A view inside the life of former New Zealand Prime Minister Jacinda Ardern, capturing her through five tumultuous years in power and beyond as she redefined leadership on the world stage.
Jacinda Ardern’s outlook is summarized by a quote from her childhood hero, Sir Ernest Shackleton: “Optimism is true moral courage.” She reluctantly took on what she called “the worst job in politics” and led with humanity, compassion, and common sense. Ardern guided her country through the pandemic by relying on science and risked her popularity by reforming gun laws and stepping down earlier than expected.
Co-directors Michelle Walshe and Lindsay Utz craft an intimate portrait of Ardern’s journey, featuring footage shot by her husband and classified audio interviews recorded while she was prime minister. As only the second head of state in the world to give birth in office, she faced relentless ridicule but left office saddened rather than hardened.
Prime Minister is much like Ardern herself: eloquent, compassionate, funny, and inspiring.

18岁孤女Marina自幼失怙，为完成奖学金申请必须远赴西班牙大西洋海岸，向素未谋面的祖父母索要签名。面对一大家子陌生亲戚，她游移在接纳与抵触的微妙氛围中。这场寻亲之旅不仅唤醒了尘封的家族温情，更揭开与往事相连的隐痛伤痕，Marina由此渐渐拼凑出记忆中早已模糊的父母形象——那些零散而矛盾的记忆碎片。

在天眼尚未密布，监场保安仍会打瞌睡的二十世纪七十年代，名画大盗就是会光天化日，大剌剌走进美术馆，直接把猎物从墙上取下放入布袋运走。看似儿戏的一切，背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式，改以其擅长的左翼简约主义镜头，捕捉触犯艺术罪行者的日常生活、双面人的言行处境，以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口，但到头来凸显存在荒谬的公路逃亡，俨然为观众添加了不少欣赏和思考的层次。

在电影拍摄过程中，一次《古兰经》的焚烧事件使整个剧组陷入了混乱，拍摄也因此转向了黑暗的一面。实习生艾丽夫在相互指责的风暴中被卷入了一场充满秘密和谎言的危险游戏，最终发现自己处于一个全面蔓延的阴谋中心。

屯田林宪三郎，一名有妻有女、还有点宅的52岁公务员。某天，他在路上为了拯救小孩而被卡车撞到，失去意识，醒来时发现自己变成了金发纵卷的公爵千金·格蕾丝．奥弗涅的模样！看来自己成为了女儿在玩的女性向游戏《魔法学园爱＆魔兽》里登场的“反派千金”，宪三郎理解到自己遭遇到所谓的异世界转生。在那样的格蕾丝＝宪三郎的面前，游戏原本的主角安娜出现了……！？

1900年，在美国旧金山唐人街，华裔印第安猎人阿鬼（王宝强 饰）与留美青年秦福（刘昊然 饰）因一场凶杀案偶然结识，误打误撞组成“唐人街神探”组合。开启了一场笑闹探案之旅……