Jaga Jazzist (also known as Jaga) is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush (Smalltown Supersound/Ninja Tune), the best jazz album of 2002.

Jaga Jazzist (also known as Jaga) is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush (Smalltown Supersound/Ninja Tune), the best jazz album of 2002.

Jaga Jazzist的《What We Must》真是丰富、大气，太精彩了！“将这张7部作品、时长近50分钟的唱片比拟成一场异常精彩的跨界音乐会是毫不夸张的”，“整张唱片所涉及的器乐之多、音乐风格多样以及细节之处的如节奏把握、音色变幻、音乐气势、吉他演绎、摇滚鼓击等等都会让你印象深刻，而整体上融合出来的即兴色彩将会极大的撩动你的听觉经。”

Jaga Jazzist (also known as Jaga) is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush (Smalltown Supersound/Ninja Tune), the best jazz album of 2002.

Jaga Jazzist (also known as Jaga) is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush (Smalltown Supersound/Ninja Tune), the best jazz album of 2002.

Barry Adamson is an English pop and rock musician, composer, writer, photographer and filmmaker. He came to prominence in the late 1970s as a member of the post-punk band Magazine and went on to work with Visage, the Birthday Party, Nick Cave and the Bad Seeds, and the electro musicians Pan Sonic.

Jaga Jazzist (also known as Jaga) is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush (Smalltown Supersound/Ninja Tune), the best jazz album of 2002.

Kammerflimmer Kollektief is a German musical group, founded by Thomas Weber. consisting of Heike Aumüller, Johannes Frisch, Christopher Brunner, Heike Wendelin, and D. Wurm. They play a mixture of jazz, noise, electronic music, free jazz and experimental music.

Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group have created their own singular sound.And while their new music mixes dense layers and textures with electronic and acoustic instruments the sound remains uniquely, recognisably their own.
In 2017 they released their fourth studio album in a decade, Art in the Age of Automation, on Gondwana Records. Released to a chorus of acclaim, the album marked a triumphant return for the Quartet after a brief hiatus as the three-piece, Portico, and marked a welcome return to the stage for the foursome with sold-out shows across Europe including the Roundhouse, London earlier this year.
Untitled (AITAOA #2) was largely recorded at the same sessions as Art in the Age of Automation at Fish Factory Studios in London and Portico Quartet's own studio in East London. Like it's predecessor, the album was mixed at Voxton in Berlin. It is intended as a companion piece to last year's AITAOA. But works equally as well as a stand-alone album and explores similar areas of enigmatic, widescreen minimalism alongside the more hard-hitting sounds that have become a notable part of their live shows. There is no lessening of quality here, album opener, Double Space, Index, View From A Satellite and Berlin were all originally slated for AITAOA, before being held back as the band's vision of that album came into sharper focus. The insistent groove of Unrest and cinematic beauty of Celestial Wife were enhanced with further recording sessions till the band felt they wer