的强烈程度和历史的严谨上高出一筹。克罗德·朗兹曼在13年间经常寻找事件和地点的真相。
《浩劫》既是出色的历史文献，详尽描绘着纳粹灭绝机器，也是一首长长的诔词，将观众带入形而上的体验，带到野蛮的根源。
《浩劫》包涵着庞大的记者工作，在调查和采访方面堪称典范，但它又不只是报道。它同时也是电影巨著（尤其是其剪接），将数十个小时的采访以相互回答、相互碰撞、相互衔接的方式组接起来，一再询问“为什么”却永远得不到答案，因为恐怖已无公度。克罗德·朗兹曼说：“《浩劫》这部影片有关死亡的绝对性，而与幸存者无关。活下去是另一个故事。”

Simon Reeve embarks on an epic journey around the Mediterranean, the birth place of western civilisation which attracts more than 300 million tourists a year - and is once again at the heart of global conflict.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

THE KING OF COMMUNISM
Monday 17 November 2003 10.30pm-11.30pm
Nicolae Ceausescu created a unique personality cult in the 1970s and 1980s, transforming communist Romania into one of the strangest regimes Europe has ever seen. Newspapers had to mention his name 40 times on every page, factory workers spent months rehearsing dance routines dressed as soldiers and gymnasts for huge shows at which thousands of citizens were lined up to form the words Nicolae Ceausescu with their bodies.
When the Romanian economy and living standards plummeted in the 1980s, the line between theatre and life blurred completely. Ceausescu went on working visits to the countryside where he inspected displays of meat and fruit made out of polystyrene, and closer to home began work on what would have been the largest palace in the world. At the final parade in 1989, workers walked past their leader to the sound of taped chants and applause.
Using Ceausescu's own archive of 35mm propaganda films, King of Communism offers a surprising and chilling view of the absurd world of the Romanian dictator's regime.
"This is a real-life communist version of Springtime for Hitler," says director Ben Lewis. "It's an all-singing, all-dancing unmasking of the illusions of communism, but it's also a serious study of the experience, effects and legacy of the twentieth century's most destructive political system."

鲜黄衣袂点缀马其顿偏乡的荒芜，与悬崖上野生蜂蜜琼浆的金黄相辉映。喀迪丝是欧洲大地最后一位女采蜂人，与抱病半盲母亲相依为命，依附野蜂为生，坚守「取一半、留一半」黄金定律。游牧民族一家突然欺至，打破宁静生活的不止是七个孩子与一众牲畜的喧闹，还有疯狂掏尽蜂蜜的贪婪，以及破坏生态环境的肆无忌惮。历时三年静观人与蜂和谐共处的隐世生活，以自然曦光与幽微烛照辉映大地，美得教人肃然起敬。获辛丹斯电影节世界纪录片评审团大奖。

英法两国的统治阶级由共享的价值观、行为准则、和语言而紧密地联合在一起，相互联姻长达三百年之久，然而，十四世纪中叶，此般亲密荡然无存，一场历时逾百年的战争就此打响...
第一集：家族的纠纷（Trouble in the Family: 1337-1360）
爱德华三世（E dward III）打破中世纪的行为规则，并在克雷西会战中使用弓箭手大败法国骑士军团；而他的儿子，“黑太子爱德华”，则大开杀戒，使得法国臣服在英国脚下。
第二集：断裂的纽带（Breaking the Bonds: 1360-1415）
在瘟疫和内乱的扰乱之下，英国在战争中一直处于下风。直到亨利五世（Henry V）决意要向世人证明他成为国王是名正言顺的，在阿金库尔战役（Battle of Agincourt）中一举扭转乾坤。
第三集：上帝的使徒（Agents of God：1415-1453）
亨利五世为他的后代夺下了法国王冠，但是英国人若想保持这个桂冠就得征服整个法国。然而在圣女贞德，一位没有文化的农家女孩，的带领下，英国人遇到了最出乎意料的强有力抵抗。

Jerusalem,Andalucía ,New Mexico,Copenhagen,Sicily,South Africa,Detroit,Tokyo

《時年七歲：生於蘇，長於蘇》的7年后延續版紀錄片，採訪者仍然是那些遍佈后蘇聯時代的孩子們。
Продолжение великолепнейшего документального фильма — «Рожденные в СССР». Теперь уже ребятам по четырнадцать лет. Страны, в которой все они родились, уже давно нет на карте. Но есть их жизни, у каждого — своя.
Мы продолжаем знакомство с этими повзрослевшими, но все еще детьми, и в ком-то из них каждый сможет увидеть часть себя, часть своего детства, часть своих взглядов на жизнь. Помнят ли они о своих мечтах в 7 лет? Осуществились ли они? Что поменялось в них самих?

Born in the USSR: 21 Up is a 2005 British documentary, directed by Sergei Miroshnichenko.
Following in the tradition of the original UK Up Series, this documentary revisits a group of Russian children at seven-year intervals to track their development against a backdrop of social and political change. Following the success of the UK original, this film looks at life for a group of young people from the former Soviet Union. The adults here, all introduced to viewers at the age of seven and seen again at 14, were born in a country that no longer exists. Their stories provide an insight into the break-up of the former Soviet Union as well as a reflection of what life has become without Communism.
Since filming started 14 years ago, some of the youngsters have left the former USSR to go to Israel or the United States, some have stayed in their family home, but all have had their lives changed. Archival footage of them at the ages of seven and 14, and now new material at 21, shows life in a society that was once shut off from the world.
The documentary was followed by Born in the USSR: 28 Up in 2012.

Dreams, fears, and hopes of today's 28-year-olds in Russia. Revisiting its protagonists
every seven years, the film provides a unique glimpse into the turbulent life trajectories of the "last Soviet generation."
Following the idea of Michael Apted, film director Sergey Miroshnichenko documented the lives of the “last Soviet generation” from across the former Soviet Union. Starting when they were seven – just before the collapse of the communist empire – the director returned to the protagonists every seven years to re-examine their lives, decisions, and opinions. Now 28 years old, most of them seem rather disillusioned with the modern Russia in which they find themselves. While some are pining for the old order of their childhood, others are determined to master their own destinies.

３年に１度、瀬戸内の里海に知られざる絶景が現れる。瀬戸内国際芸術祭。島々を舞台にさまざまな現代アートが展開する美の祭典だ。これらのアートと風景が織りなす極上の美を俳優の吉高由里子が訪ねる。浜辺に現れた１９６の子どもの砂の像、森につるされた４００の風鈴の音色、古い集会所に作られた４００の建具のトンネル。暮らしや風土と一体化したアートが生み出す絶景は刻一刻とその姿を変え、いつしか里海に溶け込んでゆく。

A documentary that follows the life of photographer Daido Moriyama in the present, which has never been revealed before. Even though his charismatic presence has reigned over the world of photography since the late 60’s, his true persona had been hidden behind a veil of mystery, since he had refused any major appearances in front of any media in the past. Follow the charismatic photographer Daido Moriyama as he takes his first digital photos and observe his style of quick snapshots without looking in the finder. His stark and contrasting black and white images symbolize his fervent lifestyle.