Manufactured in Japan. CD sits within an exact replica of the original vinyl packaging including the inside sleeve. Packaging includes the Japanese spine sleeve.

《太空怪人》"Space Oddity"是大卫·鲍伊为人所知的第一首歌。理想主义的丧失，不可理喻的幻想，金光闪闪的紧身衣，体液般暧昧滑腻的旋律，以及收敛了毒品音乐一切气质的早期合成器 ……那时候没有性取向，反对风格，从洛·里德和依基·波普那里借来一顶美国朋克帽子的戴维·鲍依，是因为什么都不管不顾，于是可以让气道冲到天上去的嶙峋青年。

引起轰动的1971年David的第三张专辑《The Man Who Sold The World》，封面上David梳着长长的卷发，黑色长靴，丝缎长裙，胸口低开，只用两枚褡扣系住。这个美丽而在当时看来惊世骇俗的造型开创了真正的 Glam摇滚的时代，David一共用了三种形象出现，一种是封面长发长裙的，一种是早期《Space Oddity》卷发形象，另一种是贝蕾帽，金发温柔地垂下，灰蓝色紧身呢子外套。
这是David短暂而迷妙的时期，犹如他专辑的音乐风格。一个花花公子的浅吟低唱，带着点玩世不恭，一点物质，一点讽刺，一点慵懒与诱惑，模糊了性别的。音乐相对那个时代是复杂的，正处在音乐从早期披头士似的情歌中变质，并开始热中于各种音响实验的阶段，那些歌曲中经常充斥着一些不和谐与突兀。
但总的来说，《The Man Who Sold The World》专辑自身的风格是比较统一的，David有些妩媚的嗓音和邪气的歌曲加上晦涩又有些放纵古怪的歌词融合成一种美妙的风格，独特的，只属于David自己的音乐。

Filmed before an awestruck audience in Dublin on November 22nd and 23rd, 2003, this is a great way to experience David Bowie's REALITY album in a live setting. Of course a number of older songs are dusted off and given thoroughly modern interpretations as well, with Bowie clearly delighted to have such a welter of fine material at his fingertips. In fact Bowie and his band had rehearsed 60 songs for the "Reality" tour, and drew liberally on them throughout the resulting shows. The 30 songs here comprise most of the audience favorites, and include classics such as "Be My Wife," "Under Pressure," "Life On Mars," "Heroes," and "Ziggy Stardust." But it's not just the oldies that the crowd came to see, and material from the REALITY and HEATHEN albums also receive a warm response. An electrifying, charismatic performer, Bowie's legend is well earned.