2015
On A Business Trip To London 豆瓣
Exploring Jezebel
类型:
电子
发布日期 2015年3月30日
出版发行:
Blackest Ever Black
Vin Ploile 豆瓣
Petre Inspirescu
类型:
电子
发布日期 2015年12月4日
出版发行:
Mule Musiq
Form LP 豆瓣
Moduleset
类型:
电子
发布日期 2015年11月17日
出版发行:
cut
Winter is descending in the Northern hemisphere, and with it comes the deep, dub-techno explorations from prolific Russian producer Moduleset.
After his weightier dark-ambient techno release on Brightest Dark Place, Moduleset has lightened the tone somewhat for these 7 tracks. Combining his mastery of ambient tones, his love of dub-techno and his ear for a low-end rumble.
After his weightier dark-ambient techno release on Brightest Dark Place, Moduleset has lightened the tone somewhat for these 7 tracks. Combining his mastery of ambient tones, his love of dub-techno and his ear for a low-end rumble.
Little Voodoo Dolls 豆瓣
From Karaoke To Stardom
类型:
电子
发布日期 2015年11月20日
出版发行:
Fenou
So the Flies Don't Come 豆瓣
Milo
类型:
说唱
发布日期 2015年9月25日
出版发行:
Ruby Yacht / The Order Label
Black Horses of the Sun 豆瓣
Dave Bessell
类型:
电子
发布日期 2015年3月3日
出版发行:
Din Records
Colours Of Life 豆瓣
CFCF
类型:
电子
发布日期 2015年12月25日
出版发行:
1080p
The Golden Communion 豆瓣
Thighpaulsandra
发布日期 2015年9月4日
出版发行:
Editions Mego
A Line That Connects 豆瓣
Lycia
类型:
摇滚
发布日期 2015年8月25日
出版发行:
Handmade Birds
Space Station 豆瓣
7.0 (7 个评分)
Space Station
类型:
摇滚
发布日期 2015年7月12日
出版发行:
偏北音乐
来自广州的器乐/后摇乐队Space Station(空间站)于2015年7月12日发行首张专辑《Space Station》。本专辑由乐队独立发行,收录了六首他们组建一年以来的创作结晶以及一首改编自广州独立乐队YourBoyfriendSucks!的作品。
他们的音乐不同于很多国内后摇乐队的温文尔雅,高山流水。他们更喜欢有强力的节奏,磅礴的音墙,以及独特的音效来营造氛围。这注定使他们即将发行的首张专辑将要面临市场的考验。即便如此,乐队并不以为意,也从未考虑过要去迎合,他们的音乐是他们自我形态的演绎。无论是现在,还是未来,始终如此。
在Space Station音乐里,青春时期的回忆是一个主题,歌曲故事来自城市的每个角落:那个闷热的下午,阳光从城中村狭小的铁窗照进来,映照着逝去暑假的模样,那些在如诗的旋律中诉说的淡淡情愫,那个寒风凌冽的北楼岗,那群渴望闯荡的青年们,那场浇灌在交错巷道的细雨……那些苦涩心酸的往事,难得放晴的心情,还有模糊的世界观,总要把它们记录下来。
关于Space Station这个名字的起源,乐队更愿意把它当然一个符号,标记。事实上我们的生活中不乏无厘头之事。但如果我们要定义它,那它内在的含义就是——孤独,世界上每一个人都是孤独的个体,如同苍茫星空中的一座小小的空间站,亦或是小王子与它的B162小星球。孤独是人与生俱来的天敌,你无法去消灭它,你只能选择与它共存。就算我们幸福地生活着,它一直都在。
他们的音乐不同于很多国内后摇乐队的温文尔雅,高山流水。他们更喜欢有强力的节奏,磅礴的音墙,以及独特的音效来营造氛围。这注定使他们即将发行的首张专辑将要面临市场的考验。即便如此,乐队并不以为意,也从未考虑过要去迎合,他们的音乐是他们自我形态的演绎。无论是现在,还是未来,始终如此。
在Space Station音乐里,青春时期的回忆是一个主题,歌曲故事来自城市的每个角落:那个闷热的下午,阳光从城中村狭小的铁窗照进来,映照着逝去暑假的模样,那些在如诗的旋律中诉说的淡淡情愫,那个寒风凌冽的北楼岗,那群渴望闯荡的青年们,那场浇灌在交错巷道的细雨……那些苦涩心酸的往事,难得放晴的心情,还有模糊的世界观,总要把它们记录下来。
关于Space Station这个名字的起源,乐队更愿意把它当然一个符号,标记。事实上我们的生活中不乏无厘头之事。但如果我们要定义它,那它内在的含义就是——孤独,世界上每一个人都是孤独的个体,如同苍茫星空中的一座小小的空间站,亦或是小王子与它的B162小星球。孤独是人与生俱来的天敌,你无法去消灭它,你只能选择与它共存。就算我们幸福地生活着,它一直都在。
Calling Out 豆瓣
EZTV
类型:
摇滚
发布日期 2015年7月10日
出版发行:
Captured Tracks
