2012
The Princess Spotify 豆瓣
8.2 (9 个评分) Parov Stelar 类型: 电子
发布日期 2012年4月20日 出版发行: 2012 Etage Noir Recordings / 2012 Etage Noir Recordings
Colour Tones 豆瓣
Machinefabriek
发布日期 2012年3月20日 出版发行: Fang Bomb
Delving ever deeper in the science of his art, this is Machinefabriek's take on what might be the most common sensation of all - the colours around us. Originating from the exhibition Colour Tales, held at the WM Gallery in Amsterdam in 2011, these tracks are based on ideas from a series of Intriguingly visual and original short stories on the theme of colours, written by Latvian writer Imants Ziedonis. The result is an album of meticulously crafted drones with depth, details and a sense of adventure. Soundscapes for an audience of careful listeners.
Lissy Trullie 豆瓣
Lissy Trullie
发布日期 2012年5月1日 出版发行: Wichita Recordings
2012 sophomore album from the DC native. Lissy Trullie's self-titled album, is coolly confident in feel, its mostly brisk punk foundation yielding to memorable pop choruses along the way. On the album, dirty guitar sounds and driving, new wave-tempo-ed drums are countered by swirling synths, brass, and layers of heavenly vocals, a beguiling mix: the earthy and the ethereal The album was produced by TVOTR's Dave Sitek. @yoco
钱店 豆瓣
9.1 (26 个评分) Death Grips 类型: 说唱
发布日期 2012年4月24日 出版发行: Epic Records
Death Grips是來自美國加州薩克拉門托的實驗嘻哈樂隊,成立於2010年。該樂隊由歌手MC Ride,鼓手、製作人Zach Hill和鍵盤手、製作人、錄音工程師Andy Morin組成。儘管不是樂隊的負責人,希爾仍被認為是該項目背後的推動創意力量。
情人的眼泪 豆瓣
7.3 (43 个评分) Norah Jones 类型: 爵士
发布日期 2012年5月1日 出版发行: Blue Note Records
专辑简介十二颗破碎的心 十二首闪烁新作
一首首 抚平着每道伤口
诺拉琼丝 用细腻却汹涌的全新歌路
倾吐着 「心碎」故事
伤痛传感娠强优美-在心灵深处 刻划下爱的伤痕 歌咏爱情的最新作品~迎接出道第10年的世界歌姬.诺拉琼丝与葛莱美金奖制作人.鼠尾老大共同炮制而成的得意之作!
小天后Norah Jones把自己的失恋故事,转化成给每个人的正面力量!— 沉鸿元(台北爱乐电台「爵士大道」、「台北爵士夜」主持人)
小天后诺拉琼丝〈Norah Jones〉的全新专辑,请来了制作人鼠尾老大〈Danger Mouse〉合作,带来十二首闪烁黑暗光彩的新作品。音乐主题明显,是张谈「失恋」的专辑,因此,每首作品里都有一个故事,也代表一颗破碎的心。事实上,就在诺拉琼丝开始制作这张专辑之前,她才刚结束一段恋情…。
诺拉琼丝和鼠尾老大是旧识,公元2008年合作过一张唱片,他建议这次可以做一些较黑暗,较情绪化的音乐。只是诺拉琼丝当时仍处在「疗伤期」,不是那么愿意让音乐再次揭开心里那道还没结痂的伤。两人不断沟通,谈了许多与感情相关的主题,鼠尾老大提供了不同的视角让诺拉琼丝看待这一切,让她有了新的想法:「这是做音乐有趣的地方,自己生活里的烦恼或痛苦,其实可以藉由音乐,转化成对其他人的一种向上力量。」
专辑就象是一趟色调昏暗的心灵之旅,有些歌听起来就像我们熟悉的诺拉琼丝,比方开场的《Good Morning》,但大部分其它作品的节奏与质地,对她来说都是新鲜的挑战。《Travelin’ On》是将印象派古典音乐与七零年代乡村音乐结合而成。《Out on the Road》充满孤寂、苦涩,却带些甜意,英文单字Bittersweet大概是最好的形容。《After the Fall》,则彷彿灰色梦境里的镜像,见着自己如此憔悴,却怎么也走不出去。至于《Miriam》,诺拉琼丝用一种极具魅力的平静声音诠释,细细雕琢过的情感,象是一道来自伤心世界里的冷光。整张专辑有条固定的故事线,主轴就是伤痛。标题曲《Little Broken Hearts》讲着旧爱虽美,但碎心人儿们决定挥刀斩情丝。而最跳Tone的一首歌,非《Happy Pills》莫属!旋律与节奏都象是在晴空底下欢乐游行,听来一点不伤感,但歌词里讲述着「试着把一切搞定,便再也不用看见你那张脸」,毕竟只要自己愿意,心念一转,伤痛早不知所踪!
The Ghost In Daylight 豆瓣
Gravenhurst 类型: 摇滚
发布日期 2012年4月30日 出版发行: Warp Records
Gravenhurst is the project of the multi-instrumentalist Nick Talbot. For the purpose of live performances, he has gathered a group of musicians around him over the years.
These include Sean Talbot on bass guitar, Chris Macartney on drum, Simon Grant on guitar. Also there were Paul Nash playing bass guitar from 2003-04 and Huw Cooksley, playing bass guitar from 2004-07.
Since 2007 he has played with Robin Allender on bass and Alex Wilkins on guitar.
Romancing 豆瓣
Devin
发布日期 2012年4月10日 出版发行: Frenchkiss
Devin may be a fresh face on the New York music scene, but this Brooklyn native tends to a time-honored tradition of red-hot rock and roll. (Think Iggy Pop, Jack White and the New York Dolls.) His last job was stacking boxes in a shipping warehouse. He doesn't do that anymore.
The Streets Are Black 豆瓣
Timid Tiger 类型: 流行
发布日期 2012年3月30日 出版发行: 2012 Buback Tonträger
Timid Tiger is a German band proud of its DIY approach, from song-writing up to mixing in their own studio and putting their music out via their own music label. <The Streets Are Black> is their third album. They describe their music as: "From dusty 60's beats and shady 70's grooves to catchy 80's keyboards and contemporary Hip-Hop electronicas. From old to new school". Let's get some of the criticism out before we settle to go beyond it, the rapping just feels out of place and not that well incorporated, it'd have been better either by getting someone more adept to guest on the album or by those parts being simply a spoken word. It'd have also matched the lyrics and music better; it would have made it more evocative, more genuine, and more alive.
The music though is a nice chilled out affair with a slightly nostalgic and melancholy vibe going on yet when the bits of reggae come in it cheers up somewhat. Without the Hip-Hop the vocal matched that chilled out mood quite well, though up to the third half of the album, maybe due to the production issues, it felt at times weaker than the music and not lending itself to being felt very easily. 'Back From Hell' was the best song where the vocal is more out there as it should have been throughout, the music has a cool lose vibe with an element of theatricality and is capable of getting the listener to be more engaged with it, have some fun with it. 'Every Time We Talk' just demonstrates that the spoken word parts are more suited than rapping. I'd give them a chance even if I have some qualms about it for the promise they have, their lyrics are really good, and the music has coolness about it and the possibility to enjoy it during a summer evening on your day off.