《技术转移与技术创新历史丛书：德国克虏伯与晚清火炮 贸易与仿制模式下的技术转移》系一部研究19世纪末至20世纪初德国克虏伯技术向中国转移的学术专著。在考察中国社会从传统向现代转型、自强运动、军事变革等宏观问题的同时，重点分析了李鸿章等人主导的晚清军火贸易以及建立在仿制基础上的兵器工业发展的得失成败，以及贸易、仿制与技术转移之间错综复杂的关系。全书从历史背景、军火贸易、书本知识的输入、技术的引进与消化吸收、装备与运用等方丽，综合论述了德国克虏伯与晚清技术转移的过程、路径及影响因素。《技术转移与技术创新历史丛书：德国克虏伯与晚清火炮 贸易与仿制模式下的技术转移》适合科学技术史、军事技术史、中西交流史、科技政策等领域的研究者参考。

A re-issue of Gregory Bateson's classic work. It summarizes Bateson's thinking on the subject of the patterns that connect living beings to each other and to their environment.

Most people in the world today think democracy and gender equality are good, and that violence and wealth inequality are bad. But most people who lived during the 10,000 years before the nineteenth century thought just the opposite. Drawing on archaeology, anthropology, biology, and history, Ian Morris explains why. Fundamental long-term changes in values, Morris argues, are driven by the most basic force of all: energy. Humans have found three main ways to get the energy they need--from foraging, farming, and fossil fuels. Each energy source sets strict limits on what kinds of societies can succeed, and each kind of society rewards specific values. But if our fossil-fuel world favors democratic, open societies, the ongoing revolution in energy capture means that our most cherished values are very likely to turn out not to be useful any more. Foragers, Farmers, and Fossil Fuels offers a compelling new argument about the evolution of human values, one that has far-reaching implications for how we understand the past--and for what might happen next. Originating as the Tanner Lectures delivered at Princeton University, the book includes challenging responses by classicist Richard Seaford, historian of China Jonathan Spence, philosopher Christine Korsgaard, and novelist Margaret Atwood.

Napoleon's Buttons is the fascinating account of seventeen groups of molecules that have greatly influenced the course of history. These molecules provided the impetus for early exploration, and made possible the voyages of discovery that ensued. The molecules resulted in grand feats of engineering and spurred advances in medicine and law; they determined what we now eat, drink, and wear. A change as small as the position of an atom can lead to enormous alterations in the properties of a substance-which, in turn, can result in great historical shifts.
With lively prose and an eye for colorful and unusual details, Le Couteur and Burreson offer a novel way to understand the shaping of civilization and the workings of our contemporary world.

The real inventor of the steam engine. The creator of the bra. The man who invented modern banking. The creator of the computer operating system. These and scores of others are the characters that populate Harold Evans's rollicking, brilliant history of the men and women who made America great. Vast and beautifully designed with hundreds of duotones and photos throughout (many never before published), the book is itself a creation as grand as those it describes. Evans reveals the surprising truths behind many of the creations that made our modern world, as well as the lessons we can learn by studying the great entrepreneurs and innovators of the past two centuries.

NEW YORK TIMES BESTSELLER
Yuval Noah Harari, author of the critically-acclaimed New York Times bestseller and international phenomenon Sapiens, returns with an equally original, compelling, and provocative book, turning his focus toward humanity’s future, and our quest to upgrade humans into gods.
Over the past century humankind has managed to do the impossible and rein in famine, plague, and war. This may seem hard to accept, but, as Harari explains in his trademark style—thorough, yet riveting—famine, plague and war have been transformed from incomprehensible and uncontrollable forces of nature into manageable challenges. For the first time ever, more people die from eating too much than from eating too little; more people die from old age than from infectious diseases; and more people commit suicide than are killed by soldiers, terrorists and criminals put together. The average American is a thousand times more likely to die from binging at McDonalds than from being blown up by Al Qaeda.
What then will replace famine, plague, and war at the top of the human agenda? As the self-made gods of planet earth, what destinies will we set ourselves, and which quests will we undertake? Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century—from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here? And how will we protect this fragile world from our own destructive powers? This is the next stage of evolution. This is Homo Deus.
With the same insight and clarity that made Sapiens an international hit and a New York Times bestseller, Harari maps out our future.

