More than just a Japan travel guide, Manabeshima Island Japan paints a colorful and entertaining picture of a particular place and time in Japan.

Japan is made up of thousands of sacred islands, artificial islands, industrial islands, resort islands, wild islands and exploding islands…but artist Florent Chavouet had only ever visited two of them. This graphic novel is the story of one summer when he decides to get to know one more--the tiny island of Manabeshima. This speck of dirt in the Inland Sea, off the coast of Osaka, has a total population of 300, and he sets himself the task of recording everything and everyone he meets there in quirky detail on the pages of his sketchbook.

Whereas Chavouet's other best-selling book, Tokyo on Foot, focuses on the physical city, it is the local island inhabitants who form the heart of this new book. Chavouet's sensitive drawings and insightful captions create instant portraits of incredible literary depth.

The cast of characters who are lovingly depicted includes Ikkyu-san, owner of the island's only bar (and the bar's three regulars--skinny guy, Day-Glo cap guy and greasy-haired guy); the young Nakamura family and their five kids; the layabout Shimura-san, a living relic from the hippie 1970s; Kurata-san the policeman; Reizo-san the island intellectual in his elegant Meiji-era home; Rock the Neanderthal fisherman; and a chorus of assorted grandmothers and cats--all of whom welcome Chavouet into their community as a kindred soul.

Against a backdrop of fireworks, summer festivals, fishing expeditions, and the constant hum of the cicadas, Chavouet depicts these characters so vividly and sympathetically, and describes their rustic way of life in such simple and appealing terms that we find it as hard to finish the book as Chavouet found it to leave the island at the end of his enchanted summer holiday.

A book for comic lovers and Japanophiles of all ages, Diary of a Tokyo Teen presents a unique look at modern-day Japan through a young woman's eyes.

Born in Tokyo to a Japanese mother and an American father in 1997, Christine Mari Inzer spent her early years in Japan and relocated to the United States in 2003. The summer before she turned sixteen, she returned to Tokyo, making a solo journey to get reacquainted with her birthplace. Through illustrations, photos, and musings, Inzer documented her journey.

In Diary of a Tokyo Teen, Inzer explores the cutting-edge fashions of Tokyo's trendy Harajuku district, eats the best sushi of her life at the renowned Tsukiji fish market, and hunts down geisha in the ancient city of Kyoto. As she shares the trials and pleasures of travel from one end of a trip to the other, Inzer introduces the host of interesting characters she meets and offers a unique--and often hilarious--look at a fascinating country and an engaging tale of one girl rediscovering her roots.

**Listed as a 2016 Great Graphic Novel for Teens by the Young Adult Library Services Association**

Young readers first met the Pigeon, a beleaguered bird desperate for a shot behind the wheel of a bus, in 2003. Don't Let the Pigeon Drive the Bus! went on to sell millions of copies, receive a Caldecott Honor, and spawn additional picture books, apps, games, and even silly bands.

But did you know the Pigeon was born many years earlier in the pages of a sketchbook?

In Don't Pigeonhole Me! Two Decades of the Mo Willems Sketchbook, readers are given a rare glimpse into the mind of the man the New York Times described as "The biggest new talent to emerge thus far in the '00s." Since he was a teenager, Mo has been creating characters and scribbling ideas in the pages of sketchbooks. In the early 1990s, he started self-publishing collections of his drawings, and The Mo Willems Sketchbook was created. What began as a calling card for his work has morphed over the years from a form of therapy, to an opportunity to explore and experiment, to a gift for friends and loved ones. But these sketchbooks have always been (and continue to be) the well from which Mo draws ideas and inspiration.

Featuring a foreword by Eric Carle and an introduction by Mo, this volume includes all twenty sketchbooks from the last two decades. Don't Pigeonhole Me! reveals the author/illustrator at his most truthful, most experimental, most grown-up.

Most Mo.

Want to know where ideas come from? Look inside.