It wouldn’t be entirely accurate to say that EZTV met while trying out for J. Spaceman’s latest US touring line-up of Spiritualized, but it’s not far from the truth. Songwriter and audio engineer Ezra Tenenbaum had been casually working on solo home recordings on his Tascam 8-Track in the vein of Shoes, Emitt Rhodes and Cleaners For Venus, and, in a desire to round out the songs, he enlisted bassist Shane O’Connell and drummer Michael Stasiak (formerly of Widowspeak). As it happened, the trio’s first chance to play together was an audition for the American touring version of Spiritualized (they didn’t get the job). But, the trio kept meeting and working, turning Ezra recording as a solo artist into Ezra, Shane and Michael playing as a band; thus, EZTV was formed.
With a pool of over 30 demos to work with and Jarvis Taveniere of Woods onboard to produce, the band headed to Thump Studios in Greenpoint, Brooklyn, to record their debut LP for Captured Tracks. The result is Calling Out, a cohesive 12-song statement in the long tradition of fully realized debuts, stripped of artifice, but full of hooks and songwriting chops. Tracks like first single “The Light,” premiering today via The FADER, exhibit what you would call the EZTV mantra: presenting songs with only the required embellishments. They’ve got one foot firmly planted in classic American power-pop and college rock while the other utilizes more left-of-the-dial sonic experimentation. The result is a sound that’s both familiar and new, but always about the songs.
In an era of independent music with a lot more emphasis placed on “story” and meaningless twitter feuds, EZTV present a record that speaks for itself. It’s an LP made for an audience that doesn’t want or need any kind of angle or controversy, but desires songs that resonate and have a lasting appeal, something available here in spades.
With a pool of over 30 demos to work with and Jarvis Taveniere of Woods onboard to produce, the band headed to Thump Studios in Greenpoint, Brooklyn, to record their debut LP for Captured Tracks. The result is Calling Out, a cohesive 12-song statement in the long tradition of fully realized debuts, stripped of artifice, but full of hooks and songwriting chops. Tracks like first single “The Light,” premiering today via The FADER, exhibit what you would call the EZTV mantra: presenting songs with only the required embellishments. They’ve got one foot firmly planted in classic American power-pop and college rock while the other utilizes more left-of-the-dial sonic experimentation. The result is a sound that’s both familiar and new, but always about the songs.
In an era of independent music with a lot more emphasis placed on “story” and meaningless twitter feuds, EZTV present a record that speaks for itself. It’s an LP made for an audience that doesn’t want or need any kind of angle or controversy, but desires songs that resonate and have a lasting appeal, something available here in spades.
Under Branch & Thorn & Tree 豆瓣
Samantha Crain
类型:
民谣
发布日期 2015年7月17日
出版发行:
Ramseur Rec.
