Japan Only. 16 tracks. 2002.

详细内容: 第一乐章01.Gravity02.Fields of Hope03.世界的约定04.Living in side the shell05.La，Ia malndin du sommeil06.通往天空07.Forces08.水的微睡09.让悲伤变为温柔10.四季之歌11.Follow Me12.Open Your Heart13.Vengs and a Small God14.万花筒15.AFKER，INTHEDARK 第二乐章01.十二幻梦曲02.Over The Sky03.鸟之诗04.Motharland05.PRIDE06.Wondering07.Tenderness08.你的声音09.傀儡谣新世10.GooD—LucK11.Heaven’S not enough12.火之鸟13.It"sonly the fairy tale14.悲伤的预感15.剧场植·奇迹之钟 第三乐章…… 最终乐章……广告语: 岁月洗不去的是最美的回忆 生命总在感动的时候铭记 一次又一次捕捉微笑如此清晰 连那颤动的情怀也颇熟悉 青春和心再一次飞逸 《动漫时代》创刊四周年特典献礼，完全动漫歌曲精品收入，《动漫时代》陪伴读者五周年精华汇聚，收入40余首极品动漫歌曲，全新歌评。

整张“夜奔”电影原声带由鲍比达製作、编曲、作曲一手包办，是鲍比达继“新不了情”之后又一动人的电影配乐作品，整张配乐全由弦乐演奏而成，再加上编剧王蕙玲雋永的对白，想必又会掀起一波电影“文艺復兴”风潮。
在纵横製作《夜奔》电影的过程中，关於音乐的部份，徐立功导演立刻想到为《人间四月天》构思了片头片尾风格并提供该戏音乐素材，且一手促成《人间四月天》电视原声带发行的姚谦，因为他喜欢音乐，并坚信好戏和好音乐必须相辅力量才能相乘的理念下和徐导演不谋而合，他希望藉由姚谦对音乐的敏锐和素养，能让夜奔的音乐恰如其份的表现出戏中的情感和气氛，让《夜奔》的电影和音乐原声带与《人间四月天》一样共创双赢。
於是姚谦找了曾经写下非常经典的电影主题曲《新不了情》的音乐大师鲍比达合作，将中黄磊饰演的大提琴家所代表的西方音乐和尹昭德饰演的昆剧名角所代表的中国传统戏曲，两种东西方的元素巧妙融合，製作出贯穿全剧带出动人气氛的精彩配乐，而在主题曲演唱的人选上，则选择了在徐导演和王编剧口中，兼具古典气质和现代美的萧亚轩，这也是她第一次演唱电影主题曲，表现令人激赏。
而为了清楚重现剧中气氛，在原声带中也收录了刘若英和黄磊的文艺对白，记录了男女主角的声音演出，加上配乐的气氛烘托，聆听原声带仿如原影重现，令人回味无穷。

专辑介绍：
音乐天堂继《透过骨头抚摸你》、《断弦的耳朵》、《踏刃而行》、《今天画海下一天画蓝》出品的又一唯美另类系列。
以前欧美另类出的一系列，从《穿过骨头抚摩你》、《断弦的耳朵》到《踏刃而起》、《今天画蓝，下一天画海》，都是听欧美另类音乐的启蒙，虽然有些歌不算是另类，在今天来说已经算是经典了。
《在最美的夜晚停留》收录24首动听的电影原声音乐，电影的赏析及相关介绍，力图为爱好电影音乐的读者构造一个音乐和画面的美丽世界，让信任音乐天堂的歌迷们继续与我们一起欣赏最好的电影音乐，倾听最动听的歌。
电影，音乐，在我的生活中是非常重要的存在

专辑文案
追梦人　梦中月光流泻满地　很象爱情如此静好　只是当认真起来伸手想结实拥抱　月光就从手指缝穿过 滑落 爱情也总是这般，很象梦里的美景　看着那么诱人，却永远差一步才追得到
滚滚红尘　都说好了此生不分开的约定　一晃眼　却在红尘中走散了　慌乱中我摊开手心端详那条爱过怨过山绕水弯的感情纹路　我到和你相遇的起点　一路前去与你相会　才知道走过这么多风雨路程　原来你是我生命风景中最留连的一幕
旧伤新情　在感情中受伤　是不宜张扬　宜静悄悄没人打扰　独自疗伤　像收集一片血红的枫叶　可资纪念秋天的模样　我以录下伤口愈合的声音，纪念一段心情的沦丧
轮回　结伴渡过时间的河吧　虽然登上了那边的岸之后　我们就要分手　赶各自的路　我这下只想好好与你紧紧牵手　且在水光粼粼中记牢你的脸　好在下一个渡口　一眼从人群中认出你　再共渡一次河
吉星高照　满天星斗　我们指认了一颗流星　做为谁也不可变心的见证人　它那灿烂一路滑入地平线的火花　正好拿来挂在颈间　当做一条祝福爱情的幸运符
沉默的表示　忽然不说话了　你在沉默中轻轻用眼神挡开了我　或许没有语言也是好的　否则你又如何说的出　不违背我又不伤害我的理由　这次　我终于学会用背影挡开你的沉默
变迁中的你的我　那年小心翼翼将你封箱　摆进记忆仓库的角落　以为你就此完好如初　等候着某一日不期的重逢　直到事过境迁了很久的今日才猛然记起　是不是因为认不出你在尘埃中变迁的样子　已早将你倾倒了出去
双镯(1、2)　看台上演得热热闹闹　卿卿我我　都是别人的故事　台下枯坐的我的心冷冷清清　究竟还要冷落多久　才轮到我们粉墨登场　也去赢得人家一声声的叫好

