From National Book Award winner Deirdre Bair, the definitive biography of Saul Steinberg, one of The New Yorker 's most iconic artists.
The issue date was March 29, 1976. The New Yorker cost 75 cents. And on the cover unfolded Saul Steinberg's vision of the world: New York City, the Hudson River, and then...well, it's really just a bunch of stuff you needn't concern yourself with. Steinberg's brilliant depiction of the world according to self-satisfied New Yorkers placed him squarely in the pantheon of the magazine's—and the era's—most celebrated artists.
But if you look beyond the searing wit and stunning artistry, you'll find one of the most fascinating lives of the twentieth century. Born in Romania, Steinberg was educated in Milan andwas already famous for his satirical drawings when World War II forced him to immigrate to the United States. On a single day, Steinberg became a US citizen, a commissioned officer in the US Navy, and a member of the OSS, assigned to spy in China, North Africa, and Italy. After the war ended, he returned to America and to his art. He quickly gained entree into influential circles that included Saul Bellow, Vladimir Nabokov, Willem de Kooning, and Le Corbusier. His wife was the artist Hedda Sterne, from whom heseparated in 1960 but never divorced and with whom he remained in daily contact for the rest ofhis life. This conveniently freed him up to amass a coterie of young mistresses and lovers. But his truly great love was the United States, wherehe traveled extensively by bus, train, and car, drawing, observing, and writing.
His body of work is staggering and influential in ways we may not yet even be able to fully grasp, quite possibly because there has not been a full-scale biography of him until now.Deirdre Bair had access to 177 boxes of documents and more than 400 drawings. In addition, she conducted several hundred personal interviews. Steinberg's curious talent for creating myths about himself did not make her joban easy one, but the result is a stunning achievementto admire and enjoy.

Best known for his barbed and brilliant art for <u>The New Yorker</u>, Saul Steinberg (1914&#8211;1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda. This is the first comprehensive look at Steinberg’s extraordinary contribution to 20th-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers.
An introduction by poet Charles Simic tracks the origins of Steinberg’s darkly comic sensibility in the “Balkan bazaar” of his native Romania. Joel Smith shows how architectural training and an early rise to fame as a cartoonist in Fascist-era Milan honed the artist’s gift for subtle graphic invention, and explores why one of the most visible, prolific, potent, and cosmopolitan careers in postwar American art has so thoroughly evaded serious study. Tracing the evolving motives that underlie Steinberg’s multi-layered activity, this handsome volume also raises fundamental questions about the historiography of modernism and the vexed status of “the middlebrow avant-garde” in an age of museum-bound art.
Previously unseen sketches, documents, and printed matter from the artist’s papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

建筑学专业的洛克先生从大学开始就因为不遵循传统说教而被开掉，而听话的另一位先生顺利的毕业并且找到一份好差事。所有人都不喜欢洛克先生，甚至专栏作家也时不时的老羞辱他，洛克爱着的姑娘——也不出所料的跟了那位听话的好好先生……洛克先生活着就是麻烦不断。 在一次政府建筑项目中，那位他的同学，听话的好好先生居然同意了洛克先生独立自主的设计。如果洛克先生能因此获得荣誉，获得成功，并获得尊敬，由此改变世界对他的看法，那真是美好的生活啊。可洛克先生并为因此获得好运气：公众一如既往的反对混子洛克设计建设的这个项目，政府也因此推翻了这个项目，而两位设计者也无法控告政府，政府是无权被告的。洛克先生又一次显示了他混子本色，他搞了一些炸药把那做了一半的楼给炸成一堆碎瓦片子。他也因此而上了法庭，对于自己的行为，他是这么说的：创造是自己的私事，是天赋的权利，维护创造也是同样的天赋个人的权力……
Howard Roark is an architect whose genius and integrity will not be comprised. He has ideas that work against conventional standards.

《被监押的帝国主义(英法在华企业的命运)》以1949至1954年为跨度，在英、法“后帝国的”衰退的背景之下，以中英、中法关系中的经济与商务因素为着眼点，介绍新成立初期政府当局对在华大企业的政策与处置。

Why did Napoleon succeed in 1805 but fail in 1812? Could the European half of World War II have been ended in 1944? These are only two of the many questions that form the subject-matter of this meticulously researched, lively 2004 book. Drawing on a very wide range of sources, van Creveld examines the specifics of war: namely, those formidable problems of movement and supply, transportation and administration, so often mentioned - but rarely explored - by the vast majority of books on military history. In doing so he casts his net far and wide, from Gustavus Adolphus to Rommel, from Marlborough to Patton, subjecting the operations of each to a thorough analysis from an unusual point of view. In this edition with a new introduction, van Creveld revisits his now-classic text, and comments in a new afterword on the role of logistics in high-tech, modern warfare.

