Honne is an English electronic music duo formed in 2014 in Bow, London, consisting of James Hatcher and Andy Clutterbuck. They both write, record, and produce their music. The band released their first two EPs, Warm on a Cold Night and All in the Value, on Super Recordings in 2014.

European pressing of the talented DJ's 2004 album has earliest release (Japanese scheduled for October). The album features guests like Mr. Lif, Aesop Rock, & more. Sony.

专辑《K&D Sessions》已经成为了世界上驰放音乐和downtempo音乐的一个传奇。这张专辑证明了这一音乐流派的生命力，也是一张混音合集，在世界各地的驰放乐迷的前十名名单中一直存在，然后他们就消失了。Peter Kruder和Richard Dorfmeister这对组合分道扬镳，成立了新的团体Tosca和Peace Orchestra，这两个团体本身都非常棒，但我们还是渴望得到K&D最初的魔力。等待已经结束了，时机也无可挑剔！
《1995》不仅仅是一个专辑的名字，也是一个时间转折点，那时候的chillout/downtempo风格正处于最好的状态，而G-Stone Recordings则是走在最前面，该厂牌下的天才们创造的杰出曲子影响至今。11月13日，G-Stone将再次成为寻找高品质卧底音乐的灯塔，推出Kruder & Dorfmeister的《1995》。
在G-Stone的旧录音室里发现了一盒DATS（数字音频磁带）后（故事是这样说的），这对组合重新组合起来，并决定发行一张新录音。故事的起源似乎有点沉重，但我们会原谅他们，因为这是Kruder和牛逼的Dorfmeister！这是一张从尘封的磁带中找回的失落专辑，还是一种隐喻？谁在乎呢？听就是了！
那么，你能从1995年期待什么呢？在很多方面，这张唱片让人感觉他们真的是捡起了一些旧的磁带，将它们重新制作成一张专辑，并将它们提升到今天的录音室标准。《1995》是他们最悦耳的声音、氛围和节拍的综合体，适合那些喜欢爵士乐、嘻哈器乐、90年代中期trip-hoppy声音的人。循环、贝斯线、采样、碎拍、混响，都在这里，很高兴能再次听到这些调子。K&D在这张专辑中并没有试图重塑自己，更多的是给我们带来了他们最好的表现，也丰富了我们的音乐珍藏。
歌曲 "King Size"像是早期K&D单曲的一个很好的延长B面，其催眠的层次、循环的贝斯线、雷鬼采样、号角律动和烟雾缭绕的节奏。专辑中的所有曲目都保持在正确的轨道上，每一首都是独立的，但仍然让人觉得是一张凝聚力很强的作品。
这种类型的驰放是很有挑战性的，因为很多作品可能会被遗忘，只是无限循环的电梯音乐，但《1995》不会。这些家伙知道如何把事情分得恰到好处，在必要的时候拿走，并用足够多的点缀让你全神贯注。这张LP不仅仅是一张专辑，它是15个小插曲，带你回到过去，回到巴黎、柏林、纽约和旧金山的烟雾缭绕的休息室——你几乎可以闻到它的味道。
对于那些来自黄金时代的原作爱好者来说，这张唱片就像你的旧翼尖马丁靴和旧货店的皮夹克一样合身。对于那些刚刚接触到Kruder和Dorfmeister的人来说，你将会深陷其中，兴奋地想去发掘更多好曲子。欢迎来到1995年，回来的感觉真好。

The first solo album release by Kings Of Convenience member Erlend Oye. Collaborators include talented American producer Morgan Geist (Metro Area) and Brooklyn's Soviet while Europe is represented by up-and-comers Mr. Velcro Fastener, Kompis, Jolly Music, Prefuse 73 and more. 10 tracks plus exclusive U.S. hidden track. Astralwerks. 2003.

Fragment（东方碎片）是一个载体，记录着信息碎片化时代秘密行动对外部物质世界的理解和内在精神世界的剖析。它是现代东方文明这台高速运转的巨型机器掉落的一枚碎片，它拥有西方科幻式的冰冷严肃的外部形式，却装载着一颗神秘内敛，具有东方色彩的内心。乐队通过《Fragment》这样一张半概念化专辑完美地展现了东西方交融的时代背景下文明失控的场景。

Like all DJ Koze records, Knock Knock exists outside of trend and influence. In fact, it's a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. Which is not to say it is utterly alien abstraction, mind. There is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it's going to do. Likewise with the voices. More than ever before on Koze's records, there are fascinating, individualist – and well-known – voices through out Knock Knock but again, each of them is rendered strange, drawn into a different reality Bon Iver's ghostly hymnals on Bonfire are very recognisably Bon Iver, but the way they twist and merge with synthetic sounds until choir and computer are writhing around one another in bliss are something else. The ever-unique Róisín Murphy, on two stunning tracks, becomes a cyborg funk diva. Speech from Arrested Development delivers luscious and lazy R&B-funk on Colors of Autumn, but Koze's warping bass, dubwise echo and alien nature sounds take it to an alternate dimension tropical landscape. Kurt Wagner of Lambchop is a vocoder bohemian, Sophia Kennedy is a sci-fi Weimar cabaret star, José Gonzalez a holographic projection from an old film of South Sea Islands... on it goes, nothing is real, everyone is an inhabitant of Koze-world. And that's what is crucial here. Koze is a world-maker. You don't get to chose how you hear his music – you enter his world or you don't, that's it. And that's why individual influences, whether it's the trippy German techno that's always rippled through is albums or the beat-scene abstract hip hop that he incorporated into his DJ-Kicks mix in 2015, are all but irrelevant. Though he'd never compare himself to anyone else, Koze only makes sense in the way that other world-builders do, from Bowie to Sun Ra, Outkast to Kate Bush. And Knock Knock is far and away his greatest statement of that. It's an album that came together slowly and steadily, his working processes arcane and mysterious in their steady accumulation of sound and inspiration. It's so complete and bursting with detail and consistency from every micro-second that you'd swear it was meticulously planned – but there was no masterplan, do desire to create a definitive artefact: the record itself decided when it was ready. And now it is ready, the most perfectly constructed portal into that other world, you had better be ready too!

Kiasmos is made up of Icelandic BAFTA-winning composer Ólafur Arnalds, known for his unique blend of minimal piano and string compositions with electronic sounds, and Janus Rasmussen from the Faroe Islands, known as the mastermind of the electro-pop outfit Bloodgroup. Based in Reykjavík, Arnalds used to work as a sound engineer, often for Rasmussen's other projects, where the two musicians discovered their common love for minimal, experimental music. They eventually became best friends, often hanging out in their studio, exploring electronic sounds.

Kraftwerk (German: [ˈkʁaftvɛɐ̯k], lit. "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered as innovators and pioneers of electronic music, they were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders.

The only definitive greatest hits collection chronicling Moby's entire career. It also features new and previously unreleased material - (1) new single "New York, New York" with Blondie's Debbie Harry (2) two new mixes - including one of "GO," his debut commercial smash (3) a live version of "Feeling So Real." The DELUXE EDITION features an 11-track BONUS remix CD personally compiled by Moby and includes the legendary "Bodyrock" Olav Basoski remix. The deluxe edition tracks are NOT available on ANY Moby full-length CD.