《喜马拉雅》是一部由法国导演Eric Valli所执导的影片，描述在尼泊尔西北方一个名为Dolpo的偏僻村落的故事，除了真实呈现当地人生活方式及传统风俗外，也再一次拍摄到这个西方人士眼中充满宗教神秘色彩的世外桃源。为了更确切地表现部落的精神意涵，在这张原声带中作者特别安排了许多启发冥想的音乐片断，藉由独特的歌声、弦乐或是敲击乐音的交错重迭，罗织出异域边境寂寥的风情。在这个有世界屋脊之称的喜马拉雅山脉中带给世人的除了来自宗教上的丰富资源，同时也蕴含了无数天地宇宙间的神奇奥妙，无论是从电影或是从音乐的媒介，我们都一窥其中的堂奥.

本张原声带的作曲是法国新锐音乐家Bruno Coulais，它所创作的“天·地·人”三部曲包括：讲述鸟儿飞行梦想的纪录片《迁徙的鸟 (Le Peuple Migrateur, Travelling Birds)》、展现虫子们幸福生活的电影《微观世界 (MICROCOSMOS)》，以及赞美人类与自然血脉相连的故事片《喜马拉雅 (HIMALAYA)》。



原声极具西藏风情，清晰的鼓点和明朗的哼唱在眼前展现的世一幅空旷美丽的画面。西藏依旧神秘，只是我们的心在逐渐超脱。

Renowned director Lars Von Trier's stroke of genius in making his 2000 film DANCER IN THE DARK was to cast Iceland-born avant-pop siren Bjork in the central role and then enlist her aid in composing and performing a series of musical numbers for the movie. In the film, Bjork's character Selma lives an unrelentingly hard life as a single mother and factory worker who is quickly going blind. The film's songs come from Selma's inner world, where she (and the audience) find respite from all the harshness of reality.
Bjork's compositions, with orchestral arrangements from Vince Mendoza, hang together on their own quite nicely. Catherine Deneuve (Bjork's co-star) and Radiohead's Thom Yorke make effective vocal cameos, but Bjork's voice and music are the central focus. As we hear the industrial sounds of the factory turn into the rhythm of a song, or follow Bjork's oddly intuitive melodic leaps through a dreamlike haze of strings, it becomes clear that her idiosyncratic writing style adapts quite well to the cinematic milieu. As usual, her uniquely entrancing singing style stands out above almost all else.

金轮国王妃（叶玉卿）与表哥西毒欧阳锋（梁朝伟）有奸情，他们毒死国王，企图霸占江山。但传国玉玺在三公主（林青霞）手里，他们的奸谋不能得逞，两人找三公主抢夺玉玺，公主不敌，全靠部下舍命抵挡，她才得以孤身一人逃往九宫山寻找自己的师父求助。
奸妃与欧阳锋通过金轮国国师（张曼玉）找到公主下落，欧阳锋遂乘坐火箭金靴赶往九宫山，在途中不慎将一只金靴丢落，正巧砸死了刚刚练成神功的全真教主王重阳（钟镇涛），王临死前托师弟周伯通（刘嘉玲）为其报仇。
三公主逃到九宫山，邀得师弟黄药师（张国荣）与师妹（王祖贤）相助，再加上前来寻找表妹的北丐洪七（张学友），准备与西毒展开一场生死恶战……

