William "Smokey" Robinson Jr. is an American singer, songwriter, record producer, and former record executive director. Robinson was the founder and front man of the Motown vocal group the Miracles, for which he was also chief songwriter and producer.

與香港華納唱片推出⾸⽀單曲 “boyfriend material” ⼀年後，R&B / Pop 界新星 Gareth.T 即將推出⾸張個⼈專輯。專輯收錄 9 ⾸單曲，紀錄 Gareth 過去兩年的經歷，包括與女友 moon tang 的相遇與相處，與唱片公司簽約，以及與家⼈和朋友的關係。每⼀⾸歌都是 Gareth 最真摯的呈現。
在香港，也許有很多歌⼿會嘗試從⼀些既定的途徑去發展。但 Gareth 對⾃⼰的創作有⼀份絕不妥協的堅持，寧願因為做⾃⼰認為對的事⽽被討厭，都不想因為做⾃⼰不認同的事⽽受愛戴。"to be honest" 就是這樣的⼀張專輯。專輯收錄“boyfriend material”、“honest”、“勁浪漫 超溫馨” 、 “dinner in bed” 以及 "speed limit" 經已推出的熱⾨單曲
，以及三⾸最新單曲和⼀段 skit，新單曲的專屬⾳樂影片亦會稍後推出。
to be honest 將於 5⽉20⽇登上各⼤串流平台，切勿錯過。

Gareth.T 夥拍傳奇級填詞人黃偉文推出新單曲《勁浪漫 超溫馨》
愛情與麵包 —— 可能是每個現代人都一定會面對的抉擇，但又有幾多人會勇敢地去選擇愛呢? 繼本年度先後推出三首單曲後，Gareth.T 即將推出第四首個人單曲《勁浪漫 超溫馨》。以最動人 的旋律與啜核的歌詞告訴各位，即使缺乏物質上的充裕，只要有愛情，兩個人亦可以過勁浪漫， 超溫馨。

Gareth.T 推出全新单曲《dinner in bed》
今个情人节将会更加浪漫更加温馨
Gareth.T 即将推出全新单曲 dinner in bed，这是他于去年十一月推出的《劲浪漫 超温馨》的英文版本。虽然比其中文版较迟推出，其实 dinner in bed 早于《劲浪漫 超温馨》完成。有别于中文版的"从节俭生活中寻求无价的快乐"，dinner in bed 是一首有关情侣间肌肤之亲的歌。歌名灵感其实来自 “breakfast in bed”，一个情侣间绝对不会陌生的甜蜜举动。但 Gareth 与他的另一半同为创作歌手，二人不但止过着日夜颠倒的生活，而且很多日常的运作都与普通情侣不同。副歌部份 (Can we have dinner in bed / Then breakfast with sex / Then brunch with long naps / Then repeat all these steps) 展示他们异常的作息，但他们的情感和感受其实与很多人所面对的都很相似。
曲风方面，dinner in bed 的编曲比原版简约，由长期合作伙伴 Teddy Fan 弹奏结他。

词：林宝/冯允谦
曲：冯允谦
编曲：陈考威/冯允谦
监制：陈考威/冯允谦

Digitally remastered reissue for this album by one of the most underrated Soul producers of the '70s. Hutson replaced Curtis Mayfield in 1971 as the lead singer in the Impressions and stayed with them until 1973, when he followed in Mayfield's footsteps and launched his own solo career. Originally released in 1982. Seven tracks. WSM.

