Recording details: February 1992, All Saints, Durham Road, East Finchley, London, United Kingdom

[the recordings] are rewarding readings of rigour and intensity from a conductor every music lover should know.
Record Review / David Mellor, Mail on Sunday / 05 September 2004


--------------------------------------------------------------------------------

. . . a 1978 Schubert "Unfinished" with the Vienna Philharmonic is testimony enough to his genius, the first movement (with repeat) initially poised on a nerve's edge, tremulous and full of energy; the second properly relaxed. Kleiber was one of the few conductors to mark a profound climate change between the two movements, and his benchmark performance contradicts the notion that Schubert's Eighth is a mere torso. It has never sounded more perfectly complete.
Record Review / Rob Cowan, Independent (London) / 06 September 2004


--------------------------------------------------------------------------------

The musical strengths are easy to list. Each work -- or, in the case of "Tristan", complete scene -- is a living whole. Complex, richly variegated musical arguments emerge like single, soaring spans of melody . . . If you haven't yet discovered Kleiber, don't hesitate.
Record Review / Stephen Johnson, BBC Music Magazine (London) / 01 December 2004


--------------------------------------------------------------------------------

Beethoven: Triple Concerto for Piano, Violin, and Cello in C major, Op. 56
Géza Anda (piano), Wolfgang Schneiderhan (violin), Pierre Fournier (cello)
Berlin Radio Symphony Orchestra
Ferenc Fricsay
Recorded: 1960-06-01
Recording Venue: Jesus-Christus-Kirche, Berlin
Brahms: Double Concerto for Violin & Cello in A minor, Op. 102
Wolfgang Schneiderhan (violin), Janos Starker (cello)
Berlin Radio Symphony Orchestra
Ferenc Fricsay
Recorded: 1961-06-05
Recording Venue: Jesus-Christus-Kirche, Berlin

中国交响乐团首演音乐会：勃拉姆斯：第一交响曲；陈培勋：咏雪；吴祖强：二泉映月/陈佐湟指挥中国交响乐团

“记得有人说莱纳听了自己这个勃拉姆斯录音感动的哭了，这个版本确实有值得聆听的地方。笔者认为这个版本有勃拉姆斯傲骨凛然的霸气，却又不失铁汉的柔情，前者可以听他的第四乐章，后者可以听他的第二乐章。
虽然将录音的优劣也放在版本比较的考量有一点奇怪，但是我们却必须说，录音确实会影响聆听时的整体感受。就如之前说过的，莱纳这个录音诠释的非常爽朗，而且又不缺曲子中的灰暗面，如果你可以接受索尔蒂的诠释方法，那么应该可以轻易接受这个莱纳的最后录音。”
——以上引用蓝昌松先生的评点。这是一张著名的录音，我仅仅在线听过而已。个人觉得莱纳首乐章主题速度过快，皇家爱乐的弦乐还没有完全放开。但莱纳终究功力不凡，乐队是渐入佳境。之后的几个乐章都完成得很好，莱纳的独有气质在末乐章尤为突出。
总之是一次上佳水平的演绎，虽然不是完美级别。

The highly anticipated second DG release from Vadim Repin, one of today's most celebrated violinists. Featuring the romantic Violin Concerto and Double Concerto for Violin and Cello. Repin is joined by cellist Truls Mork for the Double Concerto. Riccardo Chailly conducts the Gewandhausorchester-- the same orchestra which premiered the Violin Concerto in 1879.

荷兰指挥家 Bernard Haitink 指挥皇家音乐厅管弦乐团演奏勃拉姆斯交响曲、小夜曲以及序曲，1994 年 Philips 发行。