《葬心》这套电影原声，由小虫创作，当年跳槽滚石的唱将黄莺莺以超高水准演绎了两个不同版本的《葬心》，一个是当代风格的版本，一个是细生细气的符合三十年代欣赏口味的怀旧版，本专辑正是这个版本的。在影片一开始以收音机里的背景音乐出现过，感兴趣者不妨留意。
为了要用心做好电影《阮玲玉》的配乐，制作人小虫从关锦鹏提供的电影片段、阮玲玉的相关报道，及正统二、三〇年代的音乐入手，一步步走进那个遥远的年代。据说为了要重现那个时代的音乐风貌，他还不惜将唱片母带扔到地上，踩一踩，以制造出时间的斑驳风貌。“感谢阮玲玉，因为她带领我重温一回生命的乐章，启发我音乐创作的另一风貌。”这是小虫在文案上写的一些感想。而对于演唱主题曲“葬心”的歌手黄莺莺来说，这也是一次难得的经验；同为女性，她对阮玲玉的生活、演艺生涯、及上一代女性艺人在保守社会所遭受的舆论和道德谴责下，那种含恨自尽的煎熬心情，感触颇深。“贪一点依赖，贪点爱”无非是阮玲玉的感情写照，而在黄莺莺仿古唱腔的绵密歌声中，阮玲玉的凄怆、辛酸，在相隔半世纪之后的今天，仍令人感慨不已。
乐评人翁嘉铭认为，《葬心》这张专辑让小虫真正发挥了他“歌乐剧”的创作才华。的确，由弦乐为衬底所交织成的绵密情感，加上如刺绣素手般婉约的音符，完成了阮玲玉一生命运的音乐网。而电影《阮玲玉》在配乐的烘托下，也更颇细腻、动人。

Charles Alexander Clouser is a musician whose activities include playing keyboard and drums, music programming, engineering, and mixing. He was a member of the band Nine Inch Nails from 1994-200, and has done remixes for bands such as White Zombie, Marilyn Manson, Rammstein, Prong, Killing Joke, and Type O Negative.

《镜子面具》是平面绘图大师达夫·麦克基恩执导的第一部剧情长片，影片中充满了变化多端的平面蒙太奇，真人与动画相互融合，诡异、妖冶如梦境般光怪陆离的画面令人难以拒绝。影片在风格上和宫崎骏的电影有很多相似之处，儿童梦境题材，故事意境深远，想像力丰富，只是麦克基恩对剧情的把握能力还稍有不足，故事节奏被淹没在如天花般绚烂的画面中。
和麦克基恩共同编剧的英国作家尼尔·盖曼更是一代奇才，他是现代十大顶级后现代主义作家之一，他的作品大部份都是奇幻小说，曾为DC公司创作漫画系列《睡魔》的剧本，并此一共获得9次动漫产业奖和一世界奇幻奖的最佳短篇小说奖。2001年，他的奇幻长篇小说《美国众神》（AmericanGods）赢得了奇幻小说界最有名的雨果奖和星云奖，以及恐怖小说界的最高荣誉布莱姆·斯托克奖， 2003、2004年，他又先后凭《卡罗兰》和《绿字的研究》两度斩获雨果奖，成为奇幻文学界最炙手可热的作家。
从片名可以解读出影片的主题，魔法世界中每个人都有“面具”，强调有生命即有面具，如同每个人脸上的喜怒哀乐，那是别人眼中的自己，而“镜子”则是自己观察自己，镜子有时的确能看到真实的实像，但是当镜子倾斜45度时，镜子中的就是假像，而形状不规则的镜子更是折射出千变万化的假像，影片通过强调“镜子” 和“面具”，试图说明一切都是假像，只有主人公内心认定的世界是真的，她可以把生活当做一场梦，也可以把一场梦当做生活，甚至自己都未必是自己。很深奥，暂且不论，对于影片来说，无论奇幻、科幻、写实、纪录，都只是一场视觉的游戏。
来源：虾米
Movie critics are almost universal in their acclaim of the visual (if not storytelling) achievement of writer Neil Gaiman and first-time director Dave McKean's MirrorMask. The sets and animation designs are derived from McKean's distinctively imaginative illustrations: the result is as overpowering as it is quirky.
A quirky film demands a quirky soundtrack - and that's just what moviegoers get with Iain Ballamy's rich, eclectic score.
A saxophonist best known to European music-lovers, Ballamy teams up with Ashley Slater to arrange and orchestrate his compositions. It's a long soundtrack - over 74 minutes - with songs as short as 30 seconds, one that's over 10 minutes; with the rest being quick hits of a minute or two.
Ballamy clearly has a love of Gypsy music and Eastern European folk styles, as evidenced in "Sock Puppets/Flyover," "Circus Overture," "Spanish Web," "Leaving the City," "Fish Street," "My Waltz for Newk" and the funny, double-time "Rabbit Band." Here listeners are exposed to invigorating combinations of accordion, brass, percussion and saxophone.
But it's not all Gypsy music. Among the variety of offerings is "Running for the Bus," a placid vignette with guitar and bass; "Abandoned Hall," which begins tentatively with strings and chimes, and gradually morphs into an urgent, atonal blend of synthetic sounds, plunky bass, with a sinister sound effect like a snake's rattle; and "Arresting Helena," with its plinky strings and exotic percussion (a perfect accompaniment for the rushing, spindle-legged creatures who take Helena to see the White Queen).
Speaking of which, "The White Queen Sleeps" features languid, watery bells - and we hear vocals for the first time (courtesy of Norwegian trumpeter Arve Henriksen).
"The Library" pairs jazzy sax with a cimbalom (a sort of Gypsy xylophone). The cimbalom returns in "Butterfingers." Ballamy plays a wood flute, complemented by programmed effects in "The Myth of Creation." There's more jazz/Gypsy hybridization in "Looking through the Window."
Two of the most powerful tracks are "Giants Orbiting" (eerie, frightening, with a sound like a swarm of giant bees attacking - perfectly suited for the mysterious and wonderful scene in the movie for which it was written) and "Monkeybirds," another dramatic piece, a backdrop to the film's strange, seat-of-your-pants chase scene.
"Mrs. Bagwell's Rhumba" is a fun, over-the-top piece, with Henricksen using a crazed, mock-operatic voice.
There are a number of downright lovely tracks, including "Dream Park/Meeting in a Dream" (featuring trumpet and cello), "Conjuring a Dome" (trumpet and voice), "A New Life" (a New Agey, jazzy tune with vocals by Josefine Cronholm), "A Rather Tense Dinner Party" (with its echoing piano) and "If I Apologized" (a nice duet with Josefine Cronholm and Ashley Slater that sounds like something Sade might have done).
"Meeting the Sphinx and Dark Queen" is an odd, ethereal, jazzy tune. "In the Dark Forest" is a doleful cello piece. "Betrayed!" is another stand-out piece featuring trilling strings; dark, moody, and unnerving.
Perhaps the strangest song in the whole film is Josefine Cronholm's quirky clockwork cover of "Close to You," the 1970s hit by The Carpenters. It's used during the scene in which Helena undergoes temptation to the dark side.
The ten-minute montage "Discoveries/Fight or Flight?/Goodbye Evil Helena" starts out like something escaping a music box, morphing into an insistent orchestral arrangement with a big, blaring climax.
The prime audience for MirrorMask: Original Motion Picture Soundtrack will be hardcore Gaimanites who see this film multiple times, and those who see the film just once and fall in love with its confusing "Alice in Wonderland meets Salvador Dali" visual vibe. If Gaiman/McKean partner for another such film, they could do much worse than rehiring Iain Ballamy.
Reference:

