How should we understand the fear and fascination elicited by accounts of communicable disease outbreaks that proliferated, following the emergence of HIV, in scientific publications and the mainstream media? The repetition of particular characters, images, and story lines - of Patients Zero and superspreaders, hot zones and tenacious microbes - produced a formulaic narrative as they circulated through the media and were amplified in popular fiction and film. The 'outbreak narrative' begins with the identification of an emerging infection, follows it through the global networks of contact and contagion, and ends with the epidemiological work that contains it. Priscilla Wald argues that we need to understand the appeal and persistence of the outbreak narrative because the stories we tell about disease emergence have consequences. As they disseminate information, they affect survival rates and contagion routes. They upset economies. They promote or mitigate the stigmatizing of individuals, groups, locales, behaviors, and lifestyles. Wald traces how changing ideas about disease emergence and social interaction coalesced in the outbreak narrative. She returns to the early years of microbiology - to the identification of microbes and 'Typhoid Mary', the first known healthy human carrier of typhoid in the United States - to highlight the intertwined production of sociological theories of group formation ('social contagion') and medical theories of bacteriological infection at the turn of the twentieth century. Following the evolution of these ideas, Wald shows how they were affected by - or reflected in - the advent of virology, Cold War ideas about 'alien' infiltration, science-fiction stories of brainwashing and body snatchers, and the HIV/AIDS pandemic. "Contagious" is a cautionary tale about how the stories we tell circumscribe our thinking about global health and human interactions as the world imagines - or refuses to imagine - the next Great Plague.

Explores the reality of US police violence against Black, Brown and Indigenous communities.
What is the reality of policing in the United States? Do the police keep anyone safe and secure other than the very wealthy? How do recent police killings of young black people in the United States fit into the historical and global context of anti-blackness?
This collection of reports and essays (the first collaboration between Truthout and Haymarket Books) explores police violence against black, brown, indigenous and other marginalized communities, miscarriages of justice, and failures of token accountability and reform measures. It also makes a compelling and provocative argument against calling the police.
Contributions cover a broad range of issues including the killing by police of black men and women, police violence against Latino and indigenous communities, law enforcement's treatment of pregnant people and those with mental illness, and the impact of racist police violence on parenting, as well as specific stories such as a Detroit police conspiracy to slap murder convictions on young black men using police informant and the failure of Chicago's much-touted Independent Police Review Authority, the body supposedly responsible for investigating police misconduct. The title Who Do You Serve, Who Do You Protect? is no mere provocation: the book also explores alternatives for keeping communities safe.
Contributors include William C. Anderson, Candice Bernd, Aaron Cantú, Thandi Chimurenga, Ejeris Dixon, Adam Hudson, Victoria Law, Mike Ludwig, Sarah Macaraeg, and Roberto Rodriguez.
For further reading, check out Haymarket Books Against Policing & Mass Incarceration

Dr. King’s best-selling account of the civil rights movement in Birmingham during the spring and summer of 1963

On April 16, 1963, as the violent events of the Birmingham campaign unfolded in the city’s streets, Dr. Martin Luther King, Jr., composed a letter from his prison cell in response to local religious leaders’ criticism of the campaign. The resulting piece of extraordinary protest writing, “Letter from Birmingham Jail,” was widely circulated and published in numerous periodicals. After the conclusion of the campaign and the March on Washington for Jobs and Freedom in 1963, King further developed the ideas introduced in the letter in Why We Can’t Wait, which tells the story of African American activism in the spring and summer of 1963. During this time, Birmingham, Alabama, was perhaps the most racially segregated city in the United States, but the campaign launched by King, Fred Shuttlesworth, and others demonstrated to the world the power of nonviolent direct action.

Often applauded as King’s most incisive and eloquent book, Why We Can’t Wait recounts the Birmingham campaign in vivid detail, while underscoring why 1963 was such a crucial year for the civil rights movement. Disappointed by the slow pace of school desegregation and civil rights legislation, King observed that by 1963—during which the country celebrated the one-hundredth anniversary of the Emancipation Proclamation—Asia and Africa were “moving with jetlike speed toward gaining political independence but we still creep at a horse-and-buggy pace.”

King examines the history of the civil rights struggle, noting tasks that future generations must accomplish to bring about full equality, and asserts that African Americans have already waited over three centuries for civil rights and that it is time to be proactive: “For years now, I have heard the word ‘Wait!’ It rings in the ear of every Negro with piercing familiarity. This ‘Wait’ has almost always meant ‘Never.’ We must come to see, with one of our distinguished jurists, that ‘justice too long delayed is justice denied.

