反乌托邦
The Giver 豆瓣
8.6 (16 个评分) 作者: Lois Lowry Laurel Leaf 2002 - 9
The Giver译为“赐予者”或“授者”,是洛伊丝·洛利最著名的也是最受争议的作品。在The Giver里,作者描绘了一个想像出来的乌托邦世界。在这个社会里,人们的生活都被安排得好好的,人们不用决定工作,不用决定配偶,这些问题,社会都帮个人做好了决定。而这个世界也没有记忆、感情、颜色及音乐,人们只有最基本的生活需求。但有一个人例外,他一个人承担了整个世界该有的记忆,他必须独自承受痛苦、恐惧、和孤单,而他也同时知道什麼是温暖、幸福和爱。这个人被称为the receiver of memory,也就是the Giver。当12岁的男主角Jonas成为这个the receiver of memory的接班人后,他得到了他以前所不曾有过的经验,而当他知道愈多时,他愈发现这个世界的不合理,最后他选择了逃离……
2021年6月23日 已读
这一部有点虎头蛇尾的感觉,开头写得很吸引人,社区一派祥和气息,接下来,不协和感越来越强烈;但也许是为了照顾目标读者的年龄,又或是作者野心仅止于将此作作为青少年对敌托邦的入门:社区里规则的制定源于对灾难的规避,上层组织的描写基本缺席了,而The Giver 这个设定也太取巧,基本上主角拨开迷雾重新认识这个世界完全听从于此君(想想也难怪,人家让你在这个世界里看到色彩了),The Giver 本人能力这么强(传功能力太犯规了吧),地位还奇高,权限好像也没有限制,到底是谁能够管得住他呢?最后,主角的出逃写成开放结局还是挺好的。
Dystopia 儿童文学 反乌托邦 纽伯瑞儿童文学奖
The Handmaid's Tale 豆瓣
8.1 (33 个评分) 作者: Margaret Atwood Anchor 1998 - 3
From the bestselling author of Alias Grace and the MaddAddam trilogy, here is the #1 New York Times bestseller and seminal work of speculative fiction from the Booker Prize-winning author.
Now a Hulu series starring Elizabeth Moss, Samira Wiley, and Joseph Fiennes. Includes a new introduction by Margaret Atwood.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable.
Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now….
Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and literary tour de force.
2019年6月20日 已读
听的Claire Danes读的有声书,Claire的声音稍稍强硬了些,不太适合表现Offred温吞的性格,我觉得女主角的这种性格正是此作的特色,它讲的不是一个面对压迫奋起反击的英雄故事,而是一名普通得不再普通的女子在政治宗教文化生活环境突变下的直观反应,真实得可怕,特别是那些协助统治阶层压迫这些沦为工具的女子的那些同性别的人。
Dystopia 反乌托邦 女性