ZERO CULT is the project of Emil Ilyayev from Israel, who has been producing electronic music for well over a decade. The project was born in 2003 after discovering the new sound of downtempo and chillout music in the underground scene.

ZERO CULT is the project of Emil Ilyayev from Israel, who has been producing electronic music for well over a decade. The project was born in 2003 after discovering the new sound of downtempo and chillout music in the underground scene.

Side Liner returns with his 4th discovering compilation.A tasteful selection from the catalogue of Australian label Tempest Recordings, sister label of Cosmicleaf Records.Sounds from Ambient to Trip Hop, from downtempo to lounge for a guaranteed chill out experience. Discovering series is your anti-stress music pill carefully tested by Side Liner and produced by Cosmicleaf laboratories.

BioLogICal-Events 是由 Michael Weisser 和 Ralf Pauli 组成，Weisser 曾经是7-80年代大名鼎鼎的德国新世纪乐队 Software的成员，目前是 IC公司的发行总监，BioLogICal-Events 的四张专辑却不能逃脱喜爱电子乐的我的视线。这张 Mutabor 是他们第三张作品，比起前面两张，在韵律上显得更加成熟，利用合成器产生了欢快悲伤的氛围效果对我们生活的地球的表达，Mutabor 是一个部落语言，有意思的是，作者把这个词汇拆分为两部分一个作为开头，一个做结尾，热忱推荐给喜欢新世纪的朋友。--- tonyyin

Berlin-based contemporary composer Nils Frahm has built a steady reputation for his intimate, poignant piano recordings, yet they only reveal a fragment of what to expect from a Frahm concert. The artist’s heart lies in improvisation, in the magic of a moment where, inspired by the space and the audience, his fingers create new compositions loosely based around his familiar melodies.

Spaces is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they witness during his concerts. Breaking the convention of a traditional live release, the album was recorded over the course of two years in different locations and on various media, including old portable reel-to-reel recorders and cassette decks. These moments were later pieced together in his Durton Studio for what Frahm refers to as a collage of field recordings rather than a live album.

Spaces includes surprises such as the sound of a toilet brush banging on piano strings to create a dub-sounding track. The decision to select takes that include the sounds of people coughing and cell phones ringing make clear that his audience is an integral part of every performance. In his own words: “What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ, too. Every space I performed in has its own magic and spirit.”

The album was mastered by the gifted hands of Mandy Parnell; its November release will be preceded by a string of West Coast shows in late September and celebrated with a special concert in New York City on November 25th.

夜夜月光洒清辉，但愿花间抱月睡。

《Two Moon Butterflies 一对月蝶/阴历二月蝴蝶》不管出于如何，Koan 公案 的这张专辑有些东方韵味，利用电音模仿三弦的弹奏，但是还是可以感觉出来那些音乐永远不会出自东方人之手，这些真正的差异也许正是文化，东方人如果出来的东西一定少了西方人的激情和创新，西方人的出来的东西却少了东方的含蓄。在这个文化激交的时代我们需要去聆听，并不在乎什么是西方的什么东方的。

Code Indigo is one of those hard to categorise progressive rock bands whose music and concept style albums cross genres and appeal to a wide range of audiences. With strong, original melodic compositions, an imaginative combination of keyboards, guitar, samples and rhythms plus a good helping of atmosphere, experimental, ambient and down tempo chill out influences, their music compares to that of a Blade Runner style soundtrack, Art of Noise, Enigma and instrumental Pink Floyd.
The band was founded in 1995 by David Wright and Robert Fox and has undergone various changes in personnel over the years. The current line up is David Wright and Neil Fellowes on keyboards, Dave (DJ) Barefield (lead guitar), Dave Massey (rhythm, sequencing and bass programming) and Nigel Turner-Heffer on keyboards, bass and rhythm guitar.
‘Take the Money and Run’ is the band’s farewell album, with co-founders David Wright and Robert Fox reunited for the project. The album reflects the history of this enigmatic band with a clever choice of songs, old and new, that also feature many of the band’s recent musicians presented with a 16 page booklet containing various line-up pics and notes on the project by David Wright.
The CD contains two expertly crafted remixes from ‘TimeCode’: the pulsating ‘Eden to Corruption’ and a stripped bare ‘Call of the Earth’. ‘Return to Gaia’ is a new version of a track previously only available on a limited edition European compilation. ‘Ashes and Snow’ is a brand new piece which was unable to be included on’ MELTdown’. ‘A Question of Answers’ sees Wright and Fox joined by vocalist Carys to revisit and re-record in the studio a beautiful piece previously only available on the Derby Cathedral CD. This piece, the artists agree, best sums up Code Indigo. The final 30 minute epic is a live track from 2007 featuring 6 interlinked pieces from ‘For Whom the Bell’, ‘Uforia’, ‘TimeCode’ and ‘Chill’.

Downtempo, Synth-pop, Ambient
Compilation of all Schiller with Kim Sanders songs. "I Will Find You" isn't released before.
This CD was only available at
and at Sehnsucht tour.

Woven Tide is the debut album by From The Mouth of The Sun, the new collaboration between Dag Rosenqvist, aka Jasper TX, and Aaron Martin.
Out of the charred embers of dusk Woven Tide emerges with an incandescent glow. Each glimmer cast by the sustained notes of ebony keys, the taut strings of the cello, and the rampant buzz of guitar lights our way, gives us hope, brings us into the dawn of a new day. As From The Mouth of the Sun, the duo act as our torchbearers, scrawling messages along the walls of an elongated cave, toiling through the decayed remnants of fetid matter to create eight illuminating pieces. The listener, who has wiled away the hours, will find a door; Woven Tide will be the light out of the darkness.
Pieces from Woven Tide as well as solo work by Aaron Martin accompanies the new documentary film by Lost Hill Picture's Ross McDonnell and Carter Gunn for Fastnet Films, Remember Me, My Ghost, which is currently touring the festival circuit. McDonnell and Carter are most recently known for their award winning documentary film Colony which documents the unexplainable phenomenon known as Colony Collapse Disorder that has left landscapes of empty beehives all across America, and also features music by Aaron Martin. An upcoming short film by McDonnell and Carter featuring Color Loss from Woven Tide will be included on an upcoming Wholpin DVD magazine published by McSweeney’s.
Since 2005 Gothenburg, Sweden based musician Dag Rosenqvist's work has graced imprints including Miasmah, Fang Bomb, Under The Spire, Lampse, Lidar, Slaapwel, Kning Disk, Dead Pilot Records, Lowpoint, and Rural Colors.
Since 2006 Topeka, Kansas based composer Aaron Martin's work has graced imprints including Preservation, Mobeer, Experimedia, Type, Under The Spire, and Sonic Meditations.