Here, My Dear is a studio double album by soul musician Marvin Gaye, released December 15, 1978 on Tamla Records. Recording sessions for the album took place at Marvin's Room in Hollywood, California from 1976 to 1977. A deeply personal and controversial album, Here, My Dear is notable for chronicling Gaye's ill-fated first marriage to Anna Gordy. Here, My Dear was initially a commercial failure, while receiving some critical favor from music writers. However, critical recognition of the album has improved significantly following further examinations by critics and compact disc-reissues. In 2003, the album was ranked number 462 on Rolling Stone magazine's list of the 500 greatest albums of all time.
By 1976, the relationship between Marvin Gaye and his first wife, Anna Gordy, had become estranged and was far from being repaired. Marvin, who was now carrying on an open relationship with singer Janis Hunter, and Anna often accused each other of infidelity over the years before his relationship with Hunter. Shortly after Marvin and Janis welcomed the second of their two children, Frankie, in November 1975, Anna filed for divorce. At this time, Marvin was running low on money because of an extravagant spending habit to support his lifestyle which included, among other things, a fleet of cars, several homes in and outside the country, and an increasing cocaine habit. Marvin's spending habits had made it impossible for the singer to pay Anna money for alimony and child support for the couple's only son, Marvin III. Marvin's attorney Curtis Shaw came up with a solution to Marvin to give half the royalties he would earn from his next project to Anna. After agreeing to the deal, the singer went into his recording studio in an effort to give Motown a "lazy, bad" album starting sessions in the spring of 1976. However, as Marvin set on making the "lazy" album, the singer's deep emotions and bittersweet feelings for his soon-to-be former wife took over the music.
Songs included in the album didn't just deal with the singer's troubling marriage ("I Met a Little Girl", "Anna's Song", "You Can Leave, But It's Going To Cost You") but with other deep issues including anger management ("Anger"), Jesus ("Everybody Needs Love", "Time to Get It Together"), solace ("Sparrow"), space (the loosely funky "A Funky Space Reincarnation") and new love ("Falling In Love", the one song dedicated to Marvin's new wife, Janis). An Allmusic reviewer later wrote of the music:
...the sound of divorce on record — exposed in all of its tender-nerve glory for the world to consume... Gaye viciously cuts with every lyric deeper into an explanation of why the relationship died the way it did... Musically the album retains the high standards Gaye set in the early '70s, but you can hear the agonizing strain of recent events in his voice, to the point where even several vocal overdubs can't save his delivery.[1]
—Allmusic
The project was worked on for a year and was initially held back by Marvin, fearing that the project was too personal to be released. However, because of Motown's demands for Marvin to put out an album, as he had often delayed releases and it had been over two years since his last record, the sensually erotic I Want You, the singer decided to put out the album as promised in December 1978.
When Here, My Dear was released in the end of 1978, it was panned by consumers and critics alike, who called the album "bizarre" and "un-commercial". The album's lack of success angered Gaye to the point that he refused to promote it any further. Motown stopped promoting Here, My Dear in early 1979, by which point Gaye had gone into self-imposed exile. Ironically, around the same time, Marvin's relationship with second wife Janis had also fallen apart and the couple separated sometime in 1979. Upon hearing the album, a visibly upset Anna Gordy considered suing Marvin for invasion of privacy but, according to People magazine, later recanted that decision. In 1994, the album was re-released due to increased attention on Marvin's life to commemorate the tenth anniversary of the singer's untimely death, and reached number-one on Billboard's R&B catalog chart. The original album peaked at number four R&B and number twenty-six pop becoming Gaye's lowest-charting studio album of the 1970s. Initial response to the album was mixed, as most critics described it as weird. However, Gaye's lyrical honesty over the laid back disco grooves of Here, My Dear was praised by many. Robert Christgau of The Village Voice wrote of the album:
...this is a fascinating, playable album. Its confessional ranges from naked poetry ("Somebody tell me please/Why do I have to pay attorney fees?" is a modernist trope that ranks with any of Elvis Costello's) to rank jive, because Gaye's self-involvement is so open and unmediated, guileless even at its most insincere, it retains unusual documentary charm. And within the sweet, quiet, seductive, and slightly boring mood Gaye is at such pains to realize, his rhythmic undulations and whisper-to-a-scream timbral shifts can engross the mind, the body, and above all the ear. Definitely a weird one.[14]
—Robert Christgau
The album was re-evaluated in the years following its original release, and is today seen as a landmark in Gaye's career. It was voted one of the greatest albums in music history by Mojo Magazine (1995) and Rolling Stone magazine's critics poll (500 Greatest Albums of All-Time) (2003), among others. This reassessment was influenced by the album's subsequent re-release. On February 15, 2008, Hip-O Select reissued Here, My Dear as a two-disc Expanded Edition including a song cut from the original album, "Ain't It Funny How Things Turn Around", which was remixed by funk legend Bootsy Collins. Disc two featured remastered and alternate versions of the songs from the album remixed by contemporary soul producers such as Salaam Remi, Questlove, Prince Paul, DJ Smash and others.
Side one
"Here, My Dear" – 2:48
"I Met a Little Girl" – 5:03
"When Did You Stop Loving Me, When Did I Stop Loving You" – 6:17
"Anger" (Delta Ashby, Gaye) – 4:04
Side two
"Is That Enough" – 7:47
"Everybody Needs Love" (Ed Townsend, Gaye) – 5:48
"Time to Get It Together" – 3:55
Side three
"Sparrow" (Ed Townsend, Gaye) – 6:12
"Anna's Song" – 5:56
"When Did You Stop Loving Me, When Did I Stop Loving You (Instrumental)" – 6:03
Side four
"A Funky Space Reincarnation" – 8:18
"You Can Leave, But It's Going to Cost You" – 5:32
"Falling in Love Again" – 4:39
"When Did You Stop Loving Me, When Did I Stop Loving You (Reprise)" – 0:47

"也许是你 是你拯救了我 也许是你 是你拯救了我 也许是你 是你拯救了我 也许是你 是你拯救了我 "

Going To A Go-Go is a 1965 album by The Miracles, the first to bill the group as Smokey Robinson & the Miracles. It includes four of the Miracles' Top 20 hits: "Ooo Baby Baby", "The Tracks of My Tears", "Going to a Go-Go", and "My Girl Has Gone". Primarily produced by Miracles lead singer Smokey Robinson, Going to a Go-Go features compositions co-written by Miracles members Robinson, Ronald White, Bobby Rogers, Pete Moore, and Marv Tarplin.

你我都知道，潮水一定是会退去的，不管此刻它有多汹涌，最终都是会消散的。而那平淡无奇的镇海塔嘛，仍旧会矗立在原地。那塔究竟有没有退潮的能力，已经不重要了，重要的是每个人都愿意相信它，它会成为一种标志，成为每个退潮者的信仰，成为一个代表无名之辈的符号，那便是它的宿命。

记忆中的碎片连接成长这条路
过去 现在 未来
时空的界限在奔赴的薄雾中弥散
旧铁皮颠簸着防风火机的传奇
语音通话中的乡音仍在缭绕
在华灯初上的楼宇间推杯换盏
凝望穿越天黑路滑的荆棘地
目光丈量归家路
脚步书写青云志
威远不远 威远很远