Recorded in New York City on October 2, 1957
Freddie Redd - piano
George Tucker - bass
Al Dreares - drums

Jimmy Smith ruled the Hammond organ in the '50s and '60s. He revolutionized the instrument, showing it could be creatively used in a jazz context and popularized in the process. His Blue Note sessions from 1956 to 1963 were extremely influential and many, like 1960's Back at the Chicken Shack and 1958 's The Sermon, are classics. Smith turned the organ into almost an ensemble itself. He provided walking bass lines with his feet, left hand chordal accompaniment, solo lines in the right, and a booming, funky presence that punctuated every song, particularly the up-tempo cuts. Smith turned the fusion of R&B, blues, and gospel influences with bebop references and devices into a jubilant, attractive sound that many others immediately absorbed before following in his footsteps.

Milton "Bags" Jackson was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.

Recorded：February 23, 1961
Freddie Hubbard – trumpet
Eric Dolphy – alto saxophone (flute on "Stolen Moments")
Oliver Nelson – tenor saxophone (alto saxophone on "Teenie's Blues")
George Barrow – baritone saxophone
Bill Evans – piano
Paul Chambers – bass
Roy Haynes – drums