新晋说唱歌手推出的个人Mixtape!

Brown Sugar is the debut album of American recording artist D'Angelo, released on July 4, 1995, by EMI Music. Recording sessions for the album took place from 1994 to 1995 at Battery Studios and RPM Studios in New York City and at the Pookie Lab in Sacramento. Production, instrumentation, arrangements, and songwriting were primarily handled by D'Angelo, who employed both vintage recording equipment and modern electronic devices. Brown Sugar contains themes of love and romance, and features a fusion of contemporary R&B and traditional soul music, along with elements of funk, quiet storm, and hip hop music.

1992 single for Sire/ Warner Brothers/ Maverick. Featuresseven mixes of 'Bye Bye Baby': Album Version, N.Y. Hip HopMix, California Hip Hop Jazzy, Madonna's Night On The Club,Rick Does Madonna Dub, House Mix and Madonna Gets Hardcore.Slimline jewel case.

Limited edition Japanese reissue of the 1994 Christmas album includes a bonus DVD (NTSC/Region 2). SME. 2005.

Athena is the debut album from violinist, singer, songwriter and producer Sudan Archives. Sudan Archives is widely acclaimed for her thrilling combination of styles: powerful and anthemic R&B, electronic music, a violin style inspired by Northeast African fiddling, and West African rhythms. For Athena, she collaborated with a wide cast of songwriters, producers and musicians for a sound that is her fullest and richest to date, while staying true to the unique blend of influences that has won her fans around the world.

Brittney Parks’ <i>Athena</i> was one of the more interesting albums of 2019. <i>Natural Brown Prom Queen</i> is better. Not only does Parks—aka the LA-based singer, songwriter, and violinist Sudan Archives—sound more idiosyncratic, but she’s able to wield her idiosyncrasies with more power and purpose. It’s catchy but not exactly pop (“Home Maker”), embodied but not exactly R&B (“Ciara”), weird without ever being confrontational (“It’s Already Done”), and it rides the line between live sound and electronic manipulation like it didn’t exist. She wants to practice self-care (“Selfish Soul”), but she also just wants to “have my titties out” (“NBPQ [Topless]”), and over the course of 55 minutes, she makes you wonder if those aren’t at least sometimes the same thing. And the album’s sheer variety isn’t so much an expression of what Parks wants to try as the multitudes she already contains.

SOS is the upcoming second studio album by American singer-songwriter SZA. The album is scheduled to be released on December 9, 2022, through Top Dawg Entertainment and RCA Records. It features guest appearances from Don Toliver, Phoebe Bridgers, Travis Scott, and Ol' Dirty Bastard.

Until a late flurry of percussion arrives, doleful guitar and bass are Solána Rowe’s only accompaniment on opener “Supermodel,” a stinging kiss-off to an adulterous ex. It doesn’t prepare you for the inventively abstract production that follows—disembodied voices haunting the airy trap-soul of “Broken Clocks,” “Anything”’s stuttering video-game sonics—but it instantly establishes the emotive power of her rasping, percussive vocal. Whether she’s feeling empowered by her physicality on the Kendrick Lamar-assisted “Doves in the Wind” or wrestling with insecurity on “Drew Barrymore,” SZA’s songs impact quickly and deeply.

麦当娜诞生自舞曲，她的第一张同名专辑《Madonna》就是一张完全舞曲专辑，而2005年新作“Confessions on a Dancefloor”是她值得纪念的第2张舞曲专辑。舞曲能量来自于她的血液，她的呼吸，这是唯一能解释为何人群总是不经思索地在她的舞曲中忘我的原因。在舞池的国度她是无庸置疑的女皇，每每登高一呼，子民只有膜拜的份。
“Confessions in a Dancefloor”是一张精心设计的专辑，麦当娜说：“我要摆脱舞曲专辑”内容空洞”的刻板印象，让歌曲是有内涵的，这也是这张专辑名为--“告白”的意义”。这次她挑选了英国当红 DJ 新秀 Stuart Price 携手合作专辑大多数歌曲，把70年代的 Disco、80年代的 House、90年代的 Techno、Trance…等各种风靡一时的舞曲形式，假 Stuart Price 之巧手以及麦当娜与生俱来的舞曲细胞，打造出这张全新又带有复古风韵的连续舞曲专辑。“我把‘过去’的音乐，带来‘现在’，希望也能走向‘未来’”，这塑造出了21世纪的“Future Disco”雏型，使电子舞曲不再是特定团体的专属，Future Disco 是前卫世纪的舞曲新貌。
你只要把 CD 放进机器里，按下 PLAY 键就可以就位了，想像你租下了顶尖舞厅的 VIP 室，邀请一位专属 DJ，没有压力，没有冷场，享受完完整整不中场休息的 Happy hour。开场首支单曲“Hung Up”带你直接跨越时空与1979年的 ABBA 交会，以平均 120bpm 以上的高空处带你体验震荡起伏的快感。经过急速冷酷、玩弄语言魅力的“Sorry”到迷幻唯美的“Future Lovers”、铿锵彪悍的“I Love New York”、让浩室重生的“Jump”、“How High”；富神秘卡巴拉哲学与异国舞韵的“Isaac”与“Push”；最后以特立独行的“Like It Or Not”完美终场。
除了前卫高能量的强劲节拍外，“Confessions on a Dancefloor”如同一贯的麦当娜作品，总是挟带远超过流行文化的深度与讯息，除了音乐持续带给人们新鲜快感外，此张创作势必也将带领全世界的流行趋势。继成功让牛仔风、迷彩风重生后，全世界都在等待她的一举一动，身为金氏世界记录里音乐史上的最成功艺人，她就是流行的指标；随着她乐坛生命的增长，以及跨世纪不可动摇的地位，除了舞曲的敏锐度有增无减，创造出欢愉热闹的动感节奏，麦当娜仍难能可贵地维持专辑的艺术价值，并且继续带领流行舞曲大步向前进化。