Architect 豆瓣
7.4 (10 个评分)
C Duncan
类型:
流行
发布日期 2015年7月17日
出版发行:
Fatcat Records
Architect is the debut LP from Glasgows considerable new talent C Duncan, whose previous singles (all present on Architect) enjoyed high praise across press and radio. The album was written and recorded alone in his Glasgow flat on a bedroom studio setup, gradually adding each layer and each instrument one at a time, building up the breadth of the pieces. As a composer, he is classically trained, graduating from the Royal Conservatoire of Scotland - another influence clearly visible in his songwriting, in its fully-formed textures and meticulously crafted arrangements. The son of two classical musicians, Christopher was drawn so persuasively to indie and alternative music and playing in school bands as a teen that he added guitar, bass guitar and drums to his existing repertoire of viola and piano, studying all five instruments at the same time. Christopher recently formed a live band to perform his pieces onstage. A full tour schedule, including festivals across the UK and Europe, is available on FatCats pages and his own social networks. The cover art for Architect, a detailed and stylised aerial view of a Glasgow side street, was created by Christopher himself. A skilled and accomplished artist, his work has been exhibited at galleries around Scotland.
In the Moment 豆瓣
Makaya Mccraven
类型:
爵士
发布日期 2015年1月20日
出版发行:
International Anthem
Credits
Design – Craig Hansen, Leah Ball
Double Bass – Joshua Abrams
Double Bass, Bass Guitar – Junius Paul, Matt Ulery
Drums, Sounds [Beats], Loops, Edited By [Overdubs] – Makaya McCraven
Guitar – Jeff Parker
Mastered By – Shelly Steffens
Mixed By – Dave Vettraino, Makaya McCraven
Photography By [Cover Photo] – Nathan Michael
Producer – Scott McNiece
Recorded By – Dave Vettraino
Tenor Saxophone – De'Sean Jones
Tenor Saxophone, Electronics – Tony Barba
Trumpet – Marquis Hill
Vibraphone – Justefan
Notes
Nearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.
Design – Craig Hansen, Leah Ball
Double Bass – Joshua Abrams
Double Bass, Bass Guitar – Junius Paul, Matt Ulery
Drums, Sounds [Beats], Loops, Edited By [Overdubs] – Makaya McCraven
Guitar – Jeff Parker
Mastered By – Shelly Steffens
Mixed By – Dave Vettraino, Makaya McCraven
Photography By [Cover Photo] – Nathan Michael
Producer – Scott McNiece
Recorded By – Dave Vettraino
Tenor Saxophone – De'Sean Jones
Tenor Saxophone, Electronics – Tony Barba
Trumpet – Marquis Hill
Vibraphone – Justefan
Notes
Nearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.
Abyss 豆瓣
Chelsea Wolfe
类型:
摇滚
发布日期 2015年8月7日
出版发行:
Sargent House
Chelsea Wolfe has returned with her fourth full length album, Abyss, out August 7th 2015 on Sargent House, and you can hear / download the first single “Iron Moon” now. Originally premiered via Rolling Stone, who called it a, “haunting, doomy exercise in loud-quiet-loud dynamics” and her "darkest, heaviest and most personal album yet."
“Abyss is meant to have the feeling of when you’re dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious,” says Wolfe.To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: “Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.” The resulting eleven songs reflect that philosophy as they smolder with human frailty, intimacy, quiet passion, anxiety, and deep longing.
“Abyss is meant to have the feeling of when you’re dreaming, and you briefly wake up, but then fall back asleep into the same dream, diving quickly into your own subconscious,” says Wolfe.To conjure this in-between world, Wolfe continued her ongoing collaboration with multi-instrumentalist and co-writer Ben Chisholm and drummer Dylan Fujioka, with Ezra Buchla brought on board to play viola and Mike Sullivan (Russian Circles) enlisted to contribute guitar. The ensemble traveled to Dallas, TX to record with producer John Congleton (Swans, St. Vincent). In the back of her mind burned the words of designer Yohji Yamamoto: “Perfection is ugly. Somewhere in the things humans make, I want to see scars, failure, disorder, distortion.” The resulting eleven songs reflect that philosophy as they smolder with human frailty, intimacy, quiet passion, anxiety, and deep longing.