In a midcentury American cultural episode forgotten today, intellectuals of all schools shared a belief that human nature was under threat. The immediate result was a glut of dense, abstract books on the “nature of man.” But the dawning “age of the crisis of man,” as Mark Greif calls it, was far more than a historical curiosity. In this ambitious intellectual and literary history, Greif recovers this lost line of thought to show how it influenced society, politics, and culture before, during, and long after World War II.
During the 1930s and 1940s, fears of the barbarization of humanity energized New York intellectuals, Chicago protoconservatives, European Jewish émigrés, and native-born bohemians to seek “re-enlightenment,” a new philosophical account of human nature and history. After the war this effort diffused, leading to a rebirth of modern human rights and a new power for the literary arts.
Critics’ predictions of a “death of the novel” challenged writers to invest bloodless questions of human nature with flesh and detail. Hemingway, Faulkner, and Richard Wright wrote flawed novels of abstract man. Succeeding them, Ralph Ellison, Saul Bellow, Flannery O’Connor, and Thomas Pynchon constituted a new guard who tested philosophical questions against social realities—race, religious faith, and the rise of technology—that kept difference and diversity alive.
By the 1960s, the idea of “universal man” gave way to moral antihumanism, as new sensibilities and social movements transformed what had come before. Greif’s reframing of a foundational debate takes us beyond old antagonisms into a new future, and gives a prehistory to the fractures of our own era.

Although the importance of the advent of printing for the Western world has long been recognized, it was Elizabeth Eisenstein, in her monumental, two-volume work, The Printing Revolution in Early Modern Europe, who provided the first full-scale treatment of the subject. This illustrated and abridged edition gives a stimulating survey of the communications revolution of the fifteenth century. After summarizing the initial changes introduced by the establishment of printing shops, it goes on to discuss how printing affected three major cultural movements: the Renaissance, the Reformation, and the rise of modern science. This new edition includes a new essay discussing recent controversies provoked by the first edition and reaffirms the thesis that the advent of printing entailed a communications revolution. Fully-illustrated and annotated, the book argues that the cumulative processes set in motion with the advent of printing are likely to persist despite the recent development of new communications technologies.

In this magnificent synthesis of military, technological, and social history, William H. McNeill explores a whole millennium of human upheaval and traces the path by which we have arrived at the frightening dilemmas that now confront us. McNeill moves with equal mastery from the crossbow--banned by the Church in 1139 as too lethal for Christians to use against one another--to the nuclear missile, from the sociological consequences of drill in the seventeenth century to the emergence of the military-industrial complex in the twentieth. His central argument is that a commercial transformation of world society in the eleventh century caused military activity to respond increasingly to market forces as well as to the commands of rulers. Only in our own time, suggests McNeill, are command economies replacing the market control of large-scale human effort. The Pursuit of Power does not solve the problems of the present, but its discoveries, hypotheses, and sheer breadth of learning do offer a perspective on our current fears and, as McNeill hopes, "a ground for wiser action."
"No summary can do justice to McNeill's intricate, encyclopedic treatment. . . . McNeill's erudition is stunning, as he moves easily from European to Chinese and Islamic cultures and from military and technological to socio-economic and political developments. The result is a grand synthesis of sweeping proportions and interdisciplinary character that tells us almost as much about the history of butter as the history of guns. . . . McNeill's larger accomplishment is to remind us that all humankind has a shared past and, particularly with regard to its choice of weapons and warfare, a shared stake in the future."--Stuart Rochester, "Washington Post Book World "
"Mr. McNeill's comprehensiveness and sensitivity do for the reader what Henry James said that Turgenev's conversation did for him: they suggest 'all sorts of valuable things.' This narrative of rationality applied to irrational purposes and of ingenuity cannibalizing itself is a work of clarity, which delineates mysteries. The greatest of them, to my mind, is why human beings have never learned to cherish their own species."--Naomi Bliven, "The New Yorker
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Film critic David Robinson chronicles the early use of film as vaudeville sideshow; as sheer spectacle of moving images precluding any notion of plot development or drama; and as a fledgling dramatic effort, ranging from prizefights to Passion plays. He also takes readers to the nickelodeon theaters, and replete with more than 150 drawings and photographs, shows how the earliest devices of cinematic prehistory--machines with colorful names like the Phantascope and the Wheel of Life--led to the technology of filmmaking we know today.