Queen of the Damned, the movie starring Aaliyah features a soundtrack including Marilyn Manson, Papa Roach, Orgy, Static X. The soundtrack also includes a first time solo offering from Chester Bennington of Linkin Park. Warner Bros. Records. 2002.
原声带的部份除了有着阵容坚强的摇滚组合外，其幕后推手更是久违的Jonathan Davis，他就是Korn（五谷合唱团）的创作中心及疯狂优秀的主唱，他与另一位知名的键盘乐手Richard Gibbs共同为此原声带摧生共谱5首新作，除了一首请到工业摇滚界的惊世魔王教主Marilyn Manson献唱新作“Redeemer”外，其余4首则邀来近期备受各方好评并创下极佳销售佳绩的新团主唱为此辑发声，首支单曲“Not Meant For Me”交由工业摇滚猛团Static-X（静止X）的主唱Wayne Static代表飙唱，愤怒厚实的嗓音在此曲中再度表露无遗，其团还供出一首佳作“Gold”。火力正延烧全球的超强新团Linkin Park（联合公园）请出主唱Chester Bennington演唱超级诡谲且阴森的单曲“System”；让全台摇滚乐等到望眼欲穿的Nu-Metal新团Disturbed请来该团光头大汉主音David Draiman演唱“Forsaken”，Disturbed还热情赞助该团首张同名劲曲“Down With The Sickness”；Jonathan Davis的爱徒Orgy（欧激合唱团）酷味十足的主唱Jay Gordon也演唱令人不寒而憟的精彩新作“Slept So Long”。被称为Marilyn Manson接班人的工业摇滚新团Godhead（神格合唱团）也献上电音味浓烈的呛声新作品“Penetrate”；WB旗下即将推出的强劲摇滚新团Dry Cell与Earshot分别强先收录最新力作“Body Crumbles”及“Headstrong”二曲；快速篡红的新团Papa Roach（蟑螂老爹）与深受乐迷及乐评一致推荐的Deftones（盲音合唱团）也热情赞助此辑2首优质旧作“Dead Cell”与“Change（In The House Of Flies）”。

Howard Leslie Shore OC is a Canadian composer and conductor noted for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings and The Hobbit film trilogies.

Howard Shore 为 2001 年电影《指环王：护戒使者》创作的配乐，2001 年美国平装版