A tragicomic story from a rural setting was based on the collection of short stories by Milka Zimkova, who was also cast in the lead role. The lives of Johana Ovsena and her illegitimate daughter Pavlína seem to copy each other. Johana, a single mother, watches her daughter make the same mistake as she herself had made in the past. The makers of the film had very good knowledge of village life: Stefan Uher's film is an authentic picture of the way of life, regional traditions, and mentality of people from eastern Slovakia.

This movie is a part of the Slovak movies collection of 60´s and 80´s. It consists of 30 movies chosen by nowadays critics as the best artistic movies.
This is No.1。

米洛斯福曼一鸣惊人长片首作《黑彼得》(Black Peter)，不仅荣膺卢卡诺影展首奖，更被视为捷克新浪潮开山作之一，电影以父亲的质问叨念，同时呈现男孩成长的迷茫无奈，暗喻共产社会的监视控制，《黑彼得》采非职业演员和即兴对话，于街头手持摄影，呈现一则轻松幽默的讽刺寓言。故事讲述在超商担任暑期实习生的16岁少年彼德，首日上工就撞见偷窃却不敢指认，反而只想和池畔的女孩调情，唠叨老爸和老板让人生难以过关。米洛斯福曼在《黑彼得》添加舞会桥段、喜剧的趣味实验，更捕捉到人物间的微妙互动，从而奠基日后大师印记。

1961年嘎纳电影节金棕榈提名，斯洛伐克新浪潮的先声。

是捷克新浪潮中最激进的一部影片，因为结尾处一群学生冲破警察的管制冲向夜色里的街头暴动场景而被迫在当年未能完成，直到1990年解禁后才由导演Hynek Bocan继续剪辑完成了影片。
A young teacher is sent to a rural re-
form school, where he is faced with
brutality of the inmates. He ends up
paying with his life for his attempts to
reform the abnormal conditions he
finds there. The story, based on the novel
of the same name by Karel Misafi, was
banned during the final editing of the
film and was only finished and releas-
ed after the Velvet Revolution.
The director Hynek Boãan (b. 1938)
avoided persecution during “norma-
lization” by shooting harmless come-
dies and fairy tales. After the Velvet
Revolution he became one of the most
productive directors of television se-
ries. He was responsible for the conti-
nuation of the popular television se-
ries “Nemocnice na kraji mûsta po
dvaceti letech” [Hospital on the Edge
of Town After 20 Years] dealing with
the fates of doctors and their patients.
At the present, he his making a series
about the lives of famous ice hockey
players on the decline.

与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。