Canadian author and poet Margaret Atwood discusses her life and work.

Director Gary Hustwit (Helvetica, Objectified) completes his design film trilogy with Urbanized. Exploring the design of cities with the world’s foremost architects, policymakers and engaged citizens, Urbanized frames a global discussion about how the design of our cities affects our lives.

マンガ家の浦沢直樹さんが、マンガ家たちの制作現場に密着するNHK・Eテレの番組「浦沢直樹の漫勉」のサードシーズンが9、10月に放送されることが18日、分かった。「男組」などの池上遼一さん、「ぶっせん」などの三宅乱丈さん、「スカイハイ」などの高橋ツトムさんが出演するほか、浦沢さんの「BILLY BAT」の最終回の執筆作業に10日間にわたって密着する。

漫画家の浦沢直樹がプレゼンターを務め、日本の漫画家の執筆現場に密着し、作品制作過程を追うドキュメンタリー番組。
番組は、事前に収録した制作映像を見ながら、毎回迎えるゲスト漫画家と浦沢との対談形式でお互いの制作手法の違いや共通点などをざっくばらんに語り合う形で進行する[1]。
2014年11月9日にパイロット版として放送され、2015年9月にシーズン1として4回放送。2016年3月にシーズン2が放送予定[2]。
データニュース社が行っているテレビ視聴アンケート「テレビウォッチャー」によると、第1回放送（ゲストは東村アキコ）の視聴者満足度は5段階評価で4.29の高評価だった[1]。

Rams is a documentary portrait of Dieter Rams, one of the most influential designers alive, and a rumination on consumerism, sustainability, and the future of design.
“The man who all but invented consumer product design as we know it today.” – The Guardian
“To quantify his impact, you need only look at the millions of Apple products in our pockets.”
—Fast Company
“Dieter Rams’ design ethos has shaped the way entire generations think about making and consuming.” —Wired
“Indifference towards people and the reality in which they live is actually the one and only cardinal sin in design.” – Dieter Rams

这是一部乔治奥威尔生平传记的纪录片。
乔治.奥威尔，1903年生于印度孟加拉蒙蒂哈里，1950年1月21日卒于英国伦敦，英国小说家、散文家、评论家。以小说《一九八四》和《动物农庄》而著名。奥威尔原名埃里克.阿瑟.布莱尔。他的第一部小说《巴黎、伦敦落魄记》署名乔冶.奥威尔(此姓源于东英吉利亚美丽的奥威尔河)。
奥威尔出生在印度孟加拉，父亲是英帝国在印度的小文职官员，母亲为法国血统，是在缅甸的一个营业不佳的柚木商人的女儿。奥威尔在贫穷、而又自视高人一等的生活环境中长大。1922年担任印度皇家警察的助理地区警监。由于认识到英帝国的统治违反缅甸人民的意愿感到内疚，于1927年离开缅甸，次年1月1 日辞职。后以这段经历为素材，写小说《缅甸岁月》(1934)和自传体散文《猎象记》及《绞刑》，种族与阶级的差别使他无法与缅甸人生活在一起，他回英后为了赎罪，穿上褴褛的衣服到伦敦东部和巴黎的贫民窟同工人、乞丐和洗碟工生活在一起，与英国流浪汉一起流浪，与贫民去肯特的日野里收摘蛇麻草。根据这些经验，他写了《巴黎、伦敦落魄记》(1933)。对帝国主义的反感不仅使奥威尔放弃资产阶级的生活，而且使他重新确定自己的政治态度。从缅甸回国后，他立即宣称自己是无政府主义者；但到30年代，他开始认为自己是社(断)会(断)主(断)义者。他的第一部社(断)会(断)主(断)义著作是《通向威根码头之路》(1937)，在书的结尾处尖锐地批评了当时的社(断)会(断)主(断)义运动。
1936年去西班牙报道内战，并留下来参加共(断)和军方面的民兵，后升任少尉。在特鲁埃尔咽喉受了重伤，后因反对共(断)产(断)党镇压政治反对派的做法，1937年5月逃离西班牙。次年写了《向加泰罗尼亚致敬》。第二次世界大战爆发后，先后在BBC英国广播公司印度部和工党左翼《论坛报》工作，成为多产的新闻记者与文艺评论作家。1944年写成政治寓言小说《动物农庄》，1945年出版后获得名声和优厚的收入。最后一部讽刺小说《一九八四》(1949)的发表，使他更为出名，其中描写了一个过分集(断)权的社会如何歪曲真相和不断地改写历史。他因肺病于1950年1月死于伦敦一家医院。

本片探讨了互联网所谓的“免费”服务，以及日渐消失的网络隐私。人们在使用Google、Facebook这类网站，轻松点下“我同意”时，他们根本不知道自己失去的是什么。

2012年二月，在篮球场上刮起的一股“林来疯”席卷全球。整个赛季都表现不佳的纽约尼克斯队，出人意料的给了替补控卫林书豪一个证明自己的机会。林书豪抓住时机，不辱使命，以惊艳的表现成为当代NBA首发五场得分最多的球员，在全世界造成了极强的轰动。然而在“林来疯”现象之前，林书 豪的职业篮球之路却四处碰壁。不仅在申请大学时未能得到奖学金，还在NBA选秀中失望落选。
华裔导演梁伊丹早在林书豪的名号尽人皆知以前就发现了他。他们跟随并拍摄下了林书豪作为亚裔球员，在NBA打拼的艰辛，并最终成为巨星的旅程。《林来疯》不只是一部为篮球迷拍摄的纪录片，更是一部激励人心的追梦记和奋斗史。

