华语
Brush Conversation in the Sinographic Cosmopolis
作者: David C. S. Li / Reijiro Aoyama Routledge 2024 - 1
For hundreds of years until the 1900s, in today’s China, Japan, North and South Korea, and Vietnam, literati of Classical Chinese or Literary Sinitic (wényán 文言) could communicate in writing interactively, despite not speaking each other’s languages.

This book outlines the historical background of, and the material conditions that led to, widespread literacy development in premodern and early modern East Asia, where reading and writing for formal purposes was conducted in Literary Sinitic. To exemplify how ‘silent conversation’ or ‘brush-assisted conversation’ is possible through writing-mediated brushed interaction, synchronously face-to-face, this book presents contextualized examples from recurrent contexts involving (i) boat drifters; (ii) traveling literati; and (iii) diplo- matic envoys. Where profound knowledge of classical canons and literary works in Sinitic was a shared attribute of the brush-talkers concerned, their brush-talk would characteristically be intertwined with poetic improvisation.

Being the first monograph in English to address this fascinating lingua-cultural practice and cross-border communication phenomenon, which was possibly sui generis in Sinographic East Asia, it will be of interest to students of not only East Asian languages and linguistics, history, international relations, and diplomacy, but also (historical) pragmatics, sociolinguistics, sociology of language, scripts and writing systems, and cultural and linguistic anthropology.
失眠夜 豆瓣
朱星杰 J.zen 类型: 流行
发布日期 2018年4月4日 出版发行: 北京果然天空文化传媒有限公司
圣诞夜 豆瓣
朱星杰 类型: 流行
发布日期 2018年12月25日 出版发行: 果然天空
《圣诞夜》作为“夜之三部曲”的最后一首歌在圣诞节零点钟声敲响时如约而至。《圣诞夜》由J.zen朱星杰作词作曲编曲并担任制作人。作者在歌曲一开始并没有去极力描述圣诞节的场景,而是把大家的思绪拉回到小时候的记忆;青涩的时光、奔跑的操场,那种童真与圣诞的温暖重叠同时让作者想起第一次看见“白色的雨”的场景。蝉鸣到初雪,立夏到冬至,从童年到成熟,放佛圣诞夜就是一台时光机。
在编曲方面,J.zen采用了86拍,采用swin律动,让歌曲的旋律方面更富有弹跳性。organ与Electric piano交叉运用,圣诞的摇铃加入,使得整首歌处于温暖的状态但夹杂了一丝遗憾…Rap part加入布鲁斯口琴与last hook part加入的brass也使歌曲更加玩味,初现爵士气息。值得一提的是,在童年段与之后的故事段编曲巧妙的用不同音色的鼓组(808 drum&Deep Electronic drum)区别开来,听觉对比也让画面感出现变化。
朱星杰表示《圣诞夜》是一个让自己在全制作方面获得很大进步作品。在此,非常感谢Fcyco分享出的宝贵的专业建议,以及全相彦老师、吉雅老师在录制时的细心指导,感谢由窦阳小姐手绘的《圣诞夜》封面。