Charlie Lamonte is thirteen years old, queer, black, and questioning what was once a firm belief in God. So naturally, she's spending a week of her summer vacation stuck at an all-white Christian youth backpacking camp. As the journey wears on and the rhetoric wears thin, she can't help but poke holes in the pious obliviousness of this storied sanctuary with little regard for people like herself . . . or her fellow camper, Sydney.

Stimulus: plans: good or bad? Jobs: can we afford them? Money: who's got it? Everybody's talking about the economy, but how can you evaluate what they're saying? How can we, the people, understand what the banks or government knows (or says they know)? Author Michael Goodwin asked himself the same questions and came up with a good answer: explore the development of economic thought, examine the reality of economic practice, add a wry sense of humour and tell all through the graphic medium. In a word, Economix. Goodwin's wit and clarity of writing along with artist Dan Burr's quirky, iconic art transform the "dismal science" of economics into a fun, fact-filled story about human nature and our attempts to make the most of what we've got ...and sometimes what our neighbors have got. Economix explains it all from the beginning of Western economic thought to markets, free or otherwise, to economic failures, successes and anomalies, to how our modern economy is grappling with war, climate change and resource limitations. The book's graphic format means complex ideas can be comprehensive and accessible.

《超级漫画素描技法:角色设计基础》共两章，第一章主要讲解了绘制漫画人物的基础知识，总结出了一套提升基础绘画能力的方法，第二章从设定角色性格开始，循序渐进地向读者介绍了角色设计的基本方法。《超级漫画素描技法:角色设计基础》通过两个典型案例的讲解，向读者介绍了一种关于”角色设计”的思考方式。书中从人物设计基础到丰富角色造型，揭示了日本动漫角色创作过程中鲜为人知的细节和手法，向读者清晰地展示了作者的角色设计理念。

With characteristic wit and charm, Sarah Andersen’s third collection
of comics and illustrated personal essays offers a survival guide
for frantic modern life: from the importance of avoiding morning
people, to Internet troll defense 101, to the not-so-life-changing
futility of tidying up. But when all else fails and the world around
you is collapsing, make a hot chocolate, count the days until
Halloween, and snuggle up next to your furry beacon of hope.

そのコウモリは“闇”か“光”か！？
戦後最大の闇・下山事件に巻き込まれた日系漫画家ケヴィンは、その背後に歴史そのものを操る巨大な組織の存在に気づく！！
1949年、アメリカ。『スーパーマン』『ワンダーウーマン』と並ぶヒットシリーズ『ビリーバット』を描く日系人気漫画家ケヴィン・ヤマガタ。彼の前に、以前同じキャラクターを日本で見たという人物が現れる。ケヴィンは、真偽を確かめるため、戦争の傷癒えぬ日本へと向かう……！？
カラー原稿23ページの大ボリュームを完全収録！

He's banished, he's mad, and he wants to FIGHT. Roger Langridge (Muppet Show, Eisner and Harvey Award nominee) and Chris Samnee (Siege: Embedded, The Mighty) re-imagine the God of Thunder in Thor the Mighty Avenger! THRILL as he battles robots the size of cities! GASP as he tames the mightiest sea creatures! SWOON as he rescues damsels from the vilest villains! It's Thor as you've NEVER seen him, hammering his way into your hands every month!
COLLECTING
Thor the Mighty Avenger #1-4, Journey Into Mystery #83-84

One of Serenity's greatest mysteries is finally revealed in "The Shepherd's Tale," filling in the life of one of the show's most beloved characters - Shepherd Book! Who was Book before meeting Mal and the rest of the Serenity crew, how did he become one of their most trusted allies, and how did he find God in a bowl of soup? Answers to these and more questions about Book's past are uncovered in this original hardcover graphic novel by rising stars Zack Whedon ("Dr. Horrible, Terminator," and "Fringe") and Chris Samnee ("Blackest Night: Tales of the Corps," and "Daredevil") . A pivotal chapter in the ongoing "Serenity saga," "The Shepherd's Tale" is also a rollicking, action-packed epic in its own right.

Serenity: Better Days follows everyone's favorite space cowboys in a thrilling, action-packed adventure, where Mal and his crew take on a heist that promises a big payoff. But when one of Serenity's crew is taken captive and tortured, the gang must put their enduring differences aside and work together to save one of their own, even if it means losing the cash prize of a lifetime!
Joss Whedon returns to the world of his blockbuster film Serenity, reuniting with Brett Matthews and Will Conrad, his collaborators on the bestselling 2005 series Those Left Behind.

