Remastered reissue of 1971 album. Packaged in a digipak reproduction of the original artwork. The manic album that won him fame on college campuses in the early 70s. 8 tracks. Featuring Nana Vasconcelos, Lonnie Liston Smith & Ron Carter and others.

The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and frustration. With Pithecanthropus, Mingus displayed a gift for airtight, focused arrangements that nonetheless allowed his players great freedom to add to the established mood of each piece. The Clown refines and heightens that gift; instead of just writing heads that provide launch points for solos, Mingus tries to evoke something specific with every piece, and even his most impressionistic forays have a strong storytelling quality. In fact, The Clown's title cut makes that explicit with a story verbally improvised by Jean Shepherd (yes, the same Jean Shepherd responsible for A Christmas Story) from a predetermined narrative. There are obvious jazz parallels in the clown's descent into bitterness with every unresponsive, mean-spirited audience, but the track is even more interesting for the free improvisations led by trombonist Jimmy Knepper, as the group responds to Shepherd's story and paints an aural backdrop. It's evidence that Mingus' compositional palette was growing more determinedly modern, much like his increasing use of dissonance, sudden tempo changes, and multiple sections. The Clown introduced two of Mingus' finest compositions in the driving, determined "Haitian Fight Song" and the '40s-flavored "Reincarnation of a Lovebird," a peaceful but melancholy tribute to Charlie Parker; Mingus would return to both throughout his career. And, more than just composing and arranging, Mingus also begins to take more of the spotlight as a soloist; in particular, his unaccompanied sections on "Haitian Fight Song" make it one of his fieriest moments ever. Mingus may have matched the urgency of The Clown on later albums, but he never quite exceeded it.

This is a quite unique collaboration, an unexpected one between the italian composer Teho Teardo and Blixa Bargeld, leader of Einstürzende Neubauten and former Bad Seeds. They first met during the realization of Ingiuria, a theatre pièce and right after that they collaborated on a song for a soundtrack, “A Quite Life”. That song started the whole process of writing and producing an album together where songs and more experimental pieces could find a common ground.
The original use of strings: cello, violin, guitars, a full string quartet diverts the traditional perception of those classic instruments when they deal with electronics and the result is emotionally moving.
The album has been written and recorded between Berlin and Rome, it took nearly two years to be made, Teho and Blixa worked next to each other choosing carefully every sound, every word and silence.
There are 12 songs on Still Smiling, including a new version of A Quiet Life and a cover of Alone With The Moon by The Tiger Lilies.
Amongst collaborators there are The Balanescu Quartet and cellist Martina Bertoni.
Lyrics are visionary and are sung in english, german and italian, Blixa reveals a really personal and intimate side to the listener this time.
Still Smiling is an album whose special vision covers all the sky between Rome and Berlin, daytime and nocturnal.