介质为1DVD！

柏林爱乐的历史始自1882年，从彪罗开始，尼基什、富特文格勒、卡拉扬、阿巴多、西蒙·拉特尔，这些指挥界的泰斗与大师带领柏林爱乐横跨三个世纪，不断走向成功，不断创造出新的辉煌。

本片真实记录了伟大的柏林爱乐创建至今的整个历史过程，在二次世界大战结束后的瓦砾中，德军5月6日投降后的20天，柏林爱乐就奇迹般地推出了战后的首场演出，令世界惊愕。从柏林墙的高筑至1989年的轰然倒塌，柏林爱乐经历和见证了欧洲历史的巨变。任凭世事风云变幻，他们的音乐却从未消失，辉煌的“柏林之声”永远回荡在世界的上空。

柏林爱乐的成功具有强大的持久性，这得益于乐团独特的管理方式。富特文格勒曾经把柏林爱乐称作“自由管弦共和国”，的确，他们一直是一个强有力的自治团体，他们自己决定自己的命运，自己决定聘任和解体雇自己的领导者。这种来自乐团全体成员的自主性一直延续至今，即使是像卡拉扬这样个性化极强的人都无法对其有所改变。

本片具有极强的史料性与文献性，讲述了许多古典音乐幕后的故事，其中大量的珍贵镜头构成了难得的音乐瞬间，值得每一位爱乐者观赏和收藏。

1996年德国巴伐利亚州因戈尔施塔特 (Ingolstadt，注：AUDI总部所在地) 音乐会
小克在1996年，为了得到一辆价值10万美元的奥迪跑车，在因戈尔施塔特(Ingolstadt. 德国巴伐利亚州的城市) 指挥巴伐利亚国家歌剧院音乐会，演出莫扎特、贝多芬、勃拉姆斯的作品。
克莱伯指挥的布拉姆斯e小调交响曲被形容成“或许是这个交响曲中最棒的录音”。他处理贝多芬的科里奥兰序曲体现了他的音乐天赋。而莫扎特的《降B大调第33交响曲》在他棒下显得格外流畅。这场由巴伐利亚国家交响乐团演奏的音乐会在克莱伯为数不多的录影中实属稀罕品!

Region 1: US, CA

This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra
The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José
On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”
A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers

2004年，M&A发行一套9CD的专辑，收录指挥霍仁斯坦（Jascha Horenstein，1898-1973）与Orchestre national de France的珍贵录音，其中包括1963年10月31日的贝多芬第九交响曲。原来这个演出有影像版收录，并将由Doremi唱片公司发行DVD。
这应该是这场贝多芬第九影像首度曝光，记得以前听霍仁斯坦1956年在美国Vox唱片公司的贝多芬第九录音，感觉得到富特文格勒的味道，据说这场1963年的法国演出，更为热情，如果再搭配难得一件的霍仁斯坦指挥身影，可能是另一种难忘的体验。（里奇）

Lorin Maazel conducts the New York Philharmonic Orchestra in this performance in Pyongyang, North Korea. Recorded live at the East Pyongyang Grand Theatre, this 2008 concert features renditions of pieces by Wagner, Dvorak, and Gershwin.

1.The Trout
On August 30th 1969, five young musicians, all of whom were about to become established as international artists of the highest rank, came together to play Schubert's "Trout Quintet" in the new Queen Elizabeth Hall in London. Their names: Daniel Barenboim, Itzhak Perlman, Pinchas Zukerman, Jacqueline du Pré and Zubin Mehta.
It was clear to us that the concert might well become legendary in time and so we decided to make a film about it.
The intention was two-fold: to film the concert itself live on stage, exactly as it happened, with five of the newly invented, silent 16mm film cameras and to make an introduction to it during the preceding week, documenting the preparations and, in particular, the spirit behind the event.
The artists had all been intimate friends for many years, but, more importantly, they had a great deal in common musically and, in addition, they shared an exuberance in their talents which was as appealing as it was filmable.
The introduction takes the television viewer into areas of music-making that are not normally accessible even to the committed concert-going public and the first part of the film ends with the final seven minutes of back-stage preparation before the concert. They are minutes which contain scenes that have passed into musical and television history.
The film then continues with the complete performance shot during the concert, just as it happened, with not a note re-taken.
2.The Greatest Love and the Greatest Sorrow
Franz SchubertSchubert's reputation also suffered from the fact that he did things differently and when a work of art is new and different, and the world cannot categorise or label it, it often takes a long time for the world to understand and accept what that work has to offer. In some ways, these things haunt Schubert's reputation even today.
To complicate the picture still further, Schubert lived, and in some ways his music continues to live, under the shadow of Beethoven. Schubert himself asked the question "Wer vermag nach Beethoven noch etwas zu machen?" (Who would dare to do anything after Beethoven?). The answer, of course, was Franz Peter Schubert and, most notably, in the music that he wrote after the death of his God, Ludvig van Beethoven.

数々の世界的な名門楽団の首席指揮者を務めてきた西本智実が、2008年10月にブダペスト・フィルハーモニー管弦楽団と行った演奏会の模様をDVD化。チャイコフスキーの「ロメオとジュリエット」「イタリア奇想曲」など、名曲の数々を収録予定。

金字塔ともいえるNHK交響楽団の過去の系譜が、DVDとしてついに登場!
日本で親しまれたユーゴスラビア出身の指揮者、ロヴロ・フォン・マタチッチ(1899~1985年)。1984年3月、9回目の来日を果たしたマタチッチが、NHK交響楽団を指揮した最後の日本公演を収録。
指揮:ロヴロ・フォン・マタチッチ
演奏:NH交響楽団
【収録内容】
ブルックナー 交響曲第8番 ハ短調 (83分)
・第1楽章 アレグロ・モデラート
・第2楽章 スケルツォ アレグロ・モデラート
・第3楽章 アダージョ 荘厳にゆっくりと、しかし引きずらずに
・第4楽章 フィナーレ 荘厳に、速くなく
○1984年3月7日 NHKホールにて収録
【特典】
リーフレット封入
音楽評論家・宇野功芳氏による評論、NHK交響楽団メンバーによる解説。
*83分収録/画面サイズ4:3/ステレオ/リニアPCM
内容（「キネマ旬報社」データベースより）
N響から名誉指揮者の称号を贈られ、日本でも多くのファンに愛されるユーゴスラビア出身の指揮者、ロヴロ・フォン・マタチッチがNHK交響楽団と共に行った84年の公演をDVD化。ブルックナーの「交響曲第8番 ハ長調」の第1楽章から第4楽章を収録。