From the authors of the breakout national bestseller All My Friends Are Dead (more than 100,000 copies in print) comes a brand new illustrated compendium of the humourous existential ruminations of people, animals, legendary monsters, and inanimate objects. Readers will appreciate the plight of the light bulb whose only friends are burnouts, the caterpillar whose friends have all really changed, the cookie whose friends are crumbs, the cactus whose friends always kind of look like they're flipping you off, the robot who was not programmed to understand the concept of friendship, and many more, and fans new and old will laugh (and cry) out loud with this new, darkly funny celebration of the inevitable.

If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's-book-for-adults teaches valuable lessons about life while exploring each cartoon character's unique grievance and wide-eyed predicament. Have you ever laughed and cried at the same time? Because All My Friends Are Dead is either the saddest funny book of funniest sad book you've ever read. From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant-owners (like you), All My Friends Are Dead presents a delightful primer for laughing at the inevitable.

Pulitzer Prize-winning reporting team, husband and wife Nicholas D. Kristof and Sheryl WuDunn, take us on a journey through Africa and Asia to meet an extraordinary array of exceptional women struggling against terrible circumstances. More girls have been killed in the last fifty years, precisely because they are girls, than men were killed in all the wars of the twentieth century combined. More girls are killed in this routine 'gendercide' in any one decade than people were slaughtered in all the genocides of the twentieth century. In the nineteenth century, the central moral challenge was slavery. In the twentieth, it was totalitarianism. In the twenty-first, Kristof and WuDunn demonstrate, it will be the struggle for gender equality in the developing world. Fierce, moral, pragmatic, full of amazing stories of courage and inspiration, HALF THE SKY is essential reading for every global citizen.

Since its first publication in 1859, few works of political philosophy have provoked such continuous controversy as John Stuart Mill's "On Liberty", a passionate argument on behalf of freedom of self-expression. This classic work is now available in this volume which also includes essays by scholars in a range of fields. The text begins with a biographical essay by David Bromwich and an interpretative essay by George Kateb. Then Jean Bethke Elshtain, Owen Fiss, Judge Richard A. Posner and Jeremy Waldron present commentaries on the pertinence of Mill's thinking to early 21st century debates. They discuss, for example, the uses of authority and tradition, the shifting legal boundaries of free speech and free action, the relation of personal liberty to market individualism, and the tension between the right to live as one pleases and the right to criticize anyone's way of life.

Twenty-one years ago, at a friend’s request, a Massachusetts professor sketched out a blueprint for nonviolent resistance to repressive regimes. It would go on to be translated, photocopied, and handed from one activist to another, traveling from country to country across the globe: from Iran to Venezuela—where both countries consider Gene Sharp to be an enemy of the state—to Serbia; Afghanistan; Vietnam; the former Soviet Union; China; Nepal; and, more recently and notably, Tunisia, Egypt, Yemen, Libya, and Syria, where it has served as a guiding light of the Arab Spring.
This short, pithy, inspiring, and extraordinarily clear guide to overthrowing a dictatorship by nonviolent means lists 198 specific methods to consider, depending on the circumstances: sit-ins, popular nonobedience, selective strikes, withdrawal of bank deposits, revenue refusal, walkouts, silence, and hunger strikes. From Dictatorship to Democracy is the remarkable work that has made the little-known Sharp into the world’s most effective and sought-after analyst of resistance to authoritarian regimes.

In this fascinating account of Arsene Wenger's reign as manager of Arsenal and the methods he has used to keep the club at the top, John Cross has spoken to everyone from board members to players and backroom staff to build the most complete portrait of the man and his management style, and the club he has inspired for almost 20 years.
When Wenger arrived at Arsenal in 1996, he was little known to fans at the club and many doubted he could bring back the glory days of George Graham. But soon he was transforming the way the team played, melding the famous English defensive spine of Adams, Keown, Dixon, Winterburn and Seaman with a hugely creative foreign attacking spirit, epitomised by Dennis Bergkamp, Thierry Henry and Robert Pires. At the same time, he introduced new ideas on diet, fitness and professionalism, which many players believe extended their careers.
Having won numerous trophies, and led the Invincibles to an unbeaten league season in 2003-04, Wenger then had to help the club through the next stage of their development when they moved from Highbury to the Emirates. Despite the financial constraints he faced, he still managed to keep the club playing in the Champions League year after year while remaining true to his philosophy of how the game should be played. Furthermore, he once again began to build a trophy-winning squad, winning back-to-back FA Cups in 2014 and 2015, that was admired by football fans everywhere.