欧洲
忧郁症 (2011) 豆瓣 TMDB
Melancholia
7.2 (286 个评分) 导演: 拉斯·冯·提尔 演员: 克斯汀·邓斯特 / 夏洛特·甘斯布
其它标题: Melancholia / 世纪末婚礼(港)
浪漫之夜,才华横溢的美丽少女贾斯汀(克斯汀·邓斯特 Kirsten Dunst 饰)和心爱的麦克(亚历山大·斯卡斯加德 Alexander Skarsgård 饰)步入婚礼殿堂,姐姐克莱尔(夏洛特·甘斯布 Charlotte Gainsbourg 饰)和家人们为了她一掷千金,尽心操持。然而莫名的恐慌与悲伤袭上心头,令贾斯汀整晚郁郁寡欢,她的婚姻刚刚开始就已到了破败的边缘,与亲友同事的关系也变得分外紧张。克莱尔试图将妹妹带出忧郁症的困扰,然而收效甚微。与此同时,一颗神秘的小行星正向地球飞速逼近,似乎正是它带来了贾斯汀的忧郁,又似乎那原本郁结心中的烦恼只不过被它释放了而已……
本片荣获2011年第64届戛纳电影节最佳女演员奖。
2011年11月13日 看过
even though i didn't understand it completely, but i'm still deeply moved...
欧洲 电影 英文
Empires of the Sea 豆瓣
作者: Roger Crowley Random House 2008 - 7
In 1521, Suleiman the Magnificent, Muslim ruler of the Ottoman Empire at the height of its power, dispatched an invasion fleet to the Christian island of Rhodes. This would prove to be the opening shot in an epic struggle between rival empires and faiths for control of the Mediterranean and the center of the world.
In Empires of the Sea , acclaimed historian Roger Crowley has written his most mesmerizing work to date–a thrilling account of this brutal decades-long battle between Christendom and Islam for the soul of Europe, a fast-paced tale of spiraling intensity that ranges from Istanbul to the Gates of Gibraltar and features a cast of extraordinary characters: Barbarossa, “The King of Evil,” the pirate who terrified Europe; the risk-taking Emperor Charles V; the Knights of St. John, the last crusading order after the passing of the Templars; the messianic Pope Pius V; and the brilliant Christian admiral Don Juan of Austria.
This struggle’s brutal climax came between 1565 and 1571, seven years that witnessed a fight to the finish decided in a series of bloody set pieces: the epic siege of Malta, in which a tiny band of Christian defenders defied the might of the Ottoman army; the savage battle for Cyprus; and the apocalyptic last-ditch defense of southern Europe at Lepanto–one of the single most shocking days in world history. At the close of this cataclysmic naval encounter, the carnage was so great that the victors could barely sail away “because of the countless corpses floating in the sea.” Lepanto fixed the frontiers of the Mediterranean world that we know today.
Roger Crowley conjures up a wild cast of pirates, crusaders, and religious warriors struggling for supremacy and survival in a tale of slavery and galley warfare, desperate bravery and utter brutality, technology and Inca gold. Empires of the Sea is page-turning narrative history at its best–a story of extraordinary color and incident, rich in detail, full of surprises, and backed by a wealth of eyewitness accounts. It provides a crucial context for our own clash of civilizations.
2018年7月27日 已读
“THE TREATY OF 1580 RECOGNIZED a stalemate between two empires and two worlds. From this moment, the diagonal frontier that ran the length of the Mediterranean between Istanbul and the Gates of Gibraltar hardened. ”
历史 欧洲 穆斯林 英文
远方的鼓声 豆瓣
遠い太鼓
8.1 (65 个评分) 作者: [日] 村上春树 译者: 林少华 上海译文出版社 2011 - 8
《远方的鼓声》是村上春树的游记,时间为1986-1989年,游历地区为欧洲,主要为希腊、意大利两个国家。“一天早上睁眼醒来,蓦然侧耳倾听,远处传来鼓声。鼓声从很远很远的地方、从很远很远的时间传来,微乎其微。听着听着,我无论如何都要踏上漫长的旅途”——作者听得的微乎其微的“远方的鼓声”,最终成了您手头上这部可触可观的《远方的鼓声》。村上的游记具有个人特色,他几乎不写人所熟知的名胜古迹,而是与普通居民共同生活,描写他们的日常工作、饮食起居等,以及他们的所思所想,富有深度感,对读者了解这些国家的真实状况有很大帮助,文笔也幽默有趣,可读性很强。
2019年4月21日 已读
看完了,还不错。常驻的视角确实非常不同于游客。//村上春树第一个驻扎的偏远希腊小岛居然就是就 Magus 里的那个 Fowler 去寄宿学校当英文老师的岛,还真有个拥有半个到的富翁!
中文 旅行 日本 村上春树 欧洲
The Civilization of the Renaissance in Italy 豆瓣 Goodreads
Die Kultur der Renaissance in Italien: ein Versuch
作者: Jacob Burckhardt 译者: S. G. C. Middlemore Penguin Classics 1990 - 6
For nineteenth-century Swiss historian Jacob Burckhardt, the Italian Renaissance was nothing less than the beginning of the modern world - a world in which flourishing individualism and the competition for fame radically transformed science, the arts, and politics. In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.