Informed by discussions and interviews with more than fifty seasoned foreign and American negotiators, this landmark study offers a rich and detailed portrait of the negotiating practices of American officials. Including contributions by eleven international experts, i assesses the multiple influences―cultural, institutional, historical, and political―that shape how American policymakers and diplomats approach negotiations with foreign counterparts and highlights behavioral patterns that transcend the actions of individual negotiators and administrations.

This book draws on ideas from philosophical logic, computational logic, multi-agent systems, and game theory to offer a comprehensive account of logic and games viewed in two complementary ways. It examines the logic of games: the development of sophisticated modern dynamic logics that model information flow, communication, and interactive structures in games. It also examines logic as games: the idea that logical activities of reasoning and many related tasks can be viewed in the form of games.
In doing so, the book takes up the “intelligent interaction" of agents engaging in competitive or cooperative activities and examines the patterns of strategic behavior that arise. It develops modern logical systems that can analyze information-driven changes in players’ knowledge and beliefs, and introduces the “Theory of Play" that emerges from the combination of logic and game theory. This results in a new view of logic itself as an interactive rational activity based on reasoning, perception, and communication that has particular relevance for games.
Logic in Games, based on a course taught by the author at Stanford University, the University of Amsterdam, and elsewhere, can be used in advanced seminars and as a resource for researchers.

The crumbling of the Berlin Wall, the fall of the iron curtain, and the Reagan and Thatcher "revolutions" all owe a tremendous debt to F. A. Hayek. Economist, social and political theorist, and intellectual historian, Hayek passionately championed individual liberty and condemned the dangers of state control. Now Hayek at last tells the story of his long and controversial career, during which his fortunes rose, fell, and finally rose again.
Through a complete collection of previously unpublished autobiographical sketches and a wide selection of interviews, Hayek on Hayek provides the first detailed chronology of Hayek's early life and education, his intellectual progress, and the academic and public reception of his ideas. His discussions range from economic methodology and the question of religious faith to the atmosphere of post-World War I Vienna and the British character.
Born in 1899 into a Viennese family of academics and civil servants, Hayek was educated at the University of Vienna, fought in the Great War, and later moved to London, where, as he watched liberty vanish under fascism and communism across Europe, he wrote The Road to Serfdom. Although this book attracted great public attention, Hayek was ignored by other economists for thirty years after World War II, when European social democracies boomed and Keynesianism became the dominant intellectual force. However, the award of the Nobel Prize in economics for 1974 signaled a reversal in Hayek's fortunes, and before his death in 1992 he saw his life's work vindicated in the collapse of the planned economies of Eastern Europe.
Hayek on Hayek is as close to an autobiography of Hayek as we will ever have. In his own eloquent words, Hayek reveals the remarkable life of a revolutionary thinker in revolutionary times.
"One of the great thinkers of our age who explored the promise and contours of liberty....[Hayek] revolutionized the world's intellectual and political life"--President George Bush, on awarding F. A. Hayek the Medal of Freedom
F. A. Hayek, recipient of the Medal of Freedom 1991 and the Nobel Memorial Prize in Economics in 1974, was a pioneer in monetary theory and the principal proponent of the libertarian philosophy. Hayek is the author of numerous books in economics, as well as books in political philosophy and psychology.

For more than seven centuries most of the Near East was part of the Roman empire. Yet no work exists which explores the means by which an ancient power originating in the western Mediterranean could control such a vast and distant region. What was the impact of the army presence on the population of the provinces? How did Rome respond to the challenge posed by the desert and its nomadic population? Isaac here offers answers to these questions in the first comprehensive treatment of the Roman military presence in the Near East. Using both well-known and neglected sources, he reassesses the means by which Rome achieved and maintained its control over the region. His study, now revised and updated to reflect recent research findings, casts new light on an important issue which has far-reaching implications for the understanding of ancient and modern imperialism.