The second paperback edition of a glorious two-volume, full-color graphic novel adaptation of Neil Gaiman's #1 New York Times bestselling and Newbery and Carnegie Medal-winning novel The Graveyard Book, adapted by P. Craig Russell and illustrated by an extraordinary team of renowned artists.
Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Galen Showman, Scott Hampton, and David Lafuente lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.
Volume Two includes Chapter Six through the end of the book.

A MASTER OF STRIPPED-DOWN, POWERFUL STORYTELLING REWORKS THE DAVID AND GOLIATH MYTH.
Goliath of Gath isn’t much of a fighter. Given half a choice, he’d pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: "Choose a man. Let him come to me that we may fight. If he be able to kill me, then we shall be your servants. But if I kill him, then you shall be our servants."
From one of Britain’s most popular cartoonists, Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

A NEW COLLECTION FROM THE GUARDIAN AND NEW YORK TIMES MAGAZINE CARTOONIST — ONE OF NPR'S BEST BOOKS OF THE YEAR!
New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s most well regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America – exclusively within the pages of the prestigious Believer magazine.
You’re All Just Jealous of My Jetpack distils perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and fictional towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Tom Gauld reaffirms his position as a first rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

An irresistibly-brilliant graphic novel adaptation of The Graveyard Book by Neil Gaiman, adapted by award-winning illustrator P. Craig Russell. This is the first of two volumes.
Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are dangers and adventures for Bod in the graveyard. But it's in the land of the living that the real danger lurks, for it is there that the man Jack lives, and he has already killed Bod's family.

In his inimitable style, British cartoonist Tom Gauld has opened comics to a crossover audience and challenged perceptions of what the medium can be. Noted as a “book-lover’s cartoonist,” Gauld’s weekly strips in The Guardian, Britain’s most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld’s cartoons are timely and droll―his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.
Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

""Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes."" For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, "Ray Bradbury's Fahrenheit 451" is an exceptional, haunting work of graphic literature. Tim Hamilton has produced art for "The New York Times Book Review," "Cicada "magazine, King Features, BOOM Studios, "Mad Magazine," and ACT-I-VATE. He also adapted Robert Louis Stevenson's "Treasure Island "into a graphic novel. Ray Bradbury is a multiple-award-winning novelist, short-story writer, essayist, playwright, screenwriter, and poet. An American Library Association "Great Graphic Novel for Teens" Nominee"Monday burn Millay, Wednesday Whitman, Friday Faulkner . . . Burn'em to ashes, then burn the ashes."" "For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic masterwork, "Ray Bradbury's Fahrenheit 451" is a haunting work of graphic literature. "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme."--Julia Keller, "Chicago"" Tribune" "As evidenced by Tim Hamilton's authorized graphic novel, time has not dulled its tart, terrifying resonance. Vibrant and vital, Hamilton's take on "Fahrenheit 451" is far more than an illustrated version of Bradbury's 1953 classic. While its text belongs to Bradbury, Hamilton, a founding member of the online comics collaborative www.activatecomix.com, saturates the story with his own evocative energy and vision. He doesn't use all of Bradbury's words, instead allowing the story's inherent visual propulsion to add even more depth and texture to an already-indelible tale. Given this novel's graphic heft, it's strange that there has been only one film production, a 1966 adaptation written and directed by Francois Truffaut. Then again, perhaps that's because this is a work that, despite its many images of immolation, is more about provocative ideas than things blowing up. And here, Hamilton never compromises the cerebral for the visceral as he lures readers into a world careening into madness . . . Hamilton's arousing adaptation doesn't just update Bradbury's novel. It primes "Fahrenheit 451," long a staple of high school and college reading lists, for rediscovery. Like the greatest works of art, its rugged heart and soul are evergreen; that it is, perhaps, even more relevant today, imbues the book with an unsettling prescience that even Bradbury may never have predicted."--Renee Graham, "The Boston Globe " "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't. Believe me, I often question my affection for graphic novels. I loved Superman as a kid, but when it comes to comics, we're not in Kansas anymore. Graphic novels have become terrifically popular, thanks to fiercely imaginative practitioners like Neil Gaiman, as well as to a growing body of sophisticated theoretical work on the genre by astute writers such as Scott McCloud and Douglas Wolk . . . The new graphic version of "Fahrenheit 451" has helped sort out the contents of my soul. And I'm happy to report that I'm in the clear. I am quite certain that I'd be trumpeting the virtues of this work even if graphic novels weren't on everybody's hot list . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme . . . Some of my anti-comics correspondents claim that reading a graphic novel is not really 'reading' at all. They're right. It's something else again. In the case of "Fahrenheit 451," it's more like a life-changing immersion in ideas, words, echoes, symbols, char