天籁
Celtic Treasure 豆瓣
8.3 (7 个评分) Hayley Westenra 类型: 流行
发布日期 2007年3月13日 出版发行: Decca
Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places on her remarkable musical journey. Recorded in Dublin, Ireland, Hayley's third solo album is a very personal collection of classical arias, Irish and Maori folk songs - representing treasured people and places in her remarkable musical journey. For the first time the album also includes several original tracks written by Hayley herself. Celtic Treasure is a celebration of Hayley's family roots, and her grandparent's journey across the World on the first boat that left Ireland for New Zealand in the 1880s - taking with them a rich musical heritage. Her grandmother - a singer, and her grandfather, who played the accordion, were to be important influences on Hayley's musical development. Hayley grew up hearing her grandmother singing Italian opera arias in English. Hayley has continued this tradition by recording the well-known aria One Fine Day... ('Un bel di) from Puccini's Madama Butterfly. Hayley's grandmother also sang Irish folk tunes, and Hayley includes one of them - Danny Boy on the album as a tribute to her. Another Irish folk tune Sonny, is the first recording in which Hayley accompanies herself on the piano. In the same vein as Hayley's signature song Pokarekare Ana from her debut album Pure, Hayley's deep sense of pride as a New Zealander, and the simple beauty of her voice come together in E Para Ra - a Maori lovesong reflecting her own love of her homeland. Hayley's first recordings of her own songs bring together all these musical influences. They include her compositions Let Me Lie and Summer Rain and her lyrics to a haunting lute song by the Elizabethan English composer John Dowland, called simply Melancholy Interlude.
一千零一夜 豆瓣
8.8 (16 个评分) Sarah Brightman 类型: 流行
发布日期 2003年6月10日 出版发行: Angel Records
流行音乐、古典音乐和舞台剧原本是无法融合甚至对立的音乐空间,但是莎拉的歌声却极具创造性地将它们结合在了一起,她用极为难得的艺术手法将所演唱的音乐表现出来,而且仍能不损其原味。
作为一位歌唱家,少有人能像莎拉•布莱曼这样,如此的才华横溢,如此的风格惟一。那极具个人气质的歌声,虚幻、空灵、纯净,时而清新甜美、时而高亢震撼,营造出无边无际的空间幻觉,令她直入云霄的高音不仅不会刺耳,反而抹上一层天籁色彩,让人充满迷惑与想象,就像航行在海上孤寂的水手听见美人鱼的吟唱般,成为一种方向感的皈依,一种心灵折服的美声女神。每当她的歌声响起,在那些残阳如血的黄昏,人们总是不可救药地迷失在那柔情美声里。就像是在逃离烦闷躁动的心路上,莎拉的歌声是最好的御花园。
而更令人叹为观止的,是莎拉的歌声能够极具创造性地将流行音乐、舞台剧和古典音乐结合在一起,用一种极为难得的艺术手法将所演唱的音乐表现出来,且总能不损其原味。
以绝美的女高音创下超过1500万张专辑销售记录的Sarah Brightman 莎拉·布莱曼于2003年发行的《Harem 一千零一夜》是她历年来最畅销的专辑之一。《一千零一夜》是以中东传说为基底所编织而成的一次音乐奇想之旅,可说是到目前为止最独特且最具个人特色的作品,不但展现了她在作曲方面的才华,而且她充满热情的创意构思以及举世无双的天籁歌声也都在其中淋漓尽致地呈现出来。
它以中东传说和音乐为素材全新创作,在编曲部分加入了中东特色乐器、恢宏庞大的弦乐队、时尚的电子音乐元素,配上她举世无双的天籁歌声,营造出奇妙神秘的梦幻色彩。听这张唱片,就仿佛是一次从远古到现代、从东方到西方的奇幻旅行,令人心旷神怡、浑然物外。
“在《Harem 一千零一夜》专辑中,我希望能够营造出一些中东的味道,加强节奏感。”Sarah Brightman 莎拉·布莱曼表示,“我对于一些描述阿拉伯景致的电影,像是《阿拉伯之夜》或是《阿拉伯的劳伦斯》等片中所呈现出来的广袤沙漠、无垠空间以及那种平和与充满灵性的感觉十分着迷,这本来是我创作这张新专辑的出发点,但当我沉浸在土耳其以及中东音乐里-尤其是最近中东地区新创作的舞曲-之后,我对这张新专辑的整体概念才成型。我希望能够透过音乐表现出影像的感觉,这些音乐与灵感为我搭建出一个可以充分发挥创意的巨幅空间架构。” 参与这张专辑演奏的音乐家来自世界各地,甚至还有远从布拉格以及开罗等地请来的管弦乐演奏家。这次为Sarah Brightman 莎拉·布莱曼跨刀的乐手均为一时之选,从古典乐小提琴手的天王巨星肯尼迪 Nigel Kennedy 到中东最受瞩目的重量级歌手之一卡珊·艾尔撒希尔 Kazem al·Sahir……等等,都加入了演出阵容。专辑由 Frank Peterson 制作,编曲则交由与中东乐手有过丰富合作经验的前Killing Joke乐团主唱/键盘手贾斯·科曼 Jaz Colman 负责。
专辑同名标题曲《Harem 一千零一夜》勾勒出了整张专辑的情境与想像空间,这首歌曲在中东音乐与葡萄牙的民谣思乡曲(Fado)之间,搭建起根基深厚的音乐桥梁; 曲名即明显反映出歌曲意义的《The War Is Over》传达出要以爱解决冲突的讯息;Sarah Brightman 莎拉·布莱曼与伊拉克歌手卡珊·艾尔撒希尔的歌声在甘乃迪悠扬的小提琴伴奏中,精巧而感人地融合在一起。肯尼迪同时也在另一首歌曲《Free》里担任演出,这首歌曲的灵感来自於一首法国抒情诗,热爱自由的意念回荡於整首歌曲间,这同时也是整张专辑的核心概念。
Sarah Brightman 莎拉·布莱曼的想像力也为一些经典老歌着上新的色彩,她将这些经典歌曲浸在启发她的东方氛围中,像是《Stranger in Paradise》藉由丰润的管弦乐回响出性感艳丽的鞑靼舞曲气息,衬托着Sarah Brightman 莎拉·布莱曼闪烁微光的美妙歌喉;《What A Wonderful World》的诠释则是一次大胆的重新演绎,这首流行乐界的国歌在此呈现出更截然不同的风貌,甚至泛射出感伤的忧郁气氛。
Sarah Brightman 莎拉·布莱曼这次也将触角深入歌剧,以普契尼的《蝴蝶夫人Un bel di》旋律引出从舞蹈得来灵感的《It's A Beautiful Day》。
《Harem 一千零一夜》专辑同时也以一系列优美的新曲回旋出启发整张专辑的灵感源头,像是《Beautiful》、《Arabian Nights》、《What You Never Know》、《Mysterious Days》、《Until The End Of Time》、《The Journey Home》等等,这些歌曲全由印度电影配乐大师A.R.拉曼 A.R Rahman 所谱写。此外,Sarah Brightman 莎拉·布莱曼之前录制过的《You Take My Breath Away》在此也有另一番全新的诠释。
Sarah Brightman - vocals, keyboards
Peter Weihe - guitar, sitar
Michael Soltau - piano, keyboards, programming
Frank Peterson - keyboards, percussion, programming, background vocals
Nigel Kennedy - violin
Prague Symphony Orchestra
Jaz Coleman
Matthias Meissner - keyboards
Bach Choir
Trevor Barry - bass