In 1960, Bilal arrived for the first time at the Gare de l'Est in Paris. He was then 10 years old, did not speak a word of French but is already talented in the drawing. Years later, millions of albums sold around the world led to his success and popularity. Then he took another step in developing his post-apocalyptic worlds on the brink of explosion, inspiring his own films such as "Bunker Palace Hôtel", "Tykho Moon" or "Immortel (ad vitam)".
This TV documentary (broadcasted on January 2010, France 5) shows how his graphic world and imagination are grown up around great poets (Baudelaire) or fantastic writers (Edgar Allan Poe, Lovecraft). And it goes beyond the image, to make us discover the wounded, deracinated artist still in the footsteps ("empreintes" in French) of his childhood.

This four part series, presented by Andrew Graham-Dixon, explores how drawing has shaped our lives. Join him to discover the history of drawing and its relevance to the modern world.
Episode 1: The Line of Enquiry
Andrew looks at artists who have chosen the natural world as their subject matter and explores how drawing has helped man to understand his place in the universe. The programme covers the Rennaissance, the Eastern way, Turner, Constable and contemporary artists Anthony Gormley and Richard Long.
Episode 2: Storylines
Drawing has always been an essential tool for the telling of stories. Andrew looks at the satire of Gillray, Goya and Hogarth and its influence on photojournalism, American comics, Japanese Manga and Hollywood storyboards today.
Episode 3: All in the Mind
Andrew investigates drawing as a primal human instinct and a learned discipline, looking at the earliest cave drawings and the work of David Hockney and Picasso. The programme uses the latest developments in cognitive science to examine why we draw the way we do.
Episode 4: Drawing by Design
Andrew explores the role drawing has played in technical design and architecture, studying complex structures such as the Guggenheim and Boeing 777. From Leonardo to Libeskind, he shows how drawing has been a crucial tool in the history of scientific and technological discovery.

与妻儿住在纽约的法国移民泰瑞·库塔（泰瑞·库塔 Thierry Guetta 饰），经营着一家古着店。他有一个奇怪而疯狂的爱好，就是拿着摄像机到处随意拍摄。他的表弟是一名涂鸦艺术家，一次跟拍期间，泰瑞深深地被街头艺术所吸引，他开始走访各地的街头艺术家，并拍摄他们在深夜涂鸦的过程，但这其中却有一位大人物总是苦寻不得，那就是英国最著名也最神秘的涂鸦大师——班克斯（班克斯 Banksy 饰）。然而一个偶然的机会，泰瑞得知班克斯将要到美国举办画展，他便借此机会担当其在美国的向导，并在一次一次的考验中渐渐获得了班克斯的信任，在此过程中，班克斯似乎为他打开了一扇充满可能性的奇幻的涂鸦之门，泰瑞甚至荒废了正常工作而专心投入到涂鸦艺术中，他的整个人生轨迹也跟着发生了转折……
本片曾获2011年第83届奥斯卡最佳纪录片提名，同时也是班克斯的首部个人纪录片，他还以自己的方式在英国的合法涂鸦区搭建了地下影院将其公映。

TYPEFACE explores the twilight of an analog craft that is freshly inspiring artists in a digital age, and the museum in Two Rivers personifies cultural preservation, rural re-birth, and the lineage of American graphic design. But the museum's future is unclear. What is the responsibility of artists and historians to preserve a dying craft?

French artist and author Jean Giraud is one of the most famous and influential comic strip illustrators and authors of all time. He achieved his greatest fame as Moebius - not so much a pseudonym as an alter ego. With his triple-split personality - Jean Giraud, Moebius, Gir - he succeeded in making his work accessible in popular comic strip series like Blueberry, in metaphysical fantasies like John Difool and, not least, to a broad public, with set designs for films such as The Fifth Element. As a co-founder of the comic magazine Métal Hurlant he shook up the world of bourgeois French comics and American super-heroes in 1975, creating a whole new 'grown up' way of looking at the comic strip art form. How could a man invent all those strange places and stories, collaborate with some of the world's maddest artists and even go so far to seriously prepare himself to be picked up by aliens - and then go live a quiet and secure life back in Paris? Was he ever in danger of losing his mind? Or was it necessary for his art to live a life like that, and out of self-protection to split into in different personalities? In Moebius Redux - A Life in Pictures an exceptional artist tells his life's and work's story. Artists he met and left on his way, join in: Longtime collaborators like Alejandro Jodorowsky and Philippe Druillet, Swiss artist H.R. Giger and Marvel Comics legend Stan Lee, admirers like Jim Lee and Mike Mignola. Their narration not only gives an insight in how they experienced working with Giraud, but also presents the fascinatingly woven network around one of the most important comic book artists ever. Inspired by Giraud's visual power Moebius Redux - Ein Leben in Bildern animates the diversity and dynamic of his work. Extraordinary views on Paris, Los Angeles and the Mexican desert build a visual link between his life and his artistic universe, accompanied by the electronic soundtrack composed by "Kraftwerk